Welcome To Heavy Planet!

If you are looking for new Stoner Rock, Doom, Heavy Psych or Sludge Metal bands, then you have come to the right place. Heavy Planet has been providing free promotion to independent and unsigned bands since 2008. Thanks for stopping by!

Thursday, June 22, 2017


Alright! The fifth album from one of rock's unsung practitioners has been released. Any spin through any one of the, now five, albums put out by the Los Angeles retro/stoner rock trio Sasquatch will provide opioid level euphoria through a delivery system of dense metal and decibel distension, packaged in razor sharp hooks and monumental melodies. This is the case with the first song on the first album through to the last song on the latest album, the freshly available "MANEUVERS".

The musicians that recorded "MANEUVERS" include:

Keith Gibbs - guitar, vocals
Jason Casanova - bass
Craig Riggs - drums

Where's Rick Ferrante, the longtime drummer for the band, you ask? He's very much still a part of Sasquatch. How could he not be? He's been there from the inception, providing a quality of rhythm drumwork rarely matched this side of Ginger Baker. Craig Riggs, himself an accomplished drummer, as well as vocalist, for the stoner rock legends Roadsaw and supergroup Kind, has been tasked with the skin-thumping duties on #5 as Sasquatch launch their campaign through Europe in support of the new album. Many, if not most, of the gifted musicians that ply their wares in the underground world of stoner/fuzz rock, do so outside of their regular job work schedules, so making extended forays away from those jobs isn't always possible. Rick, though, has other venues lined up for his phenomenal skills, both as a full-time member of The Ultra Electric Mega Galactic and playing live venues with the up and coming underground superstars Aboleth (is that an oxymoron - underground superstar?)

"MANEUVERS" consist of 8 intensely amplified tracks of thick, syrupy mega-fuzz in which Keith Gibbs' wonderfully mellifluous vocals match perfectly his sledge hammer heavy riffs and ozone searing solos, where Jason Casanova's bass is forcefully wielded, relentless in muscular ferocity, and Craig Riggs' steady rhythms sting and pound in incessant brilliance. The overall tone is a soulful resonance, somber, edgy, and nostalgic, unyielding in its sheer power.

"Rational Woman" kicks off the show with gargantuan raggedness, beautifully laid down in primal tempo, showcasing Gibbs' rich, powerfully melancholy vocals. "More Than You'll Ever Be" is steady and relentless, advancing in magnetic forcefulness. "Destroyer" demonstrates the raw might of haunting tonality. "Bringing Me Down" is reminiscent of early Sasquatch songs in sentiment and style, a welcome memory for some, a fresh introduction into past glory for others. Funky and on fire, "Just Couldn't Stand the Weather" brandishes a unique melody and style, a departure that doesn't stray too far from the path marked 'Sasquatch', but is populated by some intriguing mutations, riff creatures at once familiar and uncanny. "Drown All the Evidence" is Americana, magnified, amplified, and wracked through with distortions of flagrant pleasure, punctuated by elegantly ragged, bruising solos. "Anyway" is a psychedelic charmer, a brightly colored panacea, recharging batteries in color and brilliance. The closer is the massive and melancholy "Window Pain". The blue pain and gray fog atmosphere of this song is punctuated by the rare use of keyboards, highlighting the feeling of loss and a damaged soul. Solos reminiscent of Ernie Isley rip through the gray morass in sharp, keen doses.

Overall this album delivers a massive load of essential feels. The music is nostalgic and new, familiar because it's crafted by masters of more than a decade of accomplishment, as well as fresh in a package of nascent material that expounds on a proven formula without a hint of staleness. It's a sound that hearkens back to the last decade when stoner rock was still new and Sasquatch were new kids on the block. The guitars come in every satisfying form, distorting the edges, and burning the center, tapping into those primal cords that run central to us all. Gibbs' vocals are solid, full of heft and strength, and forging soulful connections over and again. Fierceness and joy, the hallmarks of those who love the weapons they wield, are on perfect display through Casanova's masterful, subterranean riffs. And Riggs steps into what would normally be a massive void, shouldering expectations and delivering brilliance with his consummate rhythmic execution.

website <<|>> bandcamp <<|>> facebook <<|>> instagram <<|>> twitter

Wednesday, June 21, 2017


In June of 2014 Attalla released their self-titled first album which quickly garnered acclaim from consumer and critic alike. It was the type of album that, by the time you'd taken in all it's ragged riff glory you began craving the next release. It's taken nearly three years for them to issue a sophomore production, time, one must presume, they took in creating and mastering the contents of the doomrunner-up. It was time well and perfectly spent as "Glacial Rule" fairly detonates in controlled eruption on each track, delivering dense fuzz in dark doom licks, a more controlled assault, more measured in pace, than on the first album, deeper, thicker, but still melodic and hookish. It's perhaps evidence of growth that this foursome didn't rest on the laurels garnered by their initial release, but instead put in the time and work to craft something more, something still of themselves but delving into the gloom, down uncharted tunnels of thick atmosphere and impenetrable doom.

bandcamp >>|<< facebook

Tuesday, June 20, 2017

Album Review: CLAN - "CARNIVORES"

Clan are a stoner rock band from Norwich, UK that exemplify the sound of the genre as well as any band of this century or the last. The mix of sound and style they are able to seamlessly incorporate into their music makes for something exciting, something quite fresh and new within perfectly executed familiar sounds. The fuzz packed riffs on every song are thickly sweet and mesmerizing. The vocals from front-man and lead guitarist Matt Pearce are singular, powerful, compelling, exotic, and provocative. Yes, they are that good and that unique.

Clan consist of:

Matt Pearce - vocals/guitar
Matt Rabong - bass
Ben Giller - drums

There are 9 songs and an intro on this full length album, so the achievement is commendable in that each track is an intricate, hooky, and memorable display of the band's tapestry of skill and endeavor. The melodies are fun and addictive, whether letting the power of Giller's stickwork course through the inner pathways of your neural system, or allowing the immense horsepower of Rabong's deep bass rhythm overwhelm your sensory presence, or thrilling to the double onslaught of Pearce's vocals and masterful riff-bringer guitar.

Clan bring a lot of old school mentality to their brand of hard rock by focusing first on melody before overlaying their well-crafted ditties with powerful, familiar stoner fuzz, which makes for great excitement on the first spin through the nine tracks, and immense enjoyment on each subsequent spin.

"Carnivore" comes out of the gate with a scorching intensity on the first full song, "Burning Bodies", setting the stage beautifully for what's to follow. The title track is an immense mammoth of sound and splendor as is it's follow on, "Jackal". "Haunt Your Ghost" and "Wolves" pummel through with relentless power and heft. "True Believer" is perhaps the bellwether track, the one that ignites immediate interest and excitement, leaving an indelible bruise of sweet darkness. "Sleep in Salt" showcases the brilliance of the rhythm duo of Rabong and Giller throughout the slightly melancholy and memorable melody. "White Spider" rivals "True Believer" as a signature track, one that radiates with special sweet, ebon melody brimming with dark fire and subterranean power.  "Blood of the Father" closes out this darkly shining gem of an album with the most haunting, slow burn song of the bunch, a viscous and succulent morsel that leaves you yearning for more before you're even done listening.

It's been three years since Clan have released an album, but the wait has been well worth it with this wonderful, witty, and addictive collection of great melodies and powerful stoner metal music.

bandcamp >>|<< facebook >>|<< soundcloud >>|<< youtube

Monday, June 19, 2017


I'm always amazed when just two musicians are able to pull off the sound of four. This duo from Wiesbsden, Germany lay down some raunchy, ebon tar, paving a road of grim shadows, black cowled fear, and ancient ability while conjuring their magics of amplified, gargantuan doom, thickly clabberous, and darkly spellbinding.

bandcamp ** facebook

Friday, June 16, 2017


MegaStonerRetroPunkFuzz has been quite brilliantly captured on this raw, garage rock of an album from a threesome of young and imaginative musicians out of Phoenix. It's a simple sound, yet for all the novice hallmarks of this album it manages to bestow an elegance in that simplicity as well as near genius in its melodic composition. The magnitude of the riffs is towering, brutal, and primordial while the dexterity displayed in the hooks and simple interludes is addicting. The drummers display a magnificent proficiency of timing, power, and heart. The bass is savage, ruthless, and unyielding in its driving rhythms.

These young musicians seem to be ramping up for a career in the low, dark arts of stoner/doom style music. Their inaugural oblations indicate more brilliance to come if they can manage enough notoriety. Here's to hoping that is indeed their fate, and ours.

bandcamp >>|<< facebook

Wednesday, June 14, 2017

Quick Hit: Långfinger - "Crossyears"

Smallstone Records has been a 'go-to' place for great fuzzy music since their inception back in 1995. There is north of 80 rock bands in the annals of Smallstone, many of them pioneers of underground stoner rock, including Sasquatch, Dozer, Lo-Pan, Gozu, and Wo Fat, as well as many up and coming finds that have chosen the venerable label to ply their fuzzy wares, such as the focus of today's Quick Hit, Långfinger.

Gritty, imaginative, hard, and loaded with heavy, pulse-pounding riffs of an old school style, "Crossyears" is a rock solid and laudable Smallstone debut for this Swedish threesome out of Göteborg, who already had two 10" and two 7" productions in their canon before making their way to the notoriety of Detroit's Smallstone Records. Their music crackles with burning, searing, unfiltered energy, engulfing the listener in thick metal smoke of a euphoric atmosphere, carried brilliantly throughout by perfectly matched rawk vocals.

Tuesday, June 13, 2017

New Band To Burn One To: COLD DEZERT

Cold Dezert are another in a burgeoning line of established and emerging Grecian stoner/doom bands, and just like so many of them, they have developed a hefty, gargantuan sound. But they've done more than that. They've managed to take a set of recognizable sounds and riffs and forge something all their own, something colossal, impenetrable, made of the densest stone boulders unearthed from the darkest of doom quarries. The music is dense and intricate, imaginative and primal, raw, fierce, and massive. It's what we hope for when we spin something new.

bandcamp ||><|| facebook ||><|| instagram ||><|| youtube

Monday, June 12, 2017


Jukebox Monkey have created a wonderful mix of contradictions with "Grey Skies Red Planet", delivering a clean sound via a wonderfully nasty disposition, a southern rock style of frankness without any direct homage...in fact, in foregoing anyone else's sound or style they are somehow reminiscent in doses of almost everyone, a mean feat from this mean foursome of warrior isle brawlers, who in doing so have developed their own unique style that is an upfront, in your face,  stoner rock bruiser of a record, inexorable and steadfast in its mammoth assault of sound, ornery in its temperament, and euphoric in its deeply fuzzy experience.

bandcamp >>|<< facebook >>|<< twitter

Friday, June 9, 2017

Quick Hit: MOANING CITIES - "Moaning Cities"

I think perhaps I need to place a permanent office in the midst of the fertile stoner/psych/doom/retro rock country of Belgium. Many of the bands and albums I've highlighted in the past few months have come from that rich rock n' roll province. Today we add one more to the burgeoning list with Moaning Cities, a quartet of interesting blueprint. Operating with both guitar and sitar, backed magnificently by a female rhythm section, Moaning Cities manage to pack plenty of bite and ferocity around ragged edges and furious riffs, co-mingling with otherwise smooth, milky psychedelic power sojourns.

Moaning Cities have been around for 5 years, and have managed to release 3 albums, the first of which is showcased here today. This is because the first album has a more ragged stoner vibe, as does the second album, "Pathways Through the Sail", while the latest release, "D. Klein" is more soporific and spell-binding. The matchless melodies and mammoth music of Moaning Cities can catch one occasionally reminiscing in brief spurts on the fine desert rock of Kyuss. There is nothing direct, no homage, just a recognition that what you are listening to combines power, heart, and musical athleticism, the very best of what rock has to offer.

bandcamp *|:|* facebook *|:|* soundofliberation*|:|* youtube *|:|* label *|:|* website

Thursday, June 8, 2017


Something a bit different today. The 'New Band To Burn One To' feature is meant to showcase bands that haven't gotten much attention and perhaps are just starting out in the underground world of the greatest music ever made. Today's band, The Biggest Thing Since Powdered Milk, doesn't have much of a presence online yet, but they do have the above delectable trio. This little bit, though, will likely make a sizeable impression when you give it a spin. These three island warriors have demonstrated a knack for making big, loud, and fun stoner rock music, combining the mammoth guitar that is the hallmark, of course, of stoner rock with a keen imagination for instant hooks and memorable melodies. They have more songs in the bag and are working their way toward an official album release, so, here is what they have so far, something mighty tasty when enjoyed with a large glass of ice cold powdered milk......or something...., and hopefully piquing your interest enough to keep you on the lookout for that eventual album sure to make a large splash when it arrives.

soundcloud >>|<< facebook >>|<< twitter

Wednesday, June 7, 2017


Every now and then I come across a band whose music I've not yet heard but who have been around for a fair amount of time, with more than one release to their credit. Today's Band Spotlight focuses on one such outfit out of Berlin, Germany - The Operators. I'm sure many folks have discovered their high octane brand of stoner rock, but for those like me who haven't, this one's for you.

An incredible feature of The Operators is the inclusion of organ music. A lot of great rock from past eras has included organ music, such as Deep Purple, Procol Harum, ELP, Yes, and the Doors, but in the underground railway of stoner rock music it is scarce. The Operators' inclusion of the organ blends very well with their boulder wall of massive guitars, assertive ass-whipping drums, and those rich, powerful vocals.

The Operators have been around since 2009, having released 3 full albums, the latest of which, "Revelers" opens this post while the initial and subsequent releases are below. All three albums are chock full of lip smacking retro rock of a heavy stoner bent. Dig in and enjoy!

facebook >>|<< youtube >>|<< vimeo

Tuesday, June 6, 2017

New Band To Burn One To: SUNDERFEET

A potent sound of high energy, agile vocals, bruising drums, brawling bass, and riffs galore are the hallmarks of this threesome from the north of France. They have mastered the art of combining great melodies with a massive sound, full of razor sharp hooks, skull stomping drums, bone crushing guitar from bass and six string, and dusky, ragged vocals. The music is stonerish and grungy, but uniquely their own as they play with relish and ferocity.

soundcloud >>|<< facebook

Monday, June 5, 2017

Album Review Geezer - "Psychoriffadelia"

From that little ol' band from New York comes yet another exceptional release of guitar-racked brilliance in the form of "Psychoriffadelia", Geezer's latest foray into heavy hitting blues rock, this time with cosmic encounters of bright, burning riffs and mind melting incursions of euphoric frenzy. Adding psychedelics to their résumé, Geezer have become a top staple of the stoner/blues rock genre, eliciting ragged anticipation from the junkies of great guitar anthems.

The album opens with the cover of Nazareth's "Hair of the Dog", a staple of 70s rock standards. Geezer make it theirs without trying to emulate the sound of the originators and do a superb job of injecting their own signature sound of massive riffs and searing solos overlaid with ragged vocal brilliance. "Stressknots" is a standard blues rock jam, the kind that Geezer are known for - fun and infectious. The title track sits in the middle of the tracklist and is their first foray into colorful runs and trippy rolls, cruising through a full ten minutes of mind-melting musical munchies. The odyssey continues on "Red Hook", a long slow burn of intoxication and escape. The closer is the incredible, massive "Dirty Penny", a thirteen minute excursion into bright explosions and cosmic detonations. It, too, burns slowly, but powerfully, as it wraps you in warmth and euphoria on its musical journey of magic and satisfaction.

Geezer are:
Pat Harrington - guitar/vocals
Richie Touseull - bass
Charles Ruggerio - drums

bandcamp >>|<< facebook 

Thursday, June 1, 2017


Sautrus are a traditional 4 piece band consisting of one guitar, one bass, one drummer, and one vocalist. But that's where the traditional ends. They managed deserved notoriety in 2014 with the release of their second album "Reed", a magnificent blend of controlled stoner, doom, and psychedelic dynamite woven into their own signature sound. Now Sautrus are back with a new release, "Anthony Hill", and as with any follow up to success there is obvious pressure to match or surpass past accomplishments. Sautrus absolutely manages to deliver freshness with familiarity and boldness in this 7 track romp through soaring psychedelic brightness, subterranean doom rumblings, agile desert melodies, and stoner riffs of raw power, blending those traditional sounds into something lustrous, thick, and adamantian, every facet inducing carnal appetites for the syrupy black sweetness of their fuzzy machinations.

Hailing from Tricity of the Pomeranian region of northern Poland, Sautrus are perhaps on the brink of renown having now released three solid stoner/desert/doom/psychedelic rock albums of substantial heft, the latest of which is unsurpassed in quality, excitement, and potency.

bandcamp >>*<< facebook

Wednesday, May 31, 2017

QUICK HIT: Child - "Blueside"

Take a trip today with Child. A trip that floats on psychedelic fabrics of deep Indigo Blues, propelled ever onward by the steadfast strength of Cerulean Blue guitar riffs, solos, and mind-calming runs, fortified by Azure Blue vocals of passion and clarity, bolstered by the primal rhythms of Beryl Blue drumwork and deep Navy Blue bass lines. The journey begins in Melbourne, Australia, running a path straight through the moist, hot climes of the Mississippi Delta and on into the bright, crisp air of the Mojave Desert before steering a course for a deep blue odyssey of worldwide deliverance.

This album is at once stirring and joyous, drawing obviously from a fount of blues rock masters, infusing a whiff of the dexterity borne of the deserts of the American West, all the while underpinning psychedelic melodies with gargantuan riffs of deep, low amplification.

bandcamp >>|<< facebook >>|<< website >>|<< label

Tuesday, May 30, 2017

New Band To Burn One To: Magpie Toes - "Magpie Toes"

Retro Kick-Ass is the theme today with Hyvinkää, Finland's Magpie Toes who have released their initial foray into blues-rock fuzzery with their eponymous EP of  4 Hi-Fi tracks that beg to be played at ear-shattering decibels and enjoyed in joyous celebration. Their music evokes a time of bell bottom jeans and big hair, of tripping strangely and dancing freely, of love, laughter, and good times. The blues-rock influence of a bygone era of Rock N' Roll, and the bands that forged it, is obvious and heavy, expressed through massive guitar riffs, cool drum solos, and vocals of power and clarity, driven by clever melody and soul-stirring hooks. Emerging out from under all that homage, though, is a freshness, a newness, that can only come from keen imagination, musical dexterity, and a love for what remains possible and potent from the influences of past giants.

bandcamp >>|<< facebook 

Monday, May 29, 2017

RIFF RELIC: Mammoth Thunderpower - "I Am Thunder"

I don't know about you, but every now and then I like to go through my massive collection of great music and see if I can find something I haven't played in a long while, or perhaps discover an album I never had a chance to give a chance when it was first acquired. Today's focus is on a little jewel of an EP that's been sitting in my 'Doom Trunk' for five years waiting to be re-discovered.

Mammoth Thunderpower released the exceptional "I Am Thunder" EP in 2012 that delivered massive potential. The music is replete with stoner and doom tendencies, keeping things low, sometimes slow, sometimes at a more urgent tempo, but always in satisfying fashion with hooks that dig deep into musical cochlea, ripping a bloody hold that is eternal and yearning.

Nothing much has been heard of Mammoth Thunderpower since the release of "I Am Thunder". Word is, though, that after laying low for half a decade the band have managed to get together in the studio and begin the process of making new music. Stay tuned to Heavy Planet and we'll be sure to let you know when the time comes. In the meantime, travel back down dark memories to relish in the mastery of their powerful first album.

bandcamp >>|<< website >>|<< facebook

Friday, May 26, 2017

Quick Hit: King Hiss - "Mastosaurus"

Yesterday's Quick Hit was a band from Belgium. While cruising through the land of chocolate, beer, and diamonds I stumbled across another fine act, King Hiss, who have been expertly wielding their 4 piece stoner/doom arsenal since 2011, conquering the metal scene both in studio, with 4 bulging albums and a two track acoustic segue, as well as in the live venues and festivals of Europe where they have made their reputation for delivering towering, stellar performances.

The music is an exceptional blend of stoner and doom sensibilities with some traditional metal thrashing thrown in to spice it all up. The songs are written with an ear for what's intriguing and memorable, while the vocalist lays waste with his well honed sonance in the vanguard of blistering solos, abundant riffs, and ravaging rhythms.

bandcamp >>|<< website >>|<< facebook >>|<< youtube >>|<< twitter

Thursday, May 25, 2017

Quick Hit: Fire Down Below - "Viper Vixen Goddess Saint"

The focus today is on Ghent, Belgium's Fire Down Below and their debut album "Viper Vixen Goddess Saint". There is everything to say about this album. It's an injection of intense musical exhilaration, evident from the opening riff of the first full song, "Through Dust and Smoke" and never wavering in intensity or satisfaction through to the aptly titled closer "The Mammoth". The melodies are the star here, songs written so beautifully, and delivered so expertly and heartfelt that it's an intoxicating opium rush of warmth and pleasure, paradoxically sharpening senses and expanding sensuality, opening dormant avenues of perception in efforts to experience every little nuance of riff and searing solo, of flourishes of stick on skin, of deep bass blitzes, and of every ingress of those brilliant and exquisite harmonizing vocals.

bandcamp >>|<< facebook

Tuesday, May 23, 2017

LP Review: Codex Narco by Godhunter

Now this is a fucking powerful record!

Godhunter, from Arizona, Tucson, have been producing stoner sludge for a number of years now, and when several members of the band left at the end of 2015, it seemed like the band's days were numbered, however, guitarist/vocalist David Rodgers, drummer Andy Kratzenberg, and keyboardist Matthew Davis continued on writing new music, changing from their ever present commentary on social injustice to taking a more personal approach and focusing on their own individual struggles, and it's made for a short but stunning new record, combining elements of doom, sludge, post-metal, industrial, and stoner to the perfect degree.

Codex Narco opens with 'A Dread of Some Strange Impending Doom', a two-minute doom opus, setting the tone as a bleak but charging expedition into the band's consciousness, putting you at an unsettling ease before the dark psychedelic stomping riffs of 'Like Glass Under Black Fingernails' hits you with it's doomy gutteral atmospheric ambiance. The vocals are a perfect juxtaposition of gentle heart-wrenching clean aches and aggressive power as the two singers vie for the most poignant delivery. The music is as bleak as it is powerful, and it grips you.

'Our Blood Is Poison' is a dark audio recording that sends a few shivers down your spine before the excellent 'Cocaine Witches & Lysergic Dreams' gives you a glorious wall of noise, dealing with issues of cocaine use shouting "The high isn't forever, and neither is this, the song is just as temporary as the fix" as the industrial stoner doom backdrop drives the music along with incredible power and force. It's a song not to be fucked with.

The band have recruited members of CHRCH, Mountaineer, Demon Lung, Methra, and Thorne to play on this record, and they've impressed to make Codex Narco a short but brilliantly powerful record, a one which even a cover of Tegan and Sara's 'Walking With a Ghost' fits in perfectly. Godhunter have produced a massive sound on a small scale, and it's impact is as heartfelt as it is speaker shattering. Available on cassette from Baby Tooth records, and digitally, we recommend you get this now.

All proceeds from the record go to Planned Parenthood.

QUICK HIT: Destroyer of Light - "Chamber of Horrors"

It's early, but a heads up is perfectly warranted for the beautifully rendered, dark and haunting, doomscape album, "Chamber of Horrors", by the Austin, Texas-based doom band Destroyer of Light. The album releases on July 14, so be sure to set a reminder. There is a placeholder song, "Prisoner of Eternity", from the album at bandcamp to give you a taste of what's to come.

The music is eerie yet exhilarating, transporting the listener through a vast kaleidoscope of dark delights, songs of black despair rescued by bright runs of gargantuan riffs, and an overarching battle between gloom and hope.  It's engaging, magnetic, and powerful.

bandcamp >>|<< facebook >>|<< myspace >>|<< twitter >>|<< instagram >>|<< reverbnation

Monday, May 22, 2017

Album Review: Two Headed Beast - "Wizard Mountain"

The world of hard rock, of heavy metal, is wonderfully varied, so much in fact, there are distinct genre silos underneath the hard/heavy umbrella, many of them having filled up decades ago, going nearly dormant as ever newer ones are molded out of the settling dust of their predecessors. Perhaps the granddaddy genre has been the audacious, in your face sound of traditional heavy metal that grew out of progenitors such as Led Zeppelin, Blue Cheer, and Black Sabbath. That heavy metal sound was personified by bands such as Judas Priest, Megadeth, and Iron Maiden, to name a miniscule few. It was a sound that dominated the scene in the mid to late 70s and into the bulk of the 80s before sort of weirdly fusing into the over the top sounds of big hair bands. The excessiveness of big hair, though, prepped us for the wonderful grunge explosion as well as the almost unnoticed rumbling of stoner/desert rock of the 90s. Many other sounds have come, and gone. For anyone exploring for the first time any version of wondrous, amplified metal vibrations, old or new, there is an overabundance of choices. Gifted musicians can draw from an almost limitless supply of inspirational music, the possibilities are endless. This is what ran through my mind when I first heard "Wizard Mountain". Of course, I have no idea how Two Headed Beast may have arrived upon their signature sound, I just know I hear the wonderfully deep, heavy fuzz of stoner/doom rock in their vigorous riffs and searing solos, but, in the blink of a photon, I am ripped back to an earlier era as soon as those incredible vocals of Brian Allen kick in. "Wizard Mountain" quickly concentrates my focus, drawing me deep into its wicked melodies and triumphant chorus, down into the murky depths of low tuned and amplified energy, emboldened by the soaring, invigorating intonations of Allen's vocal time machine. The pairing of traditional metal vocals and bottom dark stoner/doom guitar is somehow brilliant, revitalizing, and emboldening. It's a physical reaction to a spiritual rendering, teleporting me to a time and place of power and potential.

Two Headed Beast hail from Portland, Oregon. Band members include John Hughes, Jason Dunn, Shawn Ferguson, Scott Speelman, and vocalist Brian Allen.

The initial track, "Valley of Skulls", immediately opens with the double whammy of deep, fuzzy guitar and powerfully rendered vocals that is the consistent and persistent hallmark of every track to follow. The tempo is dangerous, the magnitude bold, and the realization you're in for a unique and brilliant ride quickly sets in.

"Two Ton Sky" starts off with bare bones, building up to an all-out assault of power and force. The drumwork here is simply marvelous, pounding out a primal beat of mammoth proportions, propped up wonderfully by the bruising dance of bass and guitar, magnified again by those laser sharp vocals.

The eponymous title track, "Witch Mountain", is like a pugilist stalking his opponent, steadily moving forward step by step, delivering hammer blow after ruthless hammer blow until the sudden sound of silence signals the end.

"Apollyon the Destroyer" changes the pace, flowing down a psychedelic bridge of color and static before charging up a steeper trajectory of power and amperage. "Hail the Chief" is a frontal assault of bad attitude and snarl. "Boneyard" and "Blackball' pay homage to traditional metal in measured advances of ragged vocals and steady riffage.

This brings us to the unofficial closer, "Curse of the White Owl" where Two Headed Beast dust off their stoner rock foot pedals and crank up the fuzz in a magnificent display of hook and heat. The solos soar beyond the stratosphere, while the measured tempos of riff and stick are darkly subterranean. Allen's vocals are exquisite on this track, offering a sing along rendition in which no one can match his gifted ability, but will have fun in attempting to do so.

Two Headed Beast offer up a brief coda that is pinned to the tail end of the penultimate song in "Tail of the Owl", a fun little ditty of psychedelic conclusion.

bandcamp >>|<< facebook

Thursday, May 18, 2017

QUICK HIT: Kitchen Witch - "Kitchen Witch"

You're just standing there, innocently, expectantly, hoping to engage with the new discovery when Georgie and Simon begin a bisensual assault of straight stinging jabs to your ears......they use their instruments of choice, of course, vocals for Georgie, and bass guitar for Simon. The assault is powerful, coordinated, measured, and.......delightful! Soon enough the rest of Kitchen Witch join in, Conor on guitar and John on drums, and the odyssey has begun, a colorful trip of brilliance and ecstasy.

The bluesy rock sound of Kitchen Witch will quickly bludgeon any impending designs on productivity you may have had, snaking it's electrified tendrils in and around the primal center of your musical DNA before tightening it's amplified grip, supplanting any sense of awareness for an overabundant experience of joy and euphoria. Yeah. It's that powerful. So, lie back, let go, lick your lips, and luxuriate in the lush experience of Kitchen Witch's superior sound.

bandcamp >>|<< facebook >>|<< instagram >>|<< twitter >>|<< youtube >>|<< soundcloud

Wednesday, May 17, 2017


OHHMS are back pushing the envelope of normalcy with their incredibly unique brand of sludge covered punk doom that pays no direct homage to the progenitors of metal while delivering an unbridled deluge of amplified riffs and angst-riddled vocal dispatch, presenting a hard, dark milieu of bulging discovery.

bandcamp >>|<< facebook >>|<< twitter >>|<< instagram 

Tuesday, May 16, 2017

Album Review: 'Green' by Mage

Isn’t it sweet when as a music community we get together to show solidarity and an appreciation for the things we care about? Leicester (UK)-based Mage are certainly grateful. After a successful Pledge Music campaign, their fans helped fund their latest and fourth record Green. 

The record itself, laid down at Skyhammer Studios by Chris Fielding, is seven chunks of straight-forward in yer face riffage, much in the vein of DOWN, CoC or Alabama Thunderpussy

Green opens with foot-stomping riff on Nowhere To Nothing that Pepper Keenan would be proud of, and the southern sludgy comparisons don’t stop there. The pounding drums open up Primitive Drive before pulling back to a slow morose guitar chords, evoking images of going eye to eye with an alligator in a Louisiana swamp. And listen out for a guest appearance from Raging Speedhorn front-man John Loughlin, who guests on three tracks. On stand-out track Vultures Mass, Mage deliver an epic slow-burner that grows to the doomiest of conclusions and rounds the record off. 

Mage are becoming regulars on the UK stoner scene, and through their head-nodding up-tempo groove combined with slower sludgy riffing, you can hear why. If you dig your big heavy riffs, melodic vocals and shit tons of groove, then hit play. 

Get in the beers in, roll up a fat one and join Mage in the Green.  

Monday, May 15, 2017


Hailing from London, Kujara are a three piece delight of conglomerated brilliance. They have brought a big metal pot of thick, viscous rock stew to a bubbling, gurgling roil on their debut, the impressive "Three Days". The bill of materials for their music is an explosive amalgam from nearly every corner of the rock world, combining the best aspects of stoner fuzz delight, deep dark doom, progressive psychedelics, heartstrings of retro/blues rock, a haunting desert atmosphere, tight hooks, memorable melodies, expertly rendered and harmonized vocals, energy beams of blazing and powerful riffage, and through it all, through all that homage and recognition, a bright and exciting sound that is uniquely their own.

As with every new and exciting band that makes its way into the stoner rock milieu, the hope here is that Kujara will return soon enough with more brilliance and fun. Until such time this initial EP of sheer magnificence will certainly carry us along for quite some time.

bandcamp >>|<< facebook >>|<< youtube

Sunday, May 14, 2017

SUMMONER-Beyond the realm of Light/ LP MER

I think I just found my first entree into the top albums of 2017.
For those of you not aware Summoner were formerly called Riff Cannon..and true to their former name they do wield said cannon.
Summoner come out swinging with the first track 'New Sun', melding  classic stoner grooves, Heavy rock swing and old school metal solos straight into some Doom atmospherics up to the last track 'Into Oblivion'.
This album is heavy with Composition and great reviews are pouring in as I write this. Chalk up another great release from Magnetic Eye Records and Summoner!.. Go buy this now
Full album stream-http://decibelmagazine.com/blog/2017/5/11/full-album-stream-summoner-beyond-the-realm-of-light

Friday, May 12, 2017

QUICK HIT: Cloud - "Indeterminate"

Cloud have been around for a short minute, releasing their first EP on bandcamp back in 2015. "Indeterminate" is their second release. It's savory. It's toothsome. It's intoxicating. I very much hope this Pittsburgh trio thrive and continue to manufacture psychedelic stoner/doom riffage just as they have done here and extend that minute into legend and legacy.

The perception sometimes is that instrumental music has to work that extra bit at developing enough creativity to engage and entertain those who experience their music due to the absence of vocals, and the structure vocals tend to supply in stanza and chorus. If that's the case, then mission accomplished, Cloud. There is no ramp up period on any track as each song manages to immediately connect to an atmosphere of intrigue and a depth of discovery. They do this by expertly and eloquently wielding their instruments of stoner brilliance, cranking up the fuzz factor in addictive riffs of low-tuned ecstasy and psychedelic progressivism.

Cloud have added a cunning deviation in the middle of the song selections by inserting the provocative song "Desert Weed" in which they've recruited the vocal inspiration of Mephistofeles' Gabriel Ravera, whose style, at least on this particular rendition, is a magnificent homage to the metal legend of Ozzy Osbourne.

bandcamp >>|<< facebook >>|<< youtube >>|<< twitter >>|<< spotify

Thursday, May 11, 2017

Quick Hit: Bathsheba - "Servus"

Resplendence and shadow could easily be the hallmarks of the exquisitely rendered "Servus" from Bathsheba, a Belgian quartet of low-tuned and penetrating boulder crushers, who take hallmarks of their inherent land to provide dark, haunting, atmospheric encounters from their native charcoal mountains intertwined with the brilliance and density of Antwerp's diamond industry. Shadows and light, power and finesse, subterranean depths and soaring heights, all are delivered with great appetite and ferocious prowess. Fronted by the elegant and ethereal vocals of Michelle Nocon, bolstered by the underlying vigor and brawn of bassist Raf Meukens and drummer Jelle Stevens, and masterfully propelled throughout by guitarist Dwight Goossens, the odyssey through coagulation and syrup of ebon is entrancing and euphoric.

bandcamp >><< facebook

Wednesday, May 10, 2017

Quick Hit: Half Gramme of Soma - "Groove is Black"

Greece rockers Half Gramme of Soma are on the verge of dropping a new album, "Groove is Black", an eight song all-out assault on each and every pleasure sensor. It's all here. Endearing, searing stoner grooves, riffs and hooks galore, memory binding melodies, perfectly matched crunchy, edgy vocals, and simply an overall sound and experience of fierceness and joy.

I had reviewed HGoS's 2013 self-titled album , but somehow missed their 2014 follow on, "Marche au Noir", so, if like me, this newest release isn't the only one you've yet to experience, well, you're in for what the old folks used to call 'a rolickin' good time'! Greece has become one of the premier locales for quality stoner/doom bands, none better than Half Gramme of Soma.

bandcamp >><< facebook >><< soundcloud >><< reverbnation >><< youtube >><< twitter

Tuesday, May 9, 2017

New Band To Burn One To: Blood Mist - "Blood Mist"

Wielding binary guitars of power and force and a vocalist for the ages Blood Mist are unleashed upon the earth as part of  Baltimore's Grimoire Records. Their music is bold, atmospheric, psychedelic, haunting, and memorable, each song unfolding in controlled explosions of intent and effort, enveloping the listener in a thick dark wall-cloud of doom highlighted by violent flashes of potency and brilliance.

bandcamp >><< facebook >><< label facebook >><< label website

Monday, May 8, 2017

Quick Hit: Nightstalker - "As Above, So Below"

Talk about prolific. Greek veteran Vmetal rockers Nightstalker recently dropped their SEVENTH studio album. Only one of those seven are an EP, the other six being song-full LPs. Can you imagine if Homme, Garcia, Bjork, and Oliveri had been able to cohabitate and proliferate in such a manner?

"As Above, So Below" provides an array of stoner wallop, with deftly crafted melodies of riff and raunch, executed in expert expression. Their music is simple, clean, and consistent, never backing away from mega-riff deliveries of fuzz and fun, sometimes delving into psychedelic forests, but mostly blasting up-tempo melodies of primal delight. Nightstalker have been making music since 1994, sticking with a style that brands them as badasses, revealing a tenacious stoner genius, never boring, never backsliding, nearing a quarter century legacy of  legitamacy.

bandcamp >><< facebook >><< website

Friday, May 5, 2017

Album Review: Cybernetic Witch Cult - Troglodithic Trip

English rockers Cybernetic Witch Cult appear to be cruising comfortably at high speed right now, not only releasing albums in short order, but releasing albums of immense quality and gusto. There is a lot to love on each release and "Troglodithic Trip" is no exception to the rule. In fact it epitomizes the rule.

Band members are:

..Alex - Cosmic Narration & Fuzz dispenser..
..Kale - Undercurrent, Visual Wizardry & Secondary Narration..
..Lewis - Groovaceous Battery..

Right out of the gate the album launches a broadside of hefty stoner fuzz guitar grinding out an almost plodding track of force and focus leading up to perfectly matched scratchbox vocals on "Sagittarius A*". The tempo kicks up a half notch on the following "Astrogalactic Sprites" as the power kicks up tenfold, surrounded in a cold, dark slurry of haunting atmospheric oppression. "Cult of the Druid" is a dark and deep odyssey that plugs into your primal core with melodic runs, searing riffs, and scorching solos of psychedelic marvel.

The journey to this point has been a soul buttressing delight. But it's not over. Not by a long shot.

"Forbidden Fruit" is forceful, memorable, enjoyable, and loud. It's a rapturous hookfest of haunting ferocity. Brutal and bold, "Human" manages to turn a space opera into a low-tuned stoner tour de force, thrilling at every turn, delighting in every expression of instrument and voice.

The album closes out with the best song of the collection, "Tyrannosaurus Hex". It's a mammoth blast of ecstasy and amplification, of indelible melody, of three metal musicians from the warrior isles masterfully wielding their weapons, wreaking unyielding gratification, sparing no acolyte of these dark, fuzzy arts.

"Black magic teleport me,
Into its territory,
Send me back to a distant time.
Cretaceous Tyrant Lizard King
Come forth and hear my summoning.
Tyrannosaurus Hex will save the Earth,
Will save the Earth."

I love it.

bandcamp >><< facebook >><< website >><< youtube

Thursday, May 4, 2017

QUICK HIT: Blackbird Hill - MIdday Moonlight (maxi)

May 5th is the official release date for Blackbird Hill's latest EP, "Midday Moonlight (maxi)", but the music is available for streaming a day early on their bandcamp page. This duo from Bordeaux, France are master blues rock craftsmen, expertly cobbling together powerful tunes of melodious amplification with their single guitar, single trap set, two voices, as well as a knack for engaging melodies and powerful hooks. Their songs range from haunting ballads to rip-roaring rockers, all supremely crafted and heartily delivered. If you listen today, hopefully you'll return tomorrow and download this gem of a collection.

bandcamp >><< facebook >><< instagram >><< website >><< twitter >><< youtube

Wednesday, May 3, 2017

New Band To Burn One To: Ordos - House of the Dead

Ordos are a 5 piece group of dark, heavy riffsmiths, hailing from the fertile stoner/doom breeding grounds of Uppsala, Sweden. With their two-pronged six-string attack bolstered by an array of blistering vocals and the hammering blows of drumstick and bass guitar Ordos have crafted intricate, atmospheric paeans of tightly woven dark energy. This album is toothsome and tortuous, resolutely drawing the listener in to its dark depths of demon-haunted visions, delivering rapturous highs of low tuned riffage in an impeccable experience of wondrous doom rock.

bandcamp >><< facebook

Tuesday, May 2, 2017

New Band To Burn One To: Bautastor - Bautastor

Obscure, but incredible. Unheralded, but magnificent. Disbanded, yet eternal in legacy. This describes too many capable stoner/doom/psych/blues rock bands across the globe that vie for our attention and appreciation. Thank goodness for the interdubyas, granting us access to a trove of rich, delicious, riff laden, fuzz-dripping morsels of guitar driven greatness, regardless of any band's status post release.

Hailing from Sweden, an historical bastion of stoner rock greatness, Bautastor, a 4 piece group of gifted rockers have managed to release at least one album that has melded together the soulful sounds of blues rock, the crunchy, crackling riffs of stoner rock, the sweet melodies and hooks of the denizens of the desert, and the engaging, intricate psychedelic sounds of progressive rock. It's an album that clicks in all categories, pegs the needle on all capacities, and engages you in deep reveries of musical wonderment.

bandcamp >><< facebook >><< soundcloud >><< youtube >><< spotify

Monday, May 1, 2017

New Band To Burn One To: Zeremony

There was a time relatively early in the decade of awesome rock that was the Seventies in which bands used an organ as much as they did their guitars, and the sound was incredible because of it. Deep Purple, Emerson Lake & Palmer, Yes, The Doors, even the mighty Led Zeppelin on more than one occasion. Today's up and comer is truly a band you can burn one to because their sound harkens back to those not so innocent times while managing to establish their own wonderful sound. The guitar is mighty and not to be trifled with, the vocals are powerful and soul stirring, the driving rhythms of bass and drums are gargantuan, and the melodies are hook-laden attention grabbers. Sit back with your favorite delivery method of choice and burn a few to Würzburg, Germany's Zeremony.

bandcamp >><< facebook

Friday, April 28, 2017

New Band To Burn One To: DEAD QUIET

Progressive, psychedelic, doom, stoner, fuzz, seventies.......Dead Quiet tick all the boxes and then some. Melodic, great vocals, deep metal, mesmerizing, moody, sticky, and toothsome ..... this Vancouver up-and-comer has a big basket full of advantages drawn from the gritty experiences of past individual engagements, now banding together as massively talented individuals to create fresh takes on the amalgam of possibilities as a 5 piece juggernaut. The first release, a self-titled surprise assault of mammoth sound and proportion, should very well break through the cacophony of amplified voices, managing to rise above, to be noticed, to place an indelible stamp of mushroom infused metal upon the marrow of your musical mind.

bandcamp >><< facebook

Thursday, April 27, 2017

QUICK HIT: Green Yeti - "Desert Show"

Today's Quick Hit is infused with a bit of doom and a heaping effusion of psychedelic fuzz. A lively bass accompanies ethereal vocals and a wicked guitar, floating in a stew of chunky drumbeats and clever amplification. This three piece band from Athens, Greece has managed to build an impressive presence on social media in just a few short years, but what they've managed to do most brilliantly is craft together an atmospheric cavalcade of intoxicating, mouth-melting metal.

bandcamp ... facebook ... twitter ... soundcloud ... riffipedia ... metal-archives ... instagram ... youtube

Wednesday, April 26, 2017

QUICK HIT: Bionic Cavemen - "Reactor"

Late in 2013 I had stumbled across an up and coming band and their initial release, "Predator", naming it my Number 9 favorite album of 2013. The 4 gentlemen from Chicago are back with their latest release, an eleven track LP that blisters and burns with savage blues rock fury. The hallmark of stoner/retro/blues rock music is, of course, the massive, gargantuan guitars, amplified to sun blocking heights, and Bionic Cavemen have emphatically perfected this aspect of their music, although thankfully not at the expense of their wonderful lead vocalist whose ragged, raging vocals are an aural injection of sheer pleasure. Add to the mammoth sound and spine-chilling vocals are an opus of songs that are immediately engaging with an additional genius of structure and design. This is no mean feat when combined with a sound that is typically simple and powerfully primal, which "Reactor" is upon first listen. But, even at first listen you hear 'more', the kind of 'more' that will keep you spinning it as much for the mind-numbing riffs as for the admiration and enjoyment of high craft embedded throughout, just waiting for discovery.

bandcamp ... facebook ... youtube

Tuesday, April 25, 2017

DOUBLE TOKE: The Darts - Self-Titled LP / Mad Monkees - Self-Titled LP

I have 2 artists' works to share with you today, so this'll be two Quick Hits in one, which surely can be classified as a double toke, right? The theme today is a punky, garage-y, grungey assault with stoner rock fuzz bombs.

When I listen to The Darts I envision uber-slick rockers from somewhere in Britain, but these nimble rock warriors hail instead from Phoenix and Los Angeles. They display the full battery of stoner assault weaponry with a relentless bass, massive drums, and gargantuan guitar, blasting missiles of massive fuzz, but what sets them apart are the blitzkrieg of vocals from each of the four band members and the razor sharp melodies upon which the assault is laid. It's a formidable vehicle upon which is built an array of quality pieces, all of it erupting with heart and sweat and not a little bit of innate ability, making for music that is thoroughly pleasurable, deeply satisfying, and massively fun.

bandcamp ... facebook ... website


Hailing from Fortaleza, Brazil this band of four very special primates delivers a whopping load of fuzz and fun on their self-titled LP, released a year and a half after their self-titled EP. If you're coming across these high octane rockers for the first time then together the EP and LP offer up 14 roaring tracks of imaginative assonance, designed to be played in the loudest mode you can muster.

bandcamp ... facebook ... website ... reverbnation ... instagram ... youtube


Monday, April 24, 2017

QUICK HIT: Shotgun Sawyer's "8 Bangers"

Fresh stoner/blues produce from the Auburn, California trio of Brett, Dylan, and David, better known as Shotgun Sawyer, has just been released on a split EP with fellow rockers BandMaster Ruckus. The split is appropriately titled "8 Bangers". Shotgun Sawyer's 4 contributions are sticky sweet, gingerbush salty, and euphorically addictive, hallmarks all of their entire, if brief and budding, atheneum.

You might recall that last August Reviewmeister Pete posted a review of Shotgun Sawyer's incredible LP "Thunderchief", one of the best rock album's of that year, or any year. A follow up in a mere six months is an unexpected and welcome treat, a high octane scratch for an ever-urgent itch.

bandcamp ... facebook ... website

Friday, April 21, 2017

QUICK HIT: Carson- "Three Point Split"

This might not be what you would call standard stoner rock, but what is quite evident with this 4 song EP is that a meaty fuzz generator cranks out plenty of rough and ready riffage wrapped in and around some tasty melodies loaded with juicy hooks. Carson have managed to blend an alt-rock vibe with the power and satisfaction of edgy, crunchy riffs. This is the kind of music that keeps you spinning through the tracklist both to enjoy the sounds you know are there and to perchance discover any toothsome nuance not yet revealed.

"Three Point Split" comes on the heels of Carson's earlier 2017 LP release, "Drown the Witness", a 7 song power trip of wit and grit. So, all spun, this three-piece Swiss band have given us a memorable, fuzz-infused, melodic experience.

bandcamp || facebook || website 

Thursday, April 20, 2017

QUICK HIT: Swanmay - "Stoner Circus"

Releasing today, "Stoner Circus" is Swanmay's second recording, the first being the excellent EP "Metronome". The band's trio of riff-slingers, hailing from the Steel City of Linz, Austria, are true thaumaturges of fuzz, infusing their deep, immersive music in lusty amplification and emotionally palpable effects anchored to intelligent melodies and razor-sharp hooks capable of engulfing your metal soul in paroxysms of sheer indulgence.

Run away as fast as you can from the mundane and join this circus of fuzz today to get in on the ground floor of its mammoth awesomeness.

bandcamp || facebook || YouTube || spotify || instagram || soundcloud || vimeo

Friday, March 31, 2017

Wounded Giant- Vae Victus LP/STB records

Shirts off! and congrats to Wounded Giant for signing with STB Records.

Out tomorrow (April 1st) on STB records is the new release from Seattle's own Wounded Giant, you'd best get on STB's site early as I imagine the limited editions* will sell out quickly. Wounded Giant are no strangers to vinyl with a full length titled Lightning Medicine (in my collection) and some splits, one which was with Goya* also an STB release and a beauty I may add.
Seems to me Steve has some of the best packaging around including Cloaks (Ancient Warlocks), and Bottle openers (Year of the Cobra) etc..
These chest baring tattoo-clad Riff Worshipers of Doom/Stoner/Metal and Psychedelic have gone into studio with master of all heaviness Billy Anderson and came out with 6 tracks of the aforementioned, pummeling along with the title track and into a slower instrumental piece back into the chug groove, this album with songs averaging over the 6 minute mark fits nicely as their sophomore release.. I did notice it got way better at louder volumes..go figure. I have seen them live  a few times and they can get loud and heavy with the best of them.
Vae Victus is right up all of Heavy Planet's avenues and is sure to keep those in tune with HP's sites happily chugging the ale while nodding along to the grooves laid out by Bobby, Dylan and Alex.. did I mention WG has their own beer?  It's a 9% IPA that was released by STB and Oliver Brewing Co. called the Vae Victus.
Get your hands on this album put it on your turntable and you may become overwhelmed to go shirtless and raise some horns.
Mastering duties were held by none other then riff/studio Wizard Tony Reed of Heavy Head studios and the now legendary Mos Generator.

Digital distribution handled by Magnetic Eye Records.

1.Vae Victis 09:30
2.Dysthiest 06:20
3.Immanentize The Eschaton (Jim Jones Instrumental) 04:43
4.Scum Of The Earth 07:03
5.The Room Of The Torch 07:36
6.Green Scar 06:09

Die Hard Edition:
Limited to 100 units on 180-gram red, yellow, and green tri-color vinyl with blue splatter. Comes housed in a hand-numbered, high-density/high-gloss gatefold jacket with Die Hard-only foil stamping, and accompanied by an exclusive Wounded Giant signet ring.
OBI Series:
Limited to 150 units on 180-gram clear vinyl with white center and red and yellow splatter. Comes in a hand-numbered high-density matte-finished gatefold jacket with flood UV effects and foil-stamped OBI series spine strip.
Not So Standard Edition:
Limited to 250 units on 180-gram red and white swirl vinyl. Comes in a full-color matte-finished gatefold jacket with flood UV effects.

Monday, March 27, 2017

LP Review: Relic by Forming the Void

The artwork to Forming the Void's second release depicts a cloaked figure carrying a trident, riding a harnessed piece of earth with a chain of other rocks through the cosmos with a hawk by it's side; it's dark, psychedelic, and perfectly encaptures the slow driving riffs that this Louisiana band deliver with a blunt knife to the temple.

Opening track 'After Earth' slowly picks you up on a dust cloud, sailing through the atmosphere of hazy drones and soothing guitar picks before delivering it's crushing blow of stoner/doom riffs like a creeping tsunami. The vocals of James Marshall are really refreshing to listen to as they avoid the typical stoneresqe gruff shouting vocals, but instead have a more 90's grunge tone to them as the guitars chug away in the background to a pulsating beat. The band lay the doom ethic on as thick as they do the crushing stoner,and it's a combination which is all encompassing, at times soaring with touches of psychedelia, and others the slowest of doom.

'The Endless Road' has similarities with bands like Sergeant Thunderhoof, with thick layers of crushing riffs building upon progressive musicianship with becomes quite captivating to listen to. 'Bialozar' is straight up powering stoner metal with attitude and we just cannot stop throwing fists at the fuzzy guitar riffs with smiles on our stupid faces. Forming the Void aren't necessarily breaking boundaries with their music, but they are doing the best possible versions of their genre that they could hope for.

The rest of the record simple continues to just fucking destroy you, with each pulverising guitar riff of 'Relic', the psychedelic hammering of 'The Witch', and the menacing doom of 'Unto the Smoke', all beating you black and blue, just so they can soothe you with an absolutely killer version of Led Zeppelin's 'Kashmir' to close the record, seriously, you've got to hear this track! Relic is a superb stoner/metal/doom record which will be getting many many many a repeated listen at Heavy Planet HQ. Go and listen and tell us how right we are.

Wednesday, March 15, 2017

LP Review: Let It Burn by REZN

Now this is just what we needed! It's been a pretty slow start to the beginning of 2017 for us guys at HP, we needed a bit of a wake up call to get our arses into gear, and it turns out that an almighty heavy slab of cosmic doom will do just the trick! Enter Chicago's REZN.

Coming across like a psychedelic Electric Wizard, REZN are making a huge noise on their debut full-length record; the guitars are tuned to their fuzzy maximum while the drums echo from the gut and the vocals drone into a tripped out phenomena. Opening track 'Relax' doesn't fuck about, and begins to pummel your senses from the start with its chugging stoner/doom riffs creating a wall of sound that will crush weaker individuals. Everything about REZN's sound is massive, the drum kit must need replacing after each set the way Patrick Dunn pounds away, but then at the flick of a switch they create delicate tripped out moments of hazy clarity, before you fall out of the sky and hit the ground with the massive riffs.

'Wake' creeps along like a Black Sabbath song that was dropped for being a bit too heavy, with lots of trippy vocals and bass lines that'll make you not even need those drugs to reach your astral plain of consciousness. But even in their quieter moments they can't stop themselves from being heavy as hell as the riffs and cymbals come crashing down once again. 'Dread' is the calm amongst the ongoing storm, a short instrumental moment of reflection on the havoc that has been caused so far. 'Rezurrection' comes across with elements of a Far Eastern space trip, standing the hairs on your neck on high as the band take you under their spell.

Let It Burn is an hour's worth of extraordinarily heavy cosmic doom that dips its toes into a lot of stoner and psychedelic elements with spectacular results. It crushes your soul, and that's all we can really ask for.

Wednesday, February 22, 2017

7" Review: Aboleth - EP-I

Feast your eyes on that simple, beautiful album cover above. It's a bellwether for what is packaged inside. Los Angeles trio Aboleth have kicked off their career with a sweet three song 7" record simply titled EP-1, packed with explosive stoner rock magic that runs the gamut of tripping all the right triggers of outstanding stoner/desert/retro/blues rock.

The hard rocking trio include:

Brigitte Roka on vocals
Dan Joeright on drums
Collyn McCoy on baguitar

Baguitar? What the......? McCoy, stoner rock royalty from both Trash Titan and Ultra Electric Mega Galactic, has devised a new hybrid instrument that allows him to riff both ultra high and mega low. The sound of this beautiful invention is a runaway blitzkrieg thunder vortex, which McCoy unleashes from the jump on the first track, "No Good".

"No Good" is a tremendous introduction to Aboleth's sound as Joeright's skinskinning comes in alongside McCoy's baguitar monsoon licks to create a clean, athletic sound that stretches the boundaries of blues rock riffing. It pulls you in quickly with its brilliance before the door squeaks open for Roka's raspberry sweet and smoky bourbon vocals to ooze seamlessly into the mix, making a triumvirate of indigo crisp and mesmerizing stoner bliss. This song is raucous and well crafted, a whipsaw of thick multidimensional fuzz, a deluge of intriguing sound and melody.

Next up is "Corpsehunter", another onslaught of sound and craft, weaving melody with those unique baguitar riffs and Roka's pitch perfect vocals, vocals that simultaneously haunt and exhilarate. Closing out the thrill ride is "Captain Cheese", a nearly 7 minute psychedelic turn on a measured metal journey, impeccable in detail and nuance, and brilliant in deeply heartfelt exertion.

The sound Aboleth has crafted is simply exquisite. It's fine stoner/desert rock, but doesn't rest there on any laurels. The sound of the baguitar is equally exquisite, magnifying the energy and amplitude of standard fuzz riffage, which makes for a deeper than usual intrigue for the listener. Roka's vocals are unique. They contain both the sharp cutting edge of the finest of female vocals while tempering that keenness with an underlying ragged snarl that magnifies the appeal of the whole. And then there are the clean, clear, muscular rhythms of Joeright's drumwork, who manages to pull off the difficult task of making the underlying rhythm significant enough to be enjoyed without ever stepping on the magnificence of his cohorts' contributions. The three pillars upon which Aboleth are founded and upon which it stands are formidable in function, breathtaking in form, and a fantastically thrilling encounter.

Aboleth are in the studio cranking out their next wide spectrum stoner sojourn. Once this initial triple jam foray gets a bit of notoriety the anticipation for future releases will likely skyrocket. This first stage booster is powerful and magnificent and should pave the way for the explosive stages of future releases.

bandcamp ||  facebook || instagram

Related Posts Plugin for WordPress, Blogger...

Subscribe To MrStonebeliever For the Latest Videos