LP Review: Forest of Legend by Forest of Legend

Back in June of 2015, we said of Forest of Legend's demo that they 'have the potential in them to make an incredible record. Watch this space'. Well, we write this review with big gloating grins on our faces, the guys have come through with the goods!

The three piece Virginians have taken the doom genre by the scruff of the neck and spat bile down it's throat with their self-titled debut. The vocals of Gage Shanahan are dirty and pissed off, giving the drawn out riffs an added urgency of anger and guttural desperation that builds each crushing riff into a crashing display of power, prevalant on opening track 'Lightbringer' with elements of sludge thrown into their standard heavy doom riffing. To give these guys just a 'doom' would do a disservice to their other exploratory sounds as they often trail off into psych guitar solos or power riffs that will beat your brain to mush.

As the crawling 'Cursed By Night' rains down upon you, you begin to realise that these guys mean some serious business. Often elements of Sleep and Black Sabbath are at the forefront of what they do, but the references to their peers are a tribute, not a rip off, as layers of orgasmically crushing riffing comes over you in waves, and you accept it full force. With all tracks landing between 7-8 minutes in length, it's not a record for the feint hearted. The band flitter between slightly high tempo doom ('Neptune's Glacier')and the slow-crushing stuff we all adore ('Divine Greataxe') and they feed so well into one another.

Each track is a powerhouse standout, with tracks 'Bane of the Black Lung', 'Holy Throne' and 'Brotherhood of the Black Sun' all warranting the same superlatives such as "heavy as fuck", "crushing our spines" and "riff upon riff upon riff of glorious riffs". We said these guys would make something special, and how right we were. One of the underground doom albums of the year.

Bandcamp|Facebook

Quick Hit: CORTEZ - "THE DEPTHS BELOW"

Veteran Boston rockers Cortez have advanced their long, high caliber legacy with a new, full length LP, their third album since inception back in 2006. This latest album by the quintet is a testament to their longevity as it provides some of the best tracks they've yet produced, music of the highest stoner metal caliber offered up over the past 11 years.

"The Depths Below" run a distinctive gamut of loud party fun, melodramatic psychedelics, hard, heavy, slabs of towering stoner metal resolve, and even a frolicking, hip-hop inspired romp of a hard rock bent. The melodies are intelligent and magical, providing sharp, indelible hooks, while the vocals are of a quality rarely experienced from within the hordes of underground rock bands. Riffs of twin guitars are piled high and loud, bringing steel wool fibered fuzz of rarefied magnificence. The rhythm sector is never overshadowed, displaying clear, unyielding stickwork of immense cleverness and ferocity as well as bass guitar of thick, gargantuan reverberations of primal explosion.

I had the privilege of reviewing Cortez on their eponymous sophomore release back in 2012, cutting my teeth on music easy to both enjoy and attest to. Five years later I get to do so again, an opportunity as satisfying as is their music to which I immensely enjoy.

While going over their discography I came across a single track they had released early in 2016, a cover of one of the premier rock bands of the 70s, Deep Purple. Cortez' rendition is a brilliant emission of a brilliant, but unheralded classic. I include it here for the sake of fun.



bandcamp || facebook || webpage || twitter || instagram

LP Review: Shrooming Widow by Void Commander

As a great big fat choking smoke cloud descends upon you, filling your lungs with a dense clogging clawing, commanding every gap and hole it finds, becoming one with you, you manage to exhale within the last gasping inch of breath you've got left, right before the next fuzzed-up doom riff smothers you again. It's as glorious as it is suffocating, and Void Commander pummel you in droves with one dense heavy riff after the next. It's not a record for the faint-hearted.

Hailing from "the dark forests" of Sweden, the trio of Bobby K, Linus O, and Jimmy J have released their debut full-length record of heavy HEAVY stoner doom distorted psychedelic riffs in the mammoth Shrooming Widow, and it's fits perfectly between Sleep and Spaceslug on the drifting-alone-in-outer-space-high-as-fuck-being-pulled-apart-by-a-black-hole noise spectrum: so you can see why we love it.

With tracks like, well, every damn track here, but in particular '2061' reaching such earthly decimals to rupture your eardrums, and make you nauseas from the pounding drumming and doom-chainsaw guitar work, you find yourself constantly caught between banging your head 'til death and riding that magical carpet into the higher plains of your existential mind. When one mind mulching track ends, another starts up right where they left off, 'Acid Queen' continues the powerful dooming riffs setting the stoner tempo as high as they dare to go. The instrumental bass heavy 'Tongue Whip of the Alien Mothership' is the marker that separates the pretenders from the real lovers of all that is HEAVY as the record continues for another ten songs of the same smothering riffs in glorious succession.

'Days Will Pass and Years Will Die' is our standout track on Shrooming Widow, with Bobby K's haunting vocals tripping over the top of some of the sharpest riffs the band have to offer. The song encompasses everything the band are about, with their psychedelic tinged astral riffs, crushing doom-laden bass riffs and drumming, and droning, continuous drug-fuelled riffs (they have a lot of riffs) all within the same glorious 8-minute wonder.

Shrooming Widow is an excellent debut record from a band that we're certain to hear a lot more from for years to come, if our eardrums can honestly handle it.

Bandcamp|Facebook

New Band To Burn One To: Bautastor - Bautastor

Obscure, but incredible. Unheralded, but magnificent. Disbanded, yet eternal in legacy. This describes too many capable stoner/doom/psych/blues rock bands across the globe that vie for our attention and appreciation. Thank goodness for the interdubyas, granting us access to a trove of rich, delicious, riff laden, fuzz-dripping morsels of guitar driven greatness, regardless of any band's status post release.

Hailing from Sweden, an historical bastion of stoner rock greatness, Bautastor, a 4 piece group of gifted rockers have managed to release at least one album that has melded together the soulful sounds of blues rock, the crunchy, crackling riffs of stoner rock, the sweet melodies and hooks of the denizens of the desert, and the engaging, intricate psychedelic sounds of progressive rock. It's an album that clicks in all categories, pegs the needle on all capacities, and engages you in deep reveries of musical wonderment.

bandcamp >><< facebook >><< soundcloud >><< youtube >><< spotify

QUICK HIT: Shotgun Sawyer's "8 Bangers"

Fresh stoner/blues produce from the Auburn, California trio of Brett, Dylan, and David, better known as Shotgun Sawyer, has just been released on a split EP with fellow rockers BandMaster Ruckus. The split is appropriately titled "8 Bangers". Shotgun Sawyer's 4 contributions are sticky sweet, gingerbush salty, and euphorically addictive, hallmarks all of their entire, if brief and budding, atheneum.

You might recall that last August Reviewmeister Pete posted a review of Shotgun Sawyer's incredible LP "Thunderchief", one of the best rock album's of that year, or any year. A follow up in a mere six months is an unexpected and welcome treat, a high octane scratch for an ever-urgent itch.

bandcamp ... facebook ... website

Album Review: "The Bushgate" - Samba Cemetery

Are you looking for something fresh, something with a bit of the new, something that tickles that desert/stoner rockbone without directly rehashing a thousand albums already consumed? Samba Cemetery's "The Bushgate" might just be the thing to trigger that rewind button interface on your music app and perk up your stoner rock antennae.

There are some sharp metal edges and thickly welded melodies throughout this 5 song EP that opens with the title track, an instrumental that will make you think you're in for a psychedelic excursion before it smoothly segues into a huge riff barrage. "Samba" gives way to "Blast of the Rex" where fast and fierce rhythms fuel the launch of this EP juggernaut for the album's duration.

"Rolling" catches it's breath....just for a bit... before itself expending jet fuel to hurl us into the deep, dark recesses of this vibrant, viscous concoction of sand, sound, and steel.

"Help Me Breathe" is mighty. It's muscular. It's a mammoth rendering of the razor edges Samba Cemetery wield with an assassin's relish.

The EP closes out with a perfect coup de grace, "Last Samba", a long agonizing burn off of sugar and sweetness to reveal pointy crags of sharp rock, the cracking timber of splintering oak trees, and precisely honed riffs of gleaming metal edges.

Hailing from Berlin this powerful threesome include:
Ruben Leon - Vocals, Guitar
Lukas Weber - Drums
David Gi - Bass

Leon's vocals are pure barbed razor and rusty iron rebar, slicing and cleaving in and through his equally dangerous sharp riffs and bruising runs on guitar.

Gi has brought the big hammer to the job with his bombardier bass perfectly rendering the primal underpinnings of the music.

Weber's drumwork is unrelenting, unstoppable, and invanquishable, pummeling and pounding in a pugilistic onslaught, never retreating behind or below his amplified brethren.

Together this threesome are able to deliver that rare bond between superbly crafted melodies and expertly delivered renditions of such.

When all is told this short foray of lustful metal is blissful and refreshing, well worth a kickback and listen, a bandcamp and chill, or a Heavy Planet and Jam.

bandcamp ||  facebook || soundcloud || spotify

LP Review: Way of the Hoof by Boudain

Three years on from the release of their debut EP (read our review here), the Louisiana grooving stoner four-piece Boudain have finally released their debut full-length (they formed 10 years ago after all). Has Way of the Hoof been worth the decade long wait? You bet your damn ass it has!

The record opens with swathes of thick, gravy-like riffs, treading a line of what Fu Manchu would sound like if they listened to a bit more metal. ‘Sleazy Feats’ is bursting with riffs that the band can barely contain in its four minutes of stoner grooves that begs you to get down and dirty amongst it all, as in the soil and fumes dirt! Flicking between stoner groove, to metal groove, to a bluesy groove, with added doom groove, you can guess how funky this record will make you. The riffs of ‘Neptune’ is a glorious homage to every stoner band that has ever ripped you a new one since you’ve gotten this cool, the vocals are scorched and impassioned that leave no room for fucking about with. The heavy Southern influence kicks in on 'CODA' (Fu Manchu meets Down?) as the riffage becomes a glorious claustrophobic mallet to the face. Boudain wear their influences proudly on their sleeves with every pluck, hit, head-bang and droplet of sweat in everything they do, and it’s a pleasure to get involved amongst it all.

Way of the Hoof is just full of fun and full-throttle riffs, in particular on ‘First Class’ where they never let up for a moment, pure adrenaline guitar work. ‘The Mighty Turn Around’ has doom riffs that threaten to topple over and crush you, before the excellent ‘Disco Jimmy’ and ‘Godzilla’ close the record with thunderous god like riffing that clench the fist and shout “HELL YEAH”!!

Way of the Hoof is such a fun, pummelling record that it becomes an escape to listen to. These types of records are few and far between. Grab a hold, now!

Bandcamp|Facebook

Mississippi Bones' Vinyl Release of Songs for the Slackers, Rejects and Rabble-Rousers on Kozmik Artifactz

Snap. Crackle. Pop. That's what comes to mind when I listen to Mississippi Bones. While my purpose here is to discuss their latest vinyl offering, Songs for the Slackers, Rejects and Rabble-Rousers as well as the digital EP The Rejects Strike Back, the elite level of musicianship shines through on all their releases. Big guitars, heartbeat altering riffs, deep, rich vocals, gargantuan drums, and massive bass are wrapped and intertwined with the unrelenting and boisterous fun of each song's lyrics. It's a style that's heavily twinged with a southern flair, distantly influenced by the deep, low tones of Black Sabbath, and deeply infused with the fun and fury of Clutch. I don't even know if any of that is intentional because the sound is certainly unique to these Ohio rockers while simultaneously paying great homage to the very best of ageless metal regardless of country or time of origin.

Mississippi Bones have been quite prolific in the underground metal scene with their juiced and jaunty jams, having released no fewer than 4 albums in the six years since this decade began. They are now part of the those stoner straw dogs, Kozmik Artifactz, who have just distributed the vinyl of
Songs for the Slackers, Rejects and Rabble-Rousers this past June.

So, for a damn good time join
                      Jackhammer Jared Collins on vociferous vocals
                      Doldrum destroying Dusty Donley on riff gittin' guitar
                      Daredevil dynamo Derik "The Moustache" Dunson on pulse pounding guitar
                      Juggernaut  Jason Rector on bubbling bodacious bass
                      Jet Engine Jason Miller on death defying drums
                      Heartthrob Heather Collins on vexing vivacious vocals

You can start with their 2015 releases:

Songs for the Slackers, Rejects and Rabble-Rousers
and
The Rejects Strike Back

and then perhaps work your way back through:

Tracks and their self-titled initial release Mississippi Bones

You are bound to have a rollicking great time anywhere you land and spin with these raunchy rocking rippers of southern stoner goodness.

bandcamp ||  facebook || label ||

LP Review: King of Worms by Never Before

A lot is going to be made about this bands origins, and it’s a fair point to focus on, because there aren’t a lot, or indeed any, stoner metal bands hailing from Beijing, China. But that is not enough alone to make us want to tell you about Never Before, we’re talking about this band because, my word, King of Worms is one kick ass record!

Despite being Chinese, the band don’t sing in their native tongue, instead using English to appeal to a wider audience, and as soon as the music rains down upon you during opener ‘Born To Lose’, location and origin mean nothing, and the power of the riff takes over. The opening track is one of the more doom-esque tracks on King of Worms, with hints of classic rock/thrash poking their heads out at every opportunity. It’s a nine-minute track showcasing all of the band’s talents. The band begin to have some fun with second track ‘Killer or Survivor’ as the groovy stoner metal elements kick into full swing. This is a band who like to have fun while rocking with their balls out! ‘Drink, Fuck, Puke’ is one of our particular favourites here, using elements of the power of old school punk before the heavy swathes of grooving stoner riffs kick in, creating a glorious few minutes of head-thrashing.

As the record develops, the riffs get rawer and louder: ‘Wild Dog’ sounds like it was recorded inside the exhaust of a Harley going 100 through the desert plains, ‘Cold Blood Mike’ is an earthquake of stoner metal riffs to delight everyone reading this blog! ’10,000 Years of Sleep’ may as well be a tribute to said band (Sleep that is) with its heavy drawn out riffs creating a glorious cacophony, while the full-on metal assault of ‘Fall’ quickly awakens the senses once more.

From start to finish, King of Worms is an enthralling listen. There are elements of doom, stoner, metal, punk, all played with incredible energy and skill, with riffs to make your face melt and savagely band the remains to a pulp! China has over 1.3 billion people living there, and these five guys are standing on top of the stoner metal food chain! Let’s see what else you guys have got!

“DRINK, FUCK, PUKE!!”

Facebook|Bandcamp

Album Review: 'Midnight Cometh' by Wo Fat

For the uninitiated, Wo Fat are Dallas Texas 3-piece riff-lords whose sound is buried deep in desert rock, under the influence of bluesy doomy psychedelia, who've been tripping to Sabbath, Hendrix and Kyuss records for years. They return with their latest long-player 'Midnight Cometh' out on 20th May 2016 - and first on Ripple Music - that features 6 tracks that entrenches their signature sound beyond 2014's The Conjuring (review here). As firm favourites over here at Heavy Planet, Wo Fat's records have regularly been featured in 'top album of the year' review posts... so it's safe to say our collective expectation has been set pretty high in recent years... Have I just jinxed it?

Well, whoever hears the first 30 seconds of opener 'There's Something Sinister In The Wind' and is not stomping their feet, has cold blood in their veins. This record grabs you by the balls from the outset and there’s little let-up. The first two tracks are a frenetic 'Friday night' groove before stepping off the gas for the more expansive and standout track 'Of Smoke And Fog', clocking in at over 11 minutes, but who's counting? Album closer “Nightcomer’ is a majestic mid-tempo groove that slinks like a desert snake, with a sneaky sting in the tail as the record combusts in on itself only drowned out by your screams of MORE MORE!! There are huge moments peppered throughout this record that surprise you which you only pick up on further listens, that compels you to hit the repeat button. And rising those waves of tempo throughout the record never feels self-indulgent on the bands part - just great riffs that get you high and bring you down again. You can already hear how ‘Riffborn’ and ‘Three Minutes To Midnight’ will be making their way straight into Wo Fat's live sets.

Production-wise Midnight Cometh is everything we've come to expect from a WoFat record - ear bleeding levels of fuzz, sweat-drenched Bluesy lead guitar, relentlessly pounding drums, and riffs for days. Is there a greater guitar virtuoso than Kent Stump in the stoner rock world right now? Wo Fat have certainly honed their craft over a six album career to today where the band are embarking on a second European tour that includes appearances at Desertfest (London, UK) and Hellfest (Clisson, France).

The band and album are epitomized by the lyric on Riffborn - ‘We live by the old ways, we know what came before. Build ourselves a purple haze. We are the Riffborn’ - and it's a statement of intent which holds true throughout. Wo Fat are a melting pot of influences, taking the best bits from the stoner rock pantheon through the ages and melding them together to forge their own style. They continue to work their voodoo, keeping us captivated under their sonic spell. You need this record in your collection...

Order the album | Like on Facebook | Band Website