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April 17, 2014
ORYXDunes of droning hypnotic sludge from the deserts of Las Cruces, NM.
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April 14, 2014
MAMMOTH STORMPlodding, tar-lathered metal-fed groove doom from Sweden.
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April 8, 2014
LADY FLINT Explosive stoner blues rock duo from Marselle, France.
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April 7, 2014
KING DEAD Doomy psyche-tinged spaghetti western sludge from PA.
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April 2, 2014
GROGGYBlues-obsessed fuzzy garage rock duo from Omsk, Russia.
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March 31, 2014
THE SILENT LOWMelodic, hard-hitting, attitude-driven stoner rock from Denmark.
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March 25, 2014
GRAILPsychedelic punk with a southern demonic desert groove out of Texas.
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March 24, 2014
LORD OF GIANTSincere, lumbering, 70's influenced heavy rock from Germany.
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March 19, 2014
WOVOKA Intense yet melodic, brutal gut-twisting post-metal sludge from LA.
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March 16, 2014
Torpedo riffs, hazy grooves and cosmic stoner sleaze from Portland.
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March 13, 2014
Toxic, heavy southern groove metal attitude from Brazil.
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March 11, 2014
Somber, shoegazing post-metal sludge from Columbus, Ohio.
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March 10, 2014
Cosmic, gravity-defying stoner fuzziness from Sydney, Australia
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March 6, 2014
Fuzz-filled, snail-paced riff-praising doom from Denver, CO.
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March 5, 2014
Polish doom band with female vocals is a fuzz worshippers dream
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March 4, 2014
Sleazy, fat and dirty stoner metal riffs from down under.
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March 2, 2014
Newly formed 70's inspired stoner doom band from Brazil.
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Feb. 27, 2014
Expansive psychedelics and dusty grooves from Austria.
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Feb. 25, 2014
Fuzzed-out heavy desert grooves from Catania, Italy.
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Feb. 24, 2014
Get stuck in some sludgey stoner groove from South Carolina. facebook- bandcamp
Feb. 20, 2014
Heavy lightning in a bottle stoner boogie groove from Sweden. facebook- bandcamp
Feb. 19, 2014
Stirring progressive ambient doom from Bath, UK
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Feb. 17, 2014
Intense instrumental sludgefuzz from these Guernsey blokes. facebook- bandcamp
Feb. 15, 2014
Swirling hypnotic heavy psychedelic rock from St. Petersburg, Russia. facebook- bandcamp
Feb. 10, 2014
Sultry and somber jazz-laden ambient doom from Genoa, Italy.
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Feb. 8, 2014
Late 60's early 70's influenced heavy psychedelic rock from London.
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Feb. 5, 2014
Death/Doom/Thrash from the mean streets of Adelaide, Australia.
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Feb. 4, 2014
Doomy apocalyptic instrumental Sludge from Istanbul, Turkey.
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Feb. 2, 2014
Spell-binding all-female occult doom from Ljubljana,Slovenia.
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Feb. 1, 2014
Heavy heartfelt psychedelic jams from Heidelberg, Germany.
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Jan. 30, 2014
Riff Heavy Stoner Doom with Southern grit from Athens, Greece
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Jan. 27, 2014
Chest collapsing progressive heaviness from Ventura, CA
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Jan. 25, 2014
Genre-defying atmospheric mood music from Tampere, Finland. facebook- bandcamp
Jan. 23, 2014
Freaked-out psychedelic space rock from Gothenburg, Sweden. facebook- bandcamp
Jan. 22, 2014
Swamp-infested grooves and fuzzy desert riffs from Portland,Oregon.
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Jan. 21, 2014
BORDEL INFERNO Gritty heavy rock, solid riffs from Rio de Janiero.
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Jan. 20, 2014
OVERLORD Melodic groove-oriented Heavy Rock from Oxford.
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Jan. 19, 2014
A DAY AS WOLVES Garage-rock inspired bluesy fuzz and roll from Alberta, Canada. Eh! facebook- bandcamp
Jan. 18,2014
NAKED BROWN Hard-hitting Polish heavy rock in the vein of Clutch and Motorhead.
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Jan. 17, 2014
Smoke obsessed Stoner Doom from Slovenia. Free demo.
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Wednesday, October 19, 2011

Album Review: Dixie Witch - "Let It Roll"

What's it been, guys? Five years? Dixie Witch's 2006 effort, Smoke and Mirrors, managed to firmly cement the band's status as Austin's booze-stained Boogie Rock gods. On 2011's Let It Roll, they demonstrate their continued dedication to the cause. You won't find any 8-minute opus on this disc, and you also won't find original guitarist Clayton Mills. What you're treated to, though, is ten fuzzy shards of jagged licks and rolling rhythms on the band's fourth release.

The opening title track springboards listeners into a sea of killer southern riffs and groove that, amazingly, don't melt away in the span of an all-too-quick 36 minutes. Let It Roll demonstrates cosmic admiration, hog-tied production, and one hell of a good time. This power trio ain't lettin' their amped knowledge of songwriting and instrumentation get in the way of leaving behind a trail of blistered lips and weak knees. Ladies must LOVE this shit.

New guitarist J.T. Smith gets his share of marquee billing on damn-near every southern stone on this disc, and rightly so. Boogie Man begins with a choppy axe/skin reach-around, but audiences are liable to get soaked in dark themes, lifted portside tempos, and a fuzzy breakdown that mimics a cool, buzzed rumble through misty morning debauchery. Follow it up with The High Deal, and you'll see exactly why J.T.'s giving hard-ons to record label execs. A confident crunch, flanked by smoked-out bass and soaring Van Halen pipes, hums until a soulful string ascent sets fire to this ballad and steps back as that old barn burns.

Ah, shit. I shouldn't lead you guys to think CC and Trinidad have thrown on leotards and stuffed their shorts à la David Lee Roth. Hell no. Red Song and Anthem are marching, fist-pumping tales of vengeance and loss. These dudes have had nothing handed to them, and beyond the fuzziness you'll hear three dudes that've been thrown into a few barbed-wire fences. Halfway through these songs, you'll be picking moss out of your hair and dirt from your nails.

Beyond their vocals, CC and Trinidad haven't forgotten how to lay down some thick black carpet. Trinidad's drums motor up sidewalks, knocking over blue-haired old ladies on Saving Grace. Sevens is the album's bounce-heavy gravel road to gambling addiction. Pair the low-end fuzz with some ashy licks and you barely notice your skin's a deep shade of beaten.

And when these assholes wanna pick it up and get scandalous, it seems to come easier than that drunk bitch down the block. Enjoy a quick roll through the hay with Automatic Lady all you want, and be sure and tell your friends. (You're also gonna need to burn those clothes, by the way). December is a perfect, frenetic closing to an album that doesn't let up and doesn't disappoint. Quick tempo parallels a quick mood, along with a guitar highlight that's gonna leave scars up your back.

Dixie Witch certainly haven't gotten clean. Let It Roll is loud exhaust pipes, spilled Lone Star, and a gaze or two at the heavens. But on the other hand, this band's not gonna let a little fuzz hide prodigious song craftsmanship. It's a nice balance. But if I'm ever able to catch these guys live, keeping a sober balance is the last thing I'll worry about.

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