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April 17, 2014
ORYXDunes of droning hypnotic sludge from the deserts of Las Cruces, NM.
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April 14, 2014
MAMMOTH STORMPlodding, tar-lathered metal-fed groove doom from Sweden.
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April 8, 2014
LADY FLINT Explosive stoner blues rock duo from Marselle, France.
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April 7, 2014
KING DEAD Doomy psyche-tinged spaghetti western sludge from PA.
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April 2, 2014
GROGGYBlues-obsessed fuzzy garage rock duo from Omsk, Russia.
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March 31, 2014
THE SILENT LOWMelodic, hard-hitting, attitude-driven stoner rock from Denmark.
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March 25, 2014
GRAILPsychedelic punk with a southern demonic desert groove out of Texas.
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March 24, 2014
LORD OF GIANTSincere, lumbering, 70's influenced heavy rock from Germany.
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March 19, 2014
WOVOKA Intense yet melodic, brutal gut-twisting post-metal sludge from LA.
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March 16, 2014
HEAVY VOODOO
Torpedo riffs, hazy grooves and cosmic stoner sleaze from Portland.
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March 13, 2014
SPIRITUAL VOID
Toxic, heavy southern groove metal attitude from Brazil.
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March 11, 2014
SOUTHERN STATE
Somber, shoegazing post-metal sludge from Columbus, Ohio.
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March 10, 2014
HYPERGIANT
Cosmic, gravity-defying stoner fuzziness from Sydney, Australia
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March 6, 2014
KHEMMIS
Fuzz-filled, snail-paced riff-praising doom from Denver, CO.
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March 5, 2014
BITCHCRAFT
Polish doom band with female vocals is a fuzz worshippers dream
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March 4, 2014
DRUG MOTHER
Sleazy, fat and dirty stoner metal riffs from down under.
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March 2, 2014
SPIRAL GURU
Newly formed 70's inspired stoner doom band from Brazil.
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Feb. 27, 2014
TIMESTONE
Expansive psychedelics and dusty grooves from Austria.
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Feb. 25, 2014
RHINO
Fuzzed-out heavy desert grooves from Catania, Italy.
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Feb. 24, 2014
SOLAIRE
Get stuck in some sludgey stoner groove from South Carolina. facebook- bandcamp
Feb. 20, 2014
HADDOCK
Heavy lightning in a bottle stoner boogie groove from Sweden. facebook- bandcamp
Feb. 19, 2014
VALFADER
Stirring progressive ambient doom from Bath, UK
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Feb. 17, 2014
BRUNT
Intense instrumental sludgefuzz from these Guernsey blokes. facebook- bandcamp
Feb. 15, 2014
MATUSHKA
Swirling hypnotic heavy psychedelic rock from St. Petersburg, Russia. facebook- bandcamp
Feb. 10, 2014
MOPE
Sultry and somber jazz-laden ambient doom from Genoa, Italy.
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Feb. 8, 2014
LANDSKAP
Late 60's early 70's influenced heavy psychedelic rock from London.
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Feb. 5, 2014
TOMBSEALER
Death/Doom/Thrash from the mean streets of Adelaide, Australia.
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Feb. 4, 2014
SLUG SALT LAVA
Doomy apocalyptic instrumental Sludge from Istanbul, Turkey.
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Feb. 2, 2014
MIST
Spell-binding all-female occult doom from Ljubljana,Slovenia.
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Feb. 1, 2014
GRIT
Heavy heartfelt psychedelic jams from Heidelberg, Germany.
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Jan. 30, 2014
9OZ OF NOTHING
Riff Heavy Stoner Doom with Southern grit from Athens, Greece
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Jan. 27, 2014
BRILLIANT MACHINE
Chest collapsing progressive heaviness from Ventura, CA
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Jan. 25, 2014
OUTWAILED
Genre-defying atmospheric mood music from Tampere, Finland. facebook- bandcamp
Jan. 23, 2014
YURI GAGARIN
Freaked-out psychedelic space rock from Gothenburg, Sweden. facebook- bandcamp
Jan. 22, 2014
BLACK SNAKE
Swamp-infested grooves and fuzzy desert riffs from Portland,Oregon.
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Jan. 21, 2014
BORDEL INFERNO Gritty heavy rock, solid riffs from Rio de Janiero.
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Jan. 20, 2014
OVERLORD Melodic groove-oriented Heavy Rock from Oxford.
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Jan. 19, 2014
A DAY AS WOLVES Garage-rock inspired bluesy fuzz and roll from Alberta, Canada. Eh! facebook- bandcamp
Jan. 18,2014
NAKED BROWN Hard-hitting Polish heavy rock in the vein of Clutch and Motorhead.
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Jan. 17, 2014
OMEGA SUN
Smoke obsessed Stoner Doom from Slovenia. Free demo.
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Thursday, February 28, 2013

EP Review - Triumph of the Wounded by Crybaby Deathmatch


Crybaby Deathmatch are a 3 piece from London UK, who play dirty punk influenced trad doom metal sounding like some twisted Motorhead-on-acid style rock n roll crossed with Slo Burn and even Dinosaur Jr.

Originally called Needlebliss in the late 90's and ripping off Iron Monkey they kept jamming and listening to tons of down-tuned blues metal until they decided to write proper songs and play some gigs.
The founding duo of North Londoners Coley (guitar, vocals) and Del (drums) were then joined by Frenchman and magician, Jerome on bass in 2012 and thus was born Crybaby Deathmatch.

From the opener, Controlled By Machines, we are treated to some down-right sleazy doom riffs which lead to a filthy, heavy rock slice of dirt slathered with a thick layer of agro/anarcho-punk. This is the kind of song a bunch of pissed up and pissed off Brits sing while smashing pint glasses in the street and chucking bricks through windows after having been booted out of their local pub. Later on they will spray paint massive A's for anarchy on the wall of the local school and will still be chanting this song.

With this strong opening track Crybaby Deathmatch show they have a great sound and attitude with vocals that are equally as memorable as the riffs. It grabbed my attention right away and I immediately fell in love with this band.

Fragile Stars follows. Imagine desert/stoner metal as if played by Motorhead. Not that we have deserts here in the UK and certainly not in North London where these boys hail from, but this track is an excellent piece of desert style stoner metal with great lyrics that had me singing along even though I didn't know the words, just 'woooahahwoooo-oh.' etc..

It reminds me of Slo Burn but with Lemmy on vocals, singing a song what I initially interpreted as being about heart break and a broken relationship but is most likely about something else entirely like the infinite vastness of the universe.

Boiled Shark (The Impossibility of Death) is very much in the same vein, although starting with an old school punk intro which then falls into Lemmy singing for Slo Burn again. The riffs are delivered thick and fast and despite its heavy desert edge there is still that layer of early 80's British Anarcho-punk rock attitude. Bottles are being thrown and shop doorways are being pissed on. Fuck you very much Maggie Thatcher for screwing our country. Welcome to Great Britain.

Nimbus changes the vibe laid upon us by the first 3 tracks with an intro that reminds me of Dinosaur Jnr playing a ballad. The Dinosaur Jnr influence carries this track for the most part until the final minute when it goes into a filthy rock sleaze with some stinky wha'd bass riffs that feel like a wad of phlegm stuck in my throat just before I hock that chunk and flob it out onto someones car window. Not that I would actually do that now, but when I was 14 and listening to Dinosaur Jnr a lot, that kind of thing was a regular occurrence.

The final track, Triumph of the Wounded takes us into doom metal territory, sounding almost like very early Electric Wizard or Iron Monkey. It is a slow paced down-tuned sleaze ball of a track with the vocalist sounding like Lemmy again. The filthy riffs are piled on until the pace picks up some adding a trad doom feel to the track. This sounds like the sound track to an early 80's greasy greebo lank haired metaller in a denim cut off plastered with band patches heading for the pub to drink away his giro (unemployed benefits cheque for those outside the UK).

This a strong first release from Crybaby Deathmatch where they display their influences very well and then blend them together seamlessly. Each track very much has it's own substance with themes ranging from experiences of life in the UK's sprawling and hectic capitol that is London, natural disasters and the weather, the inevitable collapse of civilisation and the pressure of modern living, to abstractions of reality and universal contemplation, something the wordsmith of the band calls the 'Awe of the Ominous.'

Triumph of the Wounded is available now as a free download from their bandcamp.



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