Welcome To Heavy Planet!

If you are looking for new Stoner Rock, Doom, Heavy Psych or Sludge Metal bands, then you have come to the right place. Heavy Planet has been providing free promotion to independent and unsigned bands since 2008. Find your next favorite band at Heavy Planet. Thanks for stopping by!
Showing posts with label post rock. Show all posts
Showing posts with label post rock. Show all posts

Wednesday, April 13, 2016

Band Submission: Estuary Blacks-Progressive Stoner/ Post-Rock From South Wales

Band Name: Estuary Blacks
Genre: Progressive Stoner/ Post-Rock
Location: Gower, South Wales
Brief Bio/Description: We're a 3 piece progressive stoner / post rock band from Swansea, South Wales.We self-released our debut E.P. on December 16th 2015 and are looking for some feedback.
Band Members:
Al-Guitar and Vocals
Dan-Bass
Tom-Drums
Links: Facebook | Bandcamp

Tuesday, April 5, 2016

Band Submission: Senzafine-Post-Rock From Montreal, Canada


Band Name: Senzafine
Genre: Post-Rock
Location: Montreal
Brief Bio/Description: Post-rock from Montreal, Canada
Band Members:
Yann
Vince
Jason
Links: Bandcamp | Facebook

Tuesday, February 2, 2016

New Band To Burn One To: Oarfish



Crushing riffs are in abundance on the debut EP from Swedish multi-instrumentalist Mattias Häggström Gerdt, going under the name Oarfish. HE has just released five instrumental sludge/doom/metal tracks to really crew with your senses. While at times drifting into post-rock territory, the music quickly coats over in a foggy choking gas ball of thick grungy riffs and penetrating time changes that keep you on the uneasy edge of your seat the whole time.

Give yourself over to the power of Oarfish for an uncomfortably heavy half an hour. You won’t regret it.

Friday, August 7, 2015

Quick Hit-Boar (Asheville, NC) Post-Rock

By my accounts, there are at least 3 different bands with the Boar moniker. Add this Asheville, NC post-rock band to that list as well. After coming off a recent show where the band opened for the mighty Valkyrie, there was buzz around this band of instrumental dexterity. Soft picking and timely crunch on opener "Thales" hints at what is to come on this melodic and well thought out piece of instrumental post-rock/metal. A little less metal than ASG, Baroness, and The Sword, but the power and punch shines through on the riff-driven tune "Tusk". Combining scorching guitar leads, furious drum fills and a leveling bass line, this band named Boar has enough meaty chops to fill the void. Don't let the lack of vocals scare you off. Favorite track: Moirai

Facebook | Bandcamp




Thursday, April 23, 2015

EP Review: 'Antique' by Lighteater


Lighteater are a post-rock ensemble out of Brooklyn, NY who dabble in the dichotomy of delicate intricacy and devastating brutality.  Antique, their debut EP, is a four song affair that weaves the graceful tapestries and crushing riffs created by guitarists Dominic Bartolini and Nate Derr with the steadfast precision of bassist Chris Kunitz and drummer Ryan Luby.  Give a listen to tracks like "10oz" or "Quiver" as the band transitions from meditative hypnosis to jarring cacophony instantaneously.  Vocals aren't even a consideration as Lighteater are content to let the music do their talking.  Listening to Antique is the aural equivalent of floating along in a calming sea, only to be pummeled by an unexpected tidal wave.  Realizing that may not be something you'd readily sign up to experience, in this case I'd suggest you wear your swim shorts and strap on a life vest, because this combination of grace and ferocity is a worthy endeavor.

Wednesday, February 25, 2015

New Band To Burn One To: Pauwels




Every now and again we like to throw you up a bit of a curve ball with the bands we’re introducing you to. While still keeping to our core aesthetic of keeping everything HEAVY, a slight side step away from the stoner/doom/sludge bands can be a needed booster, and today we’re bringing you a beast which in all parts excites, scares, confuses, and dazzles in equal measures, rotating in order part way through most songs. Today’s New Band To Burn One To is Strasbourg’s (France) Noise/Post-Rock troupe Pauwels, bursting your eardrums and snapping your neck.

The French instrumentalists are Jeremy Ledda, Bob K, Sebastien Pablo Hermann, Marlon Saquet, and Jovan Veljkovic, and together they make one hell of a noise, frenetically switching from guitar shredding to blissed out technical elements, through counteracting time signatures, flowing along a sound which never lets you settle nor rest for long on your laurels, before it’s removing your face once more.

The band have just released their second EP, Elina, sounding like Cloudkicker if he was brought up on the Noise bands of Melvins and Helmet, while still holding a desire to stray into post-rock wastelands, bringing the youthful Math-rock attitude along to boot. The important thing that Pauwels achieve is never straying far from the realms of making actual songs, their basic sound is instrumental music with chorus and verse, just perhaps not necessarily in the accepted normality of what is perceived as a “song”; but who the hell wants to be normal anyway?

Pauwels are one of those bands that you just can’t predict, not where their sound will take you, not what will come after the next chord change, or for what label to tag them under. The band are an exciting addition to an often underappreciated genre. Trust us, you will want to keep an eye on Pauwels.

Facebook|Bandcamp

Monday, September 23, 2013

LP Review - "Oceans Into Ashes" by Maeth


Maeth are different. Very different are Maeth. They sound like themselves although if a category they must be placed then it'd be post metal, sludge, doom, progressive, heavy metal, ambient, drone and psychedelic etc; for they are all those sounds plus more and often all at once. My jaw rested firmly on the floor while I sat bolt upright staring in a wild gaze at something, I don't recall what, while this incredible noise oozed into my ears and left me feeling cleansing waves of vibration surging up and down my spine.

Maeth follow their brilliant debut "Horse Funeral" with a masterpiece of experimental metal that, if you appreciate such infinite potential metal explorations, will leave you as stunned as I am at what I'm hearing, for the third time today. What Maeth have created with this album is immense in its variety and it contains everything I like to hear all blended together like a master artist does with paint, palate, brush, canvas and easel. "Oceans Into Ashes" is a veritable feast of sound with each metal morsel being as equally sumptuous as the last.

It opens with the 2.5 minute "Prayer" with seagulls, a small motorboat that passes by and gently soothing acoustic guitars that drift into electronic take-off's and then we're taken straight into the triumphant post rock and metalisms of "The Sea In Winter" which hints just a little at the journey that lays ahead.

Then comes "Nomad" which for me was 10 minutes 50 seconds of sheer amazement. This track has everything and everything is played so well and sounds so good that I had some kind of auditory orgasm.
It opens with a feedback drone that leads to soul stirring guitar twangs and a phasing electronic buzz until a bash of snares launches the track into double fist raising metal surges and hugely satisfying post rock finger work. Things suddenly twist into a weird almost prog sludge that boarders on math metal until it morphs into crusty sludge in the style of Downfall of Gaia, Monachus and Fall of Efrafa. Thunderous tribal drums then lead to drifting drones and chaotic and mystical tribal pipes that build an uncomfortable tension towards jagged rhythm'd post metal and eventual heavily crushing doom that ends in pleasant guitar soothings. Phew!

What follows then is an epic journey that will leave you all starry eyed and full of wonder at how life enhancing our united musical preferences are and Maeth celebrate this with an album packed full of the most pleasing of metal in all its many morphing forms. I would only be doing Maeth and this album a disservice if I were to review each track in turn so I urge any that read this to delve into Maeth and be ready for explorations in metal that will leave you stunned. If not then you're not paying attention. "Oceans Into Ashes" is a long album at 11 tracks with 6 of them running close to or over 10 minutes each but at no moment did I lose interest at all in the 3 sittings I have had with it so far today.

This album will definitely be on my best of the year list.

                      BANDCAMP // FACEBOOK

Monday, September 16, 2013

LP Review - "The Power of Independent Trucking" by Mothertrucker


The UK's Mothertrucker have been around for a decade and in that time they have shared the stage with Boris, Mono, Baroness and Jesu to name just a few. They have had several releases since 2004 with "The Power of Independent Trucking" being their 4th release when it is unleashed on vinyl at the end of September.

Mothertrucker sound like they would be a straight up balls out stoner rock band with obligatory catchy riffs and stoned grooves but you would be wrong to think that dear reader. Mothertrucker actually play an excellent blend of instrumental, psychedelic and atmospheric post rock and metal with a definite lean towards doom. Make no mistake, Mothertrucker are as heavy as any of the heaviest bands around right now, but they choose to build up to those beautifully crushing moments in a climax of low end frequencies which makes their sound so much more satisfying and enjoyable to hear. They remind me a little of bands such as Colour Haze, Fog in the Shell, Can't Fake Nature and Wiht, all bands I am a big fan of and having heard this new album from Mothertrucker, I now have another brilliant post rock/metal/doom band to chalk up as one of my favorites.

From the opening tender chords of "Career Ender" Mothertrucker pluck an introspective air that builds to a drop into crushing post metal that is filled with huge riffs and searing, atmospheric and emotion swelled guitar licks that takes the track to its final 2 minutes of gentle and organic ambiance. This track is a great example of what Mothertrucker are all about as it contains all the elements they play with throughout the remainder of the album.

"Reef do all the work, The Beatles get all the credit"  follows and I can't help wonder about the name of this one and also laugh a bit; actually a lot. I can't work out if it's a dig at Reef or The Beatles or both; not that I have any particular love for or aversion to either of those bands so I'll let the music on this one do the talking.
This track is at first a huge chugging behemoth that tweaks harsh heavy metal warnings that quickly evolve into a fast traveling through the universe, loaded with neck hair raising riffs and tripped out cosmic freak outs. In the final minutes the track twists and morphs into a filthy angry beast that spits invigorating sludge at you. Mothertrucker really know how to mix things up and they do it much ease and style.

"Vigo the Carpathian" begins with a floaty desert style riff that builds like Colour Haze with the similarity staying for much of the track but later on a blistering post rock element takes over which leads us to a climactic moment of heart rending beauty which left me gasping for breath.

After the silence comes an obnoxious screech before a plunge down into the deepest depths of doom with a huge crushing riff and brain stomping drums that shows Mothertrucker at their heaviest with "Duff McKagan's Kagan Wagon". A simple but pounding riff carries this track for the most part but a distant blues soaked guitar breaks through the sludge which has the track staying true to Mothertrucker's penchant for post rock and metal but things end in catastrophic doom and the fading drone of a now dead universe.

"The Southern Teeth" could be a final lament to the end as it is a ballad of soft and sparse guitar and one thrum of bass that drifts through a barren plain of long gone memories. The track acts as a brief pause within a storm of doom as the final track "Crypt Stalker" opens with dark chords, a thick bulbous bassline and ghostly guitar licks that build a black tension to a destructive climax of earthquaking heavy riffs and searing brain splitting post metal illuminations until everything breaks down into a final pounding of doom and a devastating end to a brilliant album.

Bravo Mothertrucker, Bravo!

You need this album in your life and it's out 30th September on colored vinyl or you can buy the digital album now from their Bandcamp so you all know what to do.


                      FACEBOOK // BANDCAMP




Related Posts Plugin for WordPress, Blogger...