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Showing posts with label al cisneros. Show all posts
Showing posts with label al cisneros. Show all posts

Thursday, January 3, 2013

SpaceGod's Top 10 - The Master Stash

2012, a year of confusion, illusion, and damnation. Our favorite crop saw legalization in 2 states in America, and it seems artists must have taken notice. There has been a surge of bands getting down to the inexplicable doom boogie, the vicious, visceral plod of thunderous music which can light a human up before digging his or her grave. It's spread is even pertinent enough for Pentagram to be played at New Years Eve Parties (yes you heard me, my party van driver on NYE was blasting Mr. Liebling.) As long as we stay away from persistently ripping off The Sword in 2013, the torch, or rather, the gargantuan L will be passed on to another year of ultimate riffdom!

10. The Sword- Apocryphon



Another intriguing entry from The Sword. It continues on the path taken by Warp Riders with sections evoking 70s rock. The Sword haven't deviated from their formula, as why this record didn't get further on this list, however, it retained a supreme sense of musicality and technicality. You can hear the fact that they have all gotten better as musicians, and they do not disappoint. Delivering great syncopated viciousness and upbeat rock, an album definitely worth one's time.

9. It's Not night it's space - Bowing but not Knowing to What



The first full-length from Hudson Valley - stalwarts It's not night : It's Space. A combination of eerie psychedelia and monolithic-sabbathian stomp, INNIS built a beast from just their fans. A kickstarter construct- and a personal favorite- these guys kicked everyone's ass with something homegrown but unique in its exploration of intrepid spiritual (or psuedo-spiritual) heaviness. The opening track, The Gathering,  is a testament to all that is right with dark psychedelia!

 8. Five Horse Johnson - Taking of the Black heart



5HJ killed us with Taking of the Black Heart. A truly awesome release, they played some straight up gritty, swampy, downright bluesy riffs. The key to all of this music inherently lies in the blues, it's great to see a band stick to those roots and lay down some curvy woman-thick blues.

7. In the Company of Serpents - S/T



A demonic duo, In the Company of Serpents hit hard with their self-titled, some indigenous and vicious sludge. The best part is how precise these guy sound, they are tight musically, hence why their duo format works the way it does. A dose of powerful, low-end filled sludge that towers above a lot of the other Kylesa ripoffs these days.

6. High on Fire - De Vermis Mysteriis 

High on Fire never seem to disappoint us with their battle axe-sharp riffs. Matt Pike takes us back with this record, one more reminiscent of Blessed Black wings. Bludgeoning sludge with relentless force, this was a terrifying album. My all time favorite track is of course King of Days, the heaviest freaking tone of the year quite possibly. 

5. Neurosis - Honor Found in Decay



The Godfathers of Post-metal, Neurosis struck hard with Honor Found in Decay. Full of enveloping textures and whirring, grind that could incur heart palpitations, this was a definite favorite. This record evoked tones previously heard on their seminal Through Silver in Blood.  We Rage in Gold! The group never fails to produce terrifyingly heavy truths and vicious riffs with their music. Thought-provoking, and disintegratingly brutal.

4. Radar Men from the Moon - Echo Forever


A well-produced, swirling, grooving, pulsing foray into european psych. Reminiscent of both Spacemen 3, and Hawkwind, this one does not fall into the cliches of repetitive bVII-I grooves that many other bands do. A swirling long-form exploration of the self, complete with ominous delayed guitar and disgustingly awesome high-hat work. The best part is they are MASTERS of contrast, their creation of different feels enables them to soar above the pack. Go listen to "Dance of Black and White Paint." 'Nuff said.

3. Colour Haze - She Said



The cream of the crop of the psychedelic rock. Prog, Doom, Stoner, and psych all meet and coalesce beautifully on this record. The tones are organic, full, and impressive, their command of long-form is breathtaking. Both technically blissful as well as emotionally and musically intense, this record is a beautiful example of all the right things with psych, namely the fact that they do not stick to the tried and true formula of simple echos and repetitive riffs, their music evokes the past as well as pushing towards the future. A great rock album. Period. "Breath" 

2.  Pallbearer- Sorrow and Extinction



This record caught me by surprise. A record with great melodic content, informed content. A truly epic and emotionally moving record, this band took time to crafted a mountain trail, rather than just staying on the rails. A great debut record and a phenomenal display of both musicianship and a new take on older sounds. A demonic combination of old-school doom, and modern post-metal. 

1.Om - Advaitic Songs 


Al Cisneros knows how to make droning, middle-eastern music burn through gargantuan amplifiers. Om's first record as more than a duo, the subtle and calm guitar tones melded with the visceral and vicious bass-tones, the utter mastery of relentless ancient sounding music. Only a record like this could make a Cello haunt my dreams. With an unabashed fear of evoking North Indian viciousness and creating visceral meditative music that blinds your senses, Om created a towering record that makes drone doom-bands wish they knew what they were doing. Without fear of experimentation and with beautiful instrumentation, Om built my favorite record of 2012, because they did something that still relegated itself to the doom realm, but in many ways reaches far across the aisle to the universe of World Music. A brilliant and moving record.


Thursday, November 1, 2012

Om - Advaitic Songs - Full Album Review


The sonic alchemy of Om is a contientous effort towards hosting an array of disastrous doomsday hymnals for the modern man with ancient sounds. This effort marks the first time Om has gone on record as a trio, Bass titan Al Cisneros and Grails skinsman Emil Amos flanked by tamburist and co-vocalist Robert Aiki Aubrey Lowe from Lichens. The record is also flanked with 2 cellists, a violinist, flute, and tabla. The full rotation of Om's previous efforts is returned with another dose of drone-heavy ancient music. Evoking textures akin to the ancient isod (drone), the album plunges us into a trance-like pit of would-be archaic cult chants.

1. "Addis" - A lone and ominous female vocalist moans over haunting sahara-inspired bells drenched in reverb. Violin, piano, and guitar penetrate the background. Warm mesmerizing religious tones with cavernous depictions propel the piece.

2. "State of Non-Return"- Only making entrance as a mellowed guitar and piano tour, Al Cisneros snaps back in with a bassline reminiscient of his  Sleep years, a metallic beastly voyage of bass doom-dom winding up in a somber, brooding string arrangement.

3."Gethsamane"- A tune mirroring Grails persuasions towards big cavernous opuses, this tune plods on with a dark bass line connected with gregorian chantlike vocals and swirling violin all underpinned by a pulsing tambura. This culminates in a nasty octaved guitar line.

4."Sinai"- Wailing moaning overtone-rich drones pinch the intro to this tune before Cisneros' harrowing vocals arrive. The din echoes on until the tribal  pouncing drum kicks in, complete with a low tinged guitar line and piercing string snaps. The cello comes in and out with interplay a few times. 10 minutes of trance-like doom

5. " Haqq-Al Yaquin"- Might have the most demonic cello line I've ever heard on a doom record. Complete with plodding tabla and evocative quiet vocals with arabic tinged melody intertwined. A haunting closer complete with crafty folkish guitar shimmering over the trancelike rhythm.

Overall, the record speaks to a grooving ancient-sounding monolithic psycho-spiritual gloomfest. A triumph of Om's somber but monolithic intent to inflect atmosphere into their playing. A genuine return to form for the band, this album is a prime example of the power of orchestral instruments to inflect the most devious of sounds into the most prudently bellowing and electric music.


Check out Om 
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