- Mississippi Bones - "2600 AD: And Other Astonishing Tales"
- Wasted Theory - "Defenders of the Riff"
- Geezer - "Geezer"
Mississippi Bones - "2600 AD: And Other Astonishing Tales"
Fresh off a banner release in 2015, followed by a 2016 vinyl release that we reviewed recently on HeavyPlanet (Songs for the Rejects, Slackers, and Rabble-Rousers) Mississippi Bones add to their prolificacy by releasing another romp stomp LP with 2600 AD: And Other Astonishing Tales, 12 more songs that rattle and crash with incredible energy, enthusiasm, and elegance.
I will be the first person to point out my own shortcomings when it comes to understanding the mechanics of music. I am simply a fan of what I love, all of which begins with big guitar, and can only be enhanced with melody and great vocals. Mississippi Bones provides those three traits in spades. When I listen through this album I hear elements of Clutch, which makes this music quite exciting to me, but that is only the starting point for what they've created here. Music of this quality, at this rate of production, has to be a product of great musicianship from each member, and with six full members that equates to a product of tremendous content and caliber. Listening to this album is like being involved in a Fight Club brawl. There are a LOT of hard hitting, bruising punches, hammer-like blows to the head, and unseen, unpredictable, razor sharp strikes, all leaving you spent, exhausted, and keenly satisfied. The difference is there is no pain or discomfort involved in listening, just sheer raucous rock n roll pleasure, a fierceness of execution, and a keen sense of joy.
Hailing from Ada, Ohio, Missisippi Bones is comprised of the following members:
Jared Collins - Vocals
Dusty Donley - Guitars
Jason Miller - Drums
Derik Dunson - Guitars and Vocals
Jason Rector - Bass
Heather Collins - Vocals
Mississippi Bones make perfect use of multiple instrumentation on their music, and I count vocals as one of the instruments. The use of three perfectly attuned rock vocalists adds greatly to the depth and quality of their songs. The blending and meshing of guitars as well as harmonizing vocals makes for a super huge sound that envelopes you in sticky sweet warmth, while simultaneously providing crystal sharp individual runs and riffs that weave a heavy quilt of intensity, intrigue, and interest.
Mississippi Bones are not signed to a label, which is perplexing as hell. They are prolific and they are accomplished. I would think there would be huge interest in championing what they have to offer for quality hungry stoner/doom rock fans. The good news is their music is easily accessible and available in this high tech day and age.
bandcamp || facebook
Wasted Theory - "Defenders of the Riff"
You want rough, tough, edgy, loud, and lewd on your plate of underground fuzz metal? Look no further than Wasted Theory and their new release "Defenders of the Riff". This band is one of hard work, grit in your craw, grit in your hand cleaner, of big bore engines and steel-toed boots, of backyard barbecue over fluid and coal, of well worn jeans and righteous facial hair, of All American ass kickin' in whatever way needs kickin'.
I follow the awesome album cover artist Alex von Wieding, who has created dozens of incredible fantasy pieces for metal bands around the world. He happened to mention how the music behind one of his latest album covers was contagious in effect and humongous in scope. That album was "Defenders of the Riff", which you can tell by the artwork above was a great inspiration to von Wieding's vision for the album cover, an extraordinary work of art for a remarkable collection of rocket-fueled retro blues rock n roll.
Hailing from the great states of Maryland and Delaware, Wasted Theory are:
Larry Jackson, Jr. - Vocals, Lead Guitar
Brendan Burns - Drums
Dave McMahon - Rhythm Guitar
Rob Michael - Bass
Just the song titles alone are enough to get your juices flowing with handles like "Get Loud or Get Fucked", "Belly Fulla Whiskey", and "Throttlecock" to name a few. The music behind those titles are big gauge buckshot blasts of big boulder stoner blues, without a doubt. All of the music on this album is a romping good time, with upbeat tempos driven by mangy riffs, decibel heavy, low tuned rhythm, and one sweet gravelly voiced front-man deftly leading the way. The music gives an aura of rawness, but is thoroughly grounded in melodies that immediately cut to the listener's primal core, carving deeply chiseled niches that will have you constantly playing the songs in your head long after you have had to plug in for a re-charge.
bandcamp || facebook
Geezer - "Geezer"
If you ever want to study a band that is the absolute epitome of stoner rock then look no further than Geezer. While they don't stand alone in this category, they certainly stand at the top of the hill, a hill that they've worked hard to surmount. There are no tricks, no gimmicks, no shortcuts to their music, just good old fashioned heart and hard work laid over tremedous talent and uncanny ability. This has rendered a deeply beautiful collection of fuzz and grit on their latest release, the self-titled "Geezer", on both the Ripple (digital/CD) and STB Records (vinyl) labels, their fourth overall.
Hailing from Kingston, New York, band members include:
Pat Harrington - Guitar, Vocals
Richie Touseull - Bass
Chris Turco - Drums
There are two huge hallmarks of Geezer's music that immediately pull you in when you first hear them, the huge presence of wire melting FUZZ, which I love, and Harrington's equally fuzzy, gritty vocals. He has a quality that is perfectly suited to this style of heavy metal, full of metal shards and crunching concrete, but also crystal clear and athletic in range, a rarity among vocalists in a genre that too often relies on yelling more than singing.
But the goodies don't stop there. Behind the fuzz, of course, are the guitar and bass of Harrington and Touseull, but not before you are treated to the heart pounding stickwork of Turco to kick it all off and keep the music grounded in primal flow. There is absolutely nothing straightforward about what they do as they explore an exciting and enticing variety of sounds, tempos, emotions, and sensations on their intricately beautiful riffs and eloquent runs. This album ranges from darkly haunting as on "Sun Gods", and sweetly melancholy on "Dust", to jump jiving blues rock boogie on "Superjam Maximus", with mind and soul bending psychedelic carpet rides, such as those featured on "Bi-Polar Vortex" and woven throughout.
bandcamp(Ripple) || facebook || bandcamp