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Showing posts with label Dallas Doom Daze. Show all posts
Showing posts with label Dallas Doom Daze. Show all posts

Tuesday, January 25, 2011

Album Review: The Might Could - The Might Could

As seen on The Klepto's Guide:

Whenever a great band breaks up, the members splinter off and create a plethora of really good follow-ups. Some of these off-shoots aren't as good as the original, others are par with it, and some exemplify the musicianship of the members of the original sound. The day that Alabama Thunderpussy broke up (about a month after I discovered them) was a sad day for stoner metal fans the world over. Sense then we've all been waiting, and wanting to hear what new project would be summoned from that corpse. A group with that much skill and potential could never go quietly into the night, there had to be more. That being said; from the ashes of Alabama Thunderpussy I present: The Might Could!

The Might Could's debut, self-titled, LP continues the general themes of Alabama Thunderpussy's music, it's gritty southern stoner, with a bit of gabled vocals - which took a bit for me to get used to - more akin to Fulton Hill then Open Fire. The songs are all groove-laden, heavily doom-influenced, and are guaranteed to melt your face. Of course amongst all this there is still a bit of tongue-in-cheek humor, especially in the song titles "The Night They Shoot Ol' Dixie Down," an obvious play off of The Band's "The Night They Drove Old Dixie Down," and the following "I Don't Even Like Pantera Anymore," I'd like to say there is a story about Pantera in there somewhere, but it's one of their more screamy songs, and they only lyrics I can make out are the title line in the chorus.
But the songs aren't all sludge-tinged stoner doom, there are some slower, more thought out songs. "When The Spirits Take Control" is a bluesy-jam track, with clean vocals and a soul. It stands out from the record as being so different, and quite honestly it is my favorite of the album. It is most akin to Alabama Thunderpussy's final album, Open Fire, and because that one was my favorite from the group, any song that The Might Could would record in that style will immediately be favored over the rest. It just follows my tastes well.

I have to admit that it did take me a few tracks to get into the swing of things with The Might Could, but once I did, this album really began to run for me. The songs are all pretty damn good, especially the second-half of the disc (I may have to re-listen to the first-half, now that I am used to the style). They do a version of down-and-dirty southern stoner that you don't hear without heavy sludge influence as well. With their debut album, the hints of sludge are there, but they aren't running rampant and overpowering the rest of the release. It's a tasteful mix of styles and genres that I think more bands should take into consideration. I really enjoyed hearing what The Might Could had to offer, and I will pick up their second release as soon as I am able, mark my words.
Official/MySpace

Monday, January 24, 2011

Album Review: Under The Sun - Man of Sorrow

As seen on The Klepto's Guide:

A doom supergroup, with members from Pentagram, Cathedral, and Place of Skulls, Under The Sun has been mostly skipped over by the reviewing community (at least the sites I check out). This seems a shame, that men of such renown fly under the radar as long as they have. I plan to do my part to rectify this - what little influence I have over the internet - so read, listen, and enjoy listening to a modern-day supergroup that would make any doom fan blush: Under The Sun.


Man of Sorrow opens with an amazing track; "Stride" begins as a slow, trudging doom song - completely instrumental - then after a few minutes it begins to fade out, which makes you think a new song is about to begin. Just then the song volume and tempo ramps up into some of the best groove-oriented stoner/doom that I have heard in a while. And after they play their fill, say their piece (oh yea there are vocals in this part), they return to the original melody and theme, of soul-crushing doom. This is how you are greeted to Under The Sun, and it sums up the album perfectly. This is a group well-versed in the arts of both doom and stoner, and they are not afraid to show you ass-hats how to rock.
I wish I could say this feeling was kept up through the entire album; the songs that are good are great, but then the album is also filled with dull tracks, that really take away from the rest of the disc. "Stride," "Bruised," "Joy," and "Forgiveness" are all amazing, blending mostly instrumental doom with bits of juiced-up stoner levity and excitement, before crashing down back to doom. The rest of the album is very ho-hum, either the songs are too short to follow the usual path of build-up and die-down, or they are just too repetitive to fully enjoy. Don't even get me started on the last track, the title-track, it is over seven minutes, but for the first three or four it's filled with a dull droning guitar/bass lick with a spoken word track over top, eventually it gets to actual music, but by then I was checked out of the album. A really shitty way to end any album, let alone this one.


Under The Sun is an interesting band, whose members have an interesting history. These are the grand-daddies of doom, coming together to bring back a resurgence to the genre. Some songs on Man of Sorrow hit their mark, while others fall a bit short - and one is way off target - but it's the beginning of something new, and I hope something great. The group shows promise, bringing together some of the best stoner/doom of my short life, but I think it takes too much from the experimenting tendencies of Cathedral, something I've never really been on board with.

MySpace

Friday, January 23, 2009

ELLIOTT'S KEEP Confirmed For DALLAS DOOM DAZE Festival

Dallas, Texas, metal doom trio ELLIOTT'S KEEP is among the confirmed bands for the Dallas Doom Daze festival, set to take place May 8-10 at Across the Street Bar in Dallas.

The festival billing is shaping up as follows:

A JURY OF ROBOTS
BLOOD OV...
DAY OF REVELATION
DREADFUL HOURS
ELLIOTT'S KEEP
FOUR DAYS TO BURN
GARGANTUAN
GIGANTO
IDEA KILLER
KIN OF ETTINS
LAS CRUCES
MOUNTAIN RUINED
ORTHODOX FUZZ
PROJECT ARMAGEDDON
SAMOTHRACE
SELF INFLICTED
SILVERTONGUEDEVIL
SLO' POKE
SOUTHERN HOSTILITY
THAT WHICH PASSES
THE BLACK RIVER CROW
VASTE BURAI
VORVADOSS
WO FAT

ELLIOTT'S KEEP released its debut album, "In Medias Res", in November through Brainticket Records.

For more information, visit www.myspace.com/dallasdoomdaze.
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