Album Review: The Grand Astoria - Omnipresence (With Free Download)

As also seen on The Klepto's Guide:

The folks of the stoner/doom rocking band The Grand Astoria have been kind enough to send me a copy of their band new album, Omnipresence, launching today. And while The Soda Shop beat me to it, you came to hear what The Klepto has to say, and I will not let you down, so here it goes.

Now that I've heard their first two albums, I'm a little better versed in this group, and my first impressions of the album is that this is a bit of a different record. It's got more varied sounds and influences, many of which are much blatantly mixed into the music. The first track, "Doomsday Party," is a rock 'n roller, closer to something The Atomic Bitchwax would release, while the next song. "Hungry & Foolish," is a grooving straight-forward stoner song. The third song, "Mania Grandiosa," sounds straight off of a Black Sabbath album, think "Jack the Stripper/Fairies Wear Boots" off of Paranoid and you would have a perfect idea of the sound of the song (mostly in the beginning and with the vocals throughout, but you get the idea). Then the next song, the instrumental "Omni-absence," is a return to the previously known style of the band. The rest of Omnipresence jumps around all of these styles until track 7, "The Song of Hope," which is downright funk, fucking weird. The album is all over, but it works, it really works. It's the right measure of eclecticness and bitchin' music that makes it sound amazing.

I think the change in the style of naming their albums helps one to visualize this change in sound. With their first two albums being self-titled, you can sort of know what to expect. You liked The Grand Astoria (album)? Then you're going to love The Grand Astoria II. With naming their third album something different, I think they are subconsciously letting their changes in style be known, however slight. Maybe I'm reading too much into this, but this is why I make the big bucks.

Anyway, I know the year just started (a whopping 12 hours ago), but Omnipresence is already a solid contender for the 'Best of 2011.' It's eccentric mix of styles throughout the album keep it fresh for the entire hour (almost). Obviously I'll have to give it another listen or four before next December, but this is a great way to start the year off.

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And yes, I did say "Free Download" in the banner! These amazing Russian musicians have decided to distribute their album for 100% free across the web! I was emailed directly from Камиль Шараподинов (he(??) says his name is Kamille, so you translate the rest for me) and given the download code and instructed to distribute it to the masses. So this is for you folks!

DOWNLOAD - Sendspace

DOWNLOAD - MediaFire

CD Review: The Grand Astoria - The Grand Astoria II

As seen on The Klepto's Guide:

Now, I thought I had already heard the first album by The Grand Astoria (their self-titled) and was all geared up to do a double album review. As it turns out, however, I have not had the pleasure of listening to their first, so that plan is scrapped and I'm diving into The Grand Astoria II with no real prior knowledge of the band or their style. And here we go:
After reviewing The Divine Baze Orchestra, Sloath, and Barn Burner today I think that The Grand Astoria is a perfect blending of all of their styles. II contains slow doomy songs with no lyrics, ala Sloath, but with psychedelic grooves throughout, and less sludge/drone; more like The Divine Baze Orchestra. That was my thoughts on their first song, "Enjoy The View," and because of it, I thought the rest of the record was going to be another that treads the line between stoner and doom (not a bad thing!), but I was surprised.

Their second track, with it's ridiculously long title, "The Inner Galactic Experience Of Emily Dickinson And Sylvia Plath," is a straight-forward rocker, something that if you read my Barn Burner article, I like a lot. It's a stark change between songs, completely unexpected, but very welcome. The next couple seem to be a melding of the two previous ideas; "Visit Sri Lanka" is a short instrumental, and really psychedelic, which leads directly into another, longer and more rock-oriented instrumental, humorously named (after my other hobby) "Wikipedia Surfer." While the two flow into each other, the second is the better track, partialy because it is a little heavier, but it's length gives the track time to grow and evolve - something I like in my music.
The last track, "Radio Friendly Fire," tends to head in the same direction as the first; it is a doomish psychedelic song, again instrumental, aside from some sound clips in the background. It strikes me odd why bands like this, Titan, and others would release an album that is all instrumental aside from one track. Why not just go full-instrumental? Or mix in more songs with vocals, so it's at least closer to a 50/50 split. The Grand Astoria's album doesn't have the carry that Titan's did, whereby at the end of the album I was getting a bit bored. The novelty of this instrumental stoner/doom psychedelia had worn off, and I wanted something with a bit more depth.

Normally I don't do a song by song breakdown of albums, mostly because it is tedious, but also because most albums don't deserve it. The Grand Astoria II is an exception, due to it's complexity and variance of sound. This unexpected shift in song style is great, while I expected a doom album (it's only five songs and it's forty-five minutes long, do the math), or something more akin to stoner/doom. Having an upbeat song or two (or three) really does bring some added flavor to the disc. It still has the stoner/doom elements, but also some straight-forward stoner rock, lots of instrumentals and some jazzy grooves. It does tend to wear on the listener by the end, this world of psychedelia-tinged instrumental music. A little less of that, and a little more rock/groove and we'd all be alright.

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