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April 21, 2014
TOKERidiculous riffing, slow and nasty doom grooves from Wilmington, NC.
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April 17, 2014
ORYXDunes of droning hypnotic sludge from the deserts of Las Cruces, NM.
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April 14, 2014
MAMMOTH STORMPlodding, tar-lathered metal-fed groove doom from Sweden.
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April 8, 2014
LADY FLINT Explosive stoner blues rock duo from Marselle, France.
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April 7, 2014
KING DEAD Doomy psyche-tinged spaghetti western sludge from PA.
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April 2, 2014
GROGGYBlues-obsessed fuzzy garage rock duo from Omsk, Russia.
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March 31, 2014
THE SILENT LOWMelodic, hard-hitting, attitude-driven stoner rock from Denmark.
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March 25, 2014
GRAILPsychedelic punk with a southern demonic desert groove out of Texas.
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March 24, 2014
LORD OF GIANTSincere, lumbering, 70's influenced heavy rock from Germany.
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March 19, 2014
WOVOKA Intense yet melodic, brutal gut-twisting post-metal sludge from LA.
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March 16, 2014
HEAVY VOODOO
Torpedo riffs, hazy grooves and cosmic stoner sleaze from Portland.
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March 13, 2014
SPIRITUAL VOID
Toxic, heavy southern groove metal attitude from Brazil.
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March 11, 2014
SOUTHERN STATE
Somber, shoegazing post-metal sludge from Columbus, Ohio.
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March 10, 2014
HYPERGIANT
Cosmic, gravity-defying stoner fuzziness from Sydney, Australia
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March 6, 2014
KHEMMIS
Fuzz-filled, snail-paced riff-praising doom from Denver, CO.
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March 5, 2014
BITCHCRAFT
Polish doom band with female vocals is a fuzz worshippers dream
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March 4, 2014
DRUG MOTHER
Sleazy, fat and dirty stoner metal riffs from down under.
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March 2, 2014
SPIRAL GURU
Newly formed 70's inspired stoner doom band from Brazil.
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Feb. 27, 2014
TIMESTONE
Expansive psychedelics and dusty grooves from Austria.
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Feb. 25, 2014
RHINO
Fuzzed-out heavy desert grooves from Catania, Italy.
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Feb. 24, 2014
SOLAIRE
Get stuck in some sludgey stoner groove from South Carolina. facebook- bandcamp
Feb. 20, 2014
HADDOCK
Heavy lightning in a bottle stoner boogie groove from Sweden. facebook- bandcamp
Feb. 19, 2014
VALFADER
Stirring progressive ambient doom from Bath, UK
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Feb. 17, 2014
BRUNT
Intense instrumental sludgefuzz from these Guernsey blokes. facebook- bandcamp
Feb. 15, 2014
MATUSHKA
Swirling hypnotic heavy psychedelic rock from St. Petersburg, Russia. facebook- bandcamp
Feb. 10, 2014
MOPE
Sultry and somber jazz-laden ambient doom from Genoa, Italy.
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Feb. 8, 2014
LANDSKAP
Late 60's early 70's influenced heavy psychedelic rock from London.
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Feb. 5, 2014
TOMBSEALER
Death/Doom/Thrash from the mean streets of Adelaide, Australia.
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Feb. 4, 2014
SLUG SALT LAVA
Doomy apocalyptic instrumental Sludge from Istanbul, Turkey.
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Feb. 2, 2014
MIST
Spell-binding all-female occult doom from Ljubljana,Slovenia.
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Feb. 1, 2014
GRIT
Heavy heartfelt psychedelic jams from Heidelberg, Germany.
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Jan. 30, 2014
9OZ OF NOTHING
Riff Heavy Stoner Doom with Southern grit from Athens, Greece
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Jan. 27, 2014
BRILLIANT MACHINE
Chest collapsing progressive heaviness from Ventura, CA
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Jan. 25, 2014
OUTWAILED
Genre-defying atmospheric mood music from Tampere, Finland. facebook- bandcamp
Jan. 23, 2014
YURI GAGARIN
Freaked-out psychedelic space rock from Gothenburg, Sweden. facebook- bandcamp
Jan. 22, 2014
BLACK SNAKE
Swamp-infested grooves and fuzzy desert riffs from Portland,Oregon.
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Jan. 21, 2014
BORDEL INFERNO Gritty heavy rock, solid riffs from Rio de Janiero.
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Jan. 20, 2014
OVERLORD Melodic groove-oriented Heavy Rock from Oxford.
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Jan. 19, 2014
A DAY AS WOLVES Garage-rock inspired bluesy fuzz and roll from Alberta, Canada. Eh! facebook- bandcamp
Jan. 18,2014
NAKED BROWN Hard-hitting Polish heavy rock in the vein of Clutch and Motorhead.
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Jan. 17, 2014
OMEGA SUN
Smoke obsessed Stoner Doom from Slovenia. Free demo.
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Monday, June 24, 2013

In Case You Missed It: Cough/Windhand - Reflection of the Negative


It wasn't all that difficult for me to discover that I'd missed this split from two of Richmond's heaviest exports, because the stench from this kind of filth just grows stronger with age.  Apparently this mold covered masterpiece has been festering and fermenting since its release back in April, so now seems like the perfect time for me to feed it to you good people.  Featuring a single, sickly saga from Cough that clocks in at over eighteen minutes and two equally depressing dirges from Windhand that, when combined, span the same, Reflection of the Negative contains enough disheartening doom to keep you looking nervously over your shoulder for the foreseeable future.   

Let's start with Cough's offering, which is an epic monstrosity called "Athame," appropriately named for the ceremonial dagger used in rituals and witchcraft…in case you were wondering.  Joey Arcaro's colossal drums open this calamity, setting the tempo of a snail's march, before the unmistakably chilling sounds of an organ's grind creep into the mix.  Guitarists David Cisco and Brandon Marcey enter the fray with suffocatingly heavy riffs, as does bassist Parker Chandler (the common link between these two bands) whose ghastly gurgle completes this wretched refrain.  Collectively, Cough lulls you into a coma for the first half of the song's run time and then violently shifts gears by altering the rhythm, adding ample amounts of feedback and distortion that become more ominous as Chandler chants, "the time has come for sacrifice."  The apex of this heinous hymn is reached at around thirteen minutes (appropriately), when the band lurches into a bonafide groove laced with enough wickedness to leave Electric Wizard cowering over in the corner.  You're gonna want to check this one out.   

While just as foreboding, Windhand's contributions to Reflection of the Negative are less gradual, which is simply to say, they get right to the point.  Other than a brief introduction of feedback and reverb from Asechiah Bogdan and Garrett Morris, "Amaranth" boils over immediately when the guitarists' down-tuned riffs combine with the rhythm section of drummer Ryan Wolfe and of course, bassist Parker Chandler, to create a gloriously demented rumble that could easily wake the dead.  Dorthia Cottrell's ethereal vocals emerge as if through a haze created by the band's dense and heavy sound and the resulting amalgam is astounding.  "Shepherd's Crook" is the second track from Windhand, and its both longer, at nearly eleven minutes, and more unsettling than it's predecessor.  Opening with a buzzsaw guitar that drills its way into your conscience, the band eventually settles into an unsettling drone that'll leave you trance-like, until a guitar solo takes shape in the foggy chaos and you latch onto it like a lifeline.  Cottrell's muffled moans reach at you as if from the grave and before you know it, Windhand have you thinking bad, bad thoughts.  This is the sound of doom my friends…dirty, filthy doom.  You should do your best not to miss this one.

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