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April 21, 2014
TOKERidiculous riffing, slow and nasty doom grooves from Wilmington, NC.
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April 17, 2014
ORYXDunes of droning hypnotic sludge from the deserts of Las Cruces, NM.
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April 14, 2014
MAMMOTH STORMPlodding, tar-lathered metal-fed groove doom from Sweden.
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April 8, 2014
LADY FLINT Explosive stoner blues rock duo from Marselle, France.
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April 7, 2014
KING DEAD Doomy psyche-tinged spaghetti western sludge from PA.
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April 2, 2014
GROGGYBlues-obsessed fuzzy garage rock duo from Omsk, Russia.
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March 31, 2014
THE SILENT LOWMelodic, hard-hitting, attitude-driven stoner rock from Denmark.
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March 25, 2014
GRAILPsychedelic punk with a southern demonic desert groove out of Texas.
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March 24, 2014
LORD OF GIANTSincere, lumbering, 70's influenced heavy rock from Germany.
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March 19, 2014
WOVOKA Intense yet melodic, brutal gut-twisting post-metal sludge from LA.
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March 16, 2014
Torpedo riffs, hazy grooves and cosmic stoner sleaze from Portland.
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March 13, 2014
Toxic, heavy southern groove metal attitude from Brazil.
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March 11, 2014
Somber, shoegazing post-metal sludge from Columbus, Ohio.
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March 10, 2014
Cosmic, gravity-defying stoner fuzziness from Sydney, Australia
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March 6, 2014
Fuzz-filled, snail-paced riff-praising doom from Denver, CO.
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March 5, 2014
Polish doom band with female vocals is a fuzz worshippers dream
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March 4, 2014
Sleazy, fat and dirty stoner metal riffs from down under.
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March 2, 2014
Newly formed 70's inspired stoner doom band from Brazil.
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Feb. 27, 2014
Expansive psychedelics and dusty grooves from Austria.
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Feb. 25, 2014
Fuzzed-out heavy desert grooves from Catania, Italy.
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Feb. 24, 2014
Get stuck in some sludgey stoner groove from South Carolina. facebook- bandcamp
Feb. 20, 2014
Heavy lightning in a bottle stoner boogie groove from Sweden. facebook- bandcamp
Feb. 19, 2014
Stirring progressive ambient doom from Bath, UK
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Feb. 17, 2014
Intense instrumental sludgefuzz from these Guernsey blokes. facebook- bandcamp
Feb. 15, 2014
Swirling hypnotic heavy psychedelic rock from St. Petersburg, Russia. facebook- bandcamp
Feb. 10, 2014
Sultry and somber jazz-laden ambient doom from Genoa, Italy.
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Feb. 8, 2014
Late 60's early 70's influenced heavy psychedelic rock from London.
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Feb. 5, 2014
Death/Doom/Thrash from the mean streets of Adelaide, Australia.
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Feb. 4, 2014
Doomy apocalyptic instrumental Sludge from Istanbul, Turkey.
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Feb. 2, 2014
Spell-binding all-female occult doom from Ljubljana,Slovenia.
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Feb. 1, 2014
Heavy heartfelt psychedelic jams from Heidelberg, Germany.
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Jan. 30, 2014
Riff Heavy Stoner Doom with Southern grit from Athens, Greece
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Jan. 27, 2014
Chest collapsing progressive heaviness from Ventura, CA
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Jan. 25, 2014
Genre-defying atmospheric mood music from Tampere, Finland. facebook- bandcamp
Jan. 23, 2014
Freaked-out psychedelic space rock from Gothenburg, Sweden. facebook- bandcamp
Jan. 22, 2014
Swamp-infested grooves and fuzzy desert riffs from Portland,Oregon.
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Jan. 21, 2014
BORDEL INFERNO Gritty heavy rock, solid riffs from Rio de Janiero.
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Jan. 20, 2014
OVERLORD Melodic groove-oriented Heavy Rock from Oxford.
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Jan. 19, 2014
A DAY AS WOLVES Garage-rock inspired bluesy fuzz and roll from Alberta, Canada. Eh! facebook- bandcamp
Jan. 18,2014
NAKED BROWN Hard-hitting Polish heavy rock in the vein of Clutch and Motorhead.
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Jan. 17, 2014
Smoke obsessed Stoner Doom from Slovenia. Free demo.
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Sunday, December 8, 2013

Sunday Sludge: Stuntman - "Incorporate The Excess"

Aw, you wanted to take it easy this morning? Well, I'm about nine minutes sober and need to re-capture the buzz. Someone forgot to tell Jesus to turn down the heat last night and I'm pretty sure the teenagers up the street tore into the last of the beers in my garage. I needed a little wake-me-up that won't juice my paranoia. I'm not about to share coffee with the dusty old pricks at the diner, talkin' 'bout nothin' but gas prices and how "gott-damn" cold the weather's been.

Enter another French import from Solar Flare Records: S├Ęte's Stuntman. On their third album, these tyrants spray steaming shit and cake a dulled landscape with seven tracks of jagged, jarring sludgecore noise that'll keep you outta your seat  like puddled piss. Incorporate The Excess is just under thirty minutes of blistering, spiteful torment, both inflicted and received. Consider it a "pay it forward" dynamic where the band wants listeners to experience a vicarious burn, stinging and soaking until skin drips from the bone.

The industrial crackle of Broken Mirrors Lacerate, unsettling and disorienting as it is, hardly preps us for the relentless auditory punishment of the remaining six tracks. The Patriot, The Elite, The Icon offers bulging neck-vein noise, pacing that blisters as it shreds, and loose chaos that somehow never succumbs to centrifugal non-promises. How elements manage to marry could only qualify as Satan's miracle. Slowing to a sludge trot only briefly, the split-lip fire of this slasher never wanders.

Releasing Bag Of Dicks as the disc's first streaming single likely provides listeners a fair glimpse of what to expect. More inflicted than delivered, the track is slow only in relative terms. Distant yelps perfectly complement gnarling, gnashing rhythmic lunges, so scornful and wholly defiant. This flagship track scorches despite its structural achievements and screeches despite its murky-motored pacing.

Finding groove appears to be the focus on Horn of Misery and Roll Your Skull, a slightly (only slightly) less vitriolic tandem of thrash-coated sludge-noise dysfunction. Horn falls as choppy and exhausting, sticking to your teeth like fresh tar peppered with sharp gravel. Roll has a more prominent groove, biting and putting a brake on the bark. Don't worry. Steady repetition leads toward a spiral of deliberate grief. You'll feel completely enveloped, but hardly comforted.

Clocking at two minutes, the album's award for most jagged and in-your-ear slab goes to the screaming Chaos Shepherd. You cannot sit down, you cannot stand still, and you absolutely cannot take the time to lick your fingers and savor this one. The rhythm never blinks, and the floored squelch is a symptom of atrophy. Hardly introductory, the song still serves as a contrasting lead-in to Scarecrow Warfare, an abrasive and patient true-sludge closer. Eating nearly nine minutes, this departure pits guitars against one another, lacing up and sparring between lumbering churns and piercing jabs to the eye. The weight of hatred has weakened your shoulders, while the descent of a drone blanket keeps your speakers rattling. We're steadily buried by layers of slow sludge, tracing thorny licks to map an escape route. But trust me, there's no way out of this awesome stickiness.

Stuntman inject a heave into their breed of sludge, tossing noisy, hardcore grenades with little regard for what ensues. If broken glass is bad for your teeth, then Stuntman are just as bad for your future. Punishment gluttons, line up. These seven sins don't even bother with a knock on the door. They know you're home and they know you're due for a slick beating. When sludge is this angry, you know you've fucked up. After these 27 minutes, your only choice is to play dead.

For fans of: Buzzov*en, Unsane, Soilent Green
Pair with: Phin & Matt's Extraordinary Ale, Southern Tier Brewing Company

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