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April 14, 2014
MAMMOTH STORMPlodding, tar-lathered metal-fed groove doom from Sweden.
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April 8, 2014
LADY FLINT Explosive stoner blues rock duo from Marselle, France.
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April 7, 2014
KING DEAD Doomy psyche-tinged spaghetti western sludge from PA.
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April 2, 2014
GROGGYBlues-obsessed fuzzy garage rock duo from Omsk, Russia.
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March 31, 2014
THE SILENT LOWMelodic, hard-hitting, attitude-driven stoner rock from Denmark.
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March 25, 2014
GRAILPsychedelic punk with a southern demonic desert groove out of Texas.
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March 24, 2014
LORD OF GIANTSincere, lumbering, 70's influenced heavy rock from Germany.
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March 19, 2014
WOVOKA Intense yet melodic, brutal gut-twisting post-metal sludge from LA.
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March 16, 2014
Torpedo riffs, hazy grooves and cosmic stoner sleaze from Portland.
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March 13, 2014
Toxic, heavy southern groove metal attitude from Brazil.
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March 11, 2014
Somber, shoegazing post-metal sludge from Columbus, Ohio.
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March 10, 2014
Cosmic, gravity-defying stoner fuzziness from Sydney, Australia
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March 6, 2014
Fuzz-filled, snail-paced riff-praising doom from Denver, CO.
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March 5, 2014
Polish doom band with female vocals is a fuzz worshippers dream
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March 4, 2014
Sleazy, fat and dirty stoner metal riffs from down under.
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March 2, 2014
Newly formed 70's inspired stoner doom band from Brazil.
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Feb. 27, 2014
Expansive psychedelics and dusty grooves from Austria.
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Feb. 25, 2014
Fuzzed-out heavy desert grooves from Catania, Italy.
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Feb. 24, 2014
Get stuck in some sludgey stoner groove from South Carolina. facebook- bandcamp
Feb. 20, 2014
Heavy lightning in a bottle stoner boogie groove from Sweden. facebook- bandcamp
Feb. 19, 2014
Stirring progressive ambient doom from Bath, UK
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Feb. 17, 2014
Intense instrumental sludgefuzz from these Guernsey blokes. facebook- bandcamp
Feb. 15, 2014
Swirling hypnotic heavy psychedelic rock from St. Petersburg, Russia. facebook- bandcamp
Feb. 10, 2014
Sultry and somber jazz-laden ambient doom from Genoa, Italy.
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Feb. 8, 2014
Late 60's early 70's influenced heavy psychedelic rock from London.
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Feb. 5, 2014
Death/Doom/Thrash from the mean streets of Adelaide, Australia.
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Feb. 4, 2014
Doomy apocalyptic instrumental Sludge from Istanbul, Turkey.
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Feb. 2, 2014
Spell-binding all-female occult doom from Ljubljana,Slovenia.
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Feb. 1, 2014
Heavy heartfelt psychedelic jams from Heidelberg, Germany.
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Jan. 30, 2014
Riff Heavy Stoner Doom with Southern grit from Athens, Greece
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Jan. 27, 2014
Chest collapsing progressive heaviness from Ventura, CA
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Jan. 25, 2014
Genre-defying atmospheric mood music from Tampere, Finland. facebook- bandcamp
Jan. 23, 2014
Freaked-out psychedelic space rock from Gothenburg, Sweden. facebook- bandcamp
Jan. 22, 2014
Swamp-infested grooves and fuzzy desert riffs from Portland,Oregon.
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Jan. 21, 2014
BORDEL INFERNO Gritty heavy rock, solid riffs from Rio de Janiero.
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Jan. 20, 2014
OVERLORD Melodic groove-oriented Heavy Rock from Oxford.
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Jan. 19, 2014
A DAY AS WOLVES Garage-rock inspired bluesy fuzz and roll from Alberta, Canada. Eh! facebook- bandcamp
Jan. 18,2014
NAKED BROWN Hard-hitting Polish heavy rock in the vein of Clutch and Motorhead.
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Jan. 17, 2014
Smoke obsessed Stoner Doom from Slovenia. Free demo.
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Wednesday, March 13, 2013

Zac's "Double Dose": Howl / Tar Halos


Howl: Bloodlines 

Howl are a five piece band from Rhode Island who have transformed the sub-conscious brain waves that our meager minds use to create nightmares into sound-waves... burdened, doom-laden, sludgy sound-waves. This isn't Howl's first rodeo though, they released a respectable full length LP (with some of the best cover art ever) a few years ago entitled Full Of Hell. If you aren't familar with that release, now is the time to check it out. Why? Because the Rhode Island boys will be releasing their sophomore follow up at the end of April, entitled Bloodlines, and this will give you, as a listener, just enough time to become familar with what Howl has done and where they are headed. 

Immediately upon pushing play I realize that Bloodlines is a completely new, faster paced, monster that has grown apart from Full Of Hell. Howl certainly have changed their style, everything is more extreme, although not necessarily heavier. You see, to this listener, Full Of Hell had an ancient, medieval, dark ages sort of feel... stones, fire and brimstone style of heavy (which I greatly enjoyed, Full Of Hell was on my Top 2010 list). Bloodlines blasts through those stones from ages ago with the intensity of a mechanized weapon. I guess the guys have departed from the classic doom end of the spectrum and reinforced with doses of thrash, groove and even some blackend metal. Don't let this shy you away from Bloodlines though, Howl stay RIFF-centric. I believe that Howl's dedicated touring schedule with some killer new wave metal bands (Black Tusk, Kylesa, Red Fang and Skeletonwitch) have strongly influenced the Rhode Island quintet aiding in their evolution to Bloodlines. In place of that archaic sound is a clean and clear production. The percussion side has added blast beats to the foregoing ancestral tone and the vocals are more wretched and more angry. So, there you have it a fresh, fast, and scary extreme release from a band that's not afraid to step outside of their box. Check out their lyrical video for Attrition below and if interested Relapse is taking pre-orders here.


Jesse - Bass 
Jonathan - Guitar 
Josh - Guitar 
Timmy - Drums 
Vincent - Vocals // Guitar



Tar Halos: Winehand 

This weeks second dose, Tar Halos, are a heavily psychedelic, rock band, whom with the power of disconcerting lyrical passages, harken back to the Syd Barrett days of Pink Floyd. The five-piece call San Diego head-quarters and prefer "old drum machines over young drummers". This becomes plainly noticeable through Winehand. The beat of the percussion and overall electronic nature build an oxymoronic vibe of despondent ecstasy. My favorite track is Arrival of the Second Center Moon, be sure to listen below. The track is immediate, as if your conscience is roused to the chaos of a blasting alarm at the moment your space-craft is losing pressure through a tremendous hole in its hull. This is the track I find the greatest correlation to old 'Floyd's cosmic poetry. The alarm continues to alter your thought process throughout the entire song while a steady beat of percussion inflame a bravery within the depths of your soul. The vocals are buried and glazed over giving the track a truly '60s psych vibe and the guitars have a deserted and arid tone creating a confusing sensation. Quite the unique and excellent track... Quite the unique and excellent album. Get a copy from Volar Records or download at bandcamp and be sure to check out Volar's video for Broken Clocks here.

Frank Melendez - Guitars // Vocals // Drums
Jay Margart - Keys // Vocals // Drums 
Josh Bohannon - Guitar // Drums 
Joshua Quon - Bass // Drums 
Tyler Detwieler

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