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April 24, 2014
FANGEHarsh, noisey throat-torturing sludge from the depths of Rennes, France.
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April 21, 2014
TOKERidiculous riffing, slow and nasty doom grooves from Wilmington, NC.
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April 17, 2014
ORYXDunes of droning hypnotic sludge from the deserts of Las Cruces, NM.
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April 14, 2014
MAMMOTH STORMPlodding, tar-lathered metal-fed groove doom from Sweden.
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April 8, 2014
LADY FLINT Explosive stoner blues rock duo from Marselle, France.
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April 7, 2014
KING DEAD Doomy psyche-tinged spaghetti western sludge from PA.
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April 2, 2014
GROGGYBlues-obsessed fuzzy garage rock duo from Omsk, Russia.
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March 31, 2014
THE SILENT LOWMelodic, hard-hitting, attitude-driven stoner rock from Denmark.
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March 25, 2014
GRAILPsychedelic punk with a southern demonic desert groove out of Texas.
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March 24, 2014
LORD OF GIANTSincere, lumbering, 70's influenced heavy rock from Germany.
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March 19, 2014
WOVOKA Intense yet melodic, brutal gut-twisting post-metal sludge from LA.
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March 16, 2014
HEAVY VOODOO
Torpedo riffs, hazy grooves and cosmic stoner sleaze from Portland.
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March 13, 2014
SPIRITUAL VOID
Toxic, heavy southern groove metal attitude from Brazil.
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March 11, 2014
SOUTHERN STATE
Somber, shoegazing post-metal sludge from Columbus, Ohio.
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March 10, 2014
HYPERGIANT
Cosmic, gravity-defying stoner fuzziness from Sydney, Australia
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March 6, 2014
KHEMMIS
Fuzz-filled, snail-paced riff-praising doom from Denver, CO.
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March 5, 2014
BITCHCRAFT
Polish doom band with female vocals is a fuzz worshippers dream
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March 4, 2014
DRUG MOTHER
Sleazy, fat and dirty stoner metal riffs from down under.
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March 2, 2014
SPIRAL GURU
Newly formed 70's inspired stoner doom band from Brazil.
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Feb. 27, 2014
TIMESTONE
Expansive psychedelics and dusty grooves from Austria.
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Feb. 25, 2014
RHINO
Fuzzed-out heavy desert grooves from Catania, Italy.
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Feb. 24, 2014
SOLAIRE
Get stuck in some sludgey stoner groove from South Carolina. facebook- bandcamp
Feb. 20, 2014
HADDOCK
Heavy lightning in a bottle stoner boogie groove from Sweden. facebook- bandcamp
Feb. 19, 2014
VALFADER
Stirring progressive ambient doom from Bath, UK
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Feb. 17, 2014
BRUNT
Intense instrumental sludgefuzz from these Guernsey blokes. facebook- bandcamp
Feb. 15, 2014
MATUSHKA
Swirling hypnotic heavy psychedelic rock from St. Petersburg, Russia. facebook- bandcamp
Feb. 10, 2014
MOPE
Sultry and somber jazz-laden ambient doom from Genoa, Italy.
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Feb. 8, 2014
LANDSKAP
Late 60's early 70's influenced heavy psychedelic rock from London.
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Feb. 5, 2014
TOMBSEALER
Death/Doom/Thrash from the mean streets of Adelaide, Australia.
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Feb. 4, 2014
SLUG SALT LAVA
Doomy apocalyptic instrumental Sludge from Istanbul, Turkey.
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Feb. 2, 2014
MIST
Spell-binding all-female occult doom from Ljubljana,Slovenia.
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Feb. 1, 2014
GRIT
Heavy heartfelt psychedelic jams from Heidelberg, Germany.
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Jan. 30, 2014
9OZ OF NOTHING
Riff Heavy Stoner Doom with Southern grit from Athens, Greece
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Jan. 27, 2014
BRILLIANT MACHINE
Chest collapsing progressive heaviness from Ventura, CA
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Jan. 25, 2014
OUTWAILED
Genre-defying atmospheric mood music from Tampere, Finland. facebook- bandcamp
Jan. 23, 2014
YURI GAGARIN
Freaked-out psychedelic space rock from Gothenburg, Sweden. facebook- bandcamp
Jan. 22, 2014
BLACK SNAKE
Swamp-infested grooves and fuzzy desert riffs from Portland,Oregon.
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Jan. 21, 2014
BORDEL INFERNO Gritty heavy rock, solid riffs from Rio de Janiero.
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Jan. 20, 2014
OVERLORD Melodic groove-oriented Heavy Rock from Oxford.
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Jan. 19, 2014
A DAY AS WOLVES Garage-rock inspired bluesy fuzz and roll from Alberta, Canada. Eh! facebook- bandcamp
Jan. 18,2014
NAKED BROWN Hard-hitting Polish heavy rock in the vein of Clutch and Motorhead.
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Jan. 17, 2014
OMEGA SUN
Smoke obsessed Stoner Doom from Slovenia. Free demo.
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Wednesday, September 1, 2010

Heavy Rotation-Tweak Bird-"Tweak Bird"

I must be honest with you, I wasn't sure what to expect from this band. I heard rumblings of them sounding like a trippy Queens of the Stone Age but a bit heavier, so I figured I would check them out. I went to their MySpace and saw that they had a few tracks posted. While listening I wasn't totally enthralled, but the album had some great fuzzy stoner rock qualities, getting quite heavy at times, and included some jazz elements for good measure. I have now been listening to this album for the past few days non-stop and suggest you do the same. Great stuff!!





What others are saying:

"One of massive marijuana intake’s side effects – short-term memory loss – has helped ensure that stoner rock has latterly come to resemble something of a played-out genre, outside a few notable exceptions not rehashing past glories. Nobody told perma-touring Illinois brothers Tweak Bird, though, whose self-titled debut full-length sticks hipster spectacles on the whole decibel-kissed shebang and takes it for a serotonin-stimulating joyride.

Accentuating the cheerier side of life while dispensing barnstorming riffs thick and surprisingly fast, baritone guitar-wielding Caleb Bird and drummer sibling Ashton essentially shoehorn the pop song format into something altogether heavier. And like a hippie-tripping take on Queens of the Stone Age before them, Tweak Bird are concerned with subjects far wider than stoner rock staples (read: cars, women, surfing, skating, smoking, drinking).

Helmed by production duo Deaf Nephews – aka Dale Crover and Toshi Kasai, respectively of sludgy west coast stoner purveyors the Melvins and Big Business – fans of those bands will find aural dot joining on Tweak Bird a fairly simple exercise. But the brothers are more interested in detonating an idea before moving onto the next, rather than aping various forerunners who let classic rock jamming excesses creep into proceedings. In fact, only two tunes here trouble the three-minute mark.

The Future inserts tongues in cheeks from the off, joyfully stating: “In our minds we are the chosen ones”. And it probably shouldn’t even take that long for the jigsaw pieces of their seriousness, or lack thereof, to fall into place. After all, the album cover features one motorbike, one blurred landscape, two bare chests and one native Indian headdress, evoking a deleted dream sequence from Fear and Loathing in Las Vegas.

Previous single A Sun / Ahh Ahh increases the glorious detachment, half steady space march, half saxophone-catalysed Mexican desert drug flashback, metamorphosing through shamanic chants into a climatic conclusion that cuts out instead of fully cutting loose. It’s a peak only rivalled when the sax returns on epic closing freakout Distant Airways, synapse-frazzling squeals finally dissipating into eerie ambience, leaving you mentally exhausted yet unable to wipe a goonish grin from your face." (Adam Kennedy, BBC Review)

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"This album makes me wish I was about sixteen again. Not for any great ideological or philosophical reason, it's just that when I was sixteen years old I was a right little tearaway and wasn't exactly a stranger to the delights of what is carefully known nowadays as the 'jazz cigarette'. Sixteen year old me would have loved to whack this album on loud after an evening on the Devil's puff, and I think that's part of what 23 year old me likes so much about it.

Of course, the fact that in places this could be a Black Sabbath album circa 1970 probably doesn't hurt at all, Although quite often just as you think you've got a handle on what's going on, there's a saxophone part, or some lush jazz harmonies floating over the top of a metal riff. Brothers Caleb and Ashton have succeeded in creating a sonically rich and audibly thick slab of gold on this album, and it's astonishing just how many influences you can hear on the record. Primus' 'Brown Album' is invoked just as quickly as Black Sabbath and every other band in the 70s that pioneered that psychedelic sound so often aped nowadays, but rarely done as well as Tweak Bird have managed.

Of course, the album can occasionally suffer from the same problem that many stoner/psychedelic albums do: At times, it can be hard to tell the difference between the tracks, such are the grooves and keys they tend to follow. While this isn't necessarily a bad thing, it does mean that there isn't a single 'standout' track - but that's not to say the entire album isn't great, if a little short. The whole thing clocks in at under 40 minutes, and I find that it feels like it's finishing before it started. Now, I know that you should always leave them wanting more, and I do admire the band for essentially arriving, stomping your brain into mud and then simply walking away, but depending on the price point, ten tracks (Of which a couple are filler "intermissions") could seem like somewhat of a rip-off.

With those two minor gripes out of the way, allow me to reiterate something: I bloody love this album, and so should you. It's just poppy enough to sing along to, just metal enough to headbang to, and just jazzy enough to confound all your expectations without even trying" (Chris Spann, ContactMusic.com)




Tweak Bird - "Lights In Lines" from Mog Dotcom on Vimeo.



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