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Showing posts with label Album of the Day. Show all posts
Showing posts with label Album of the Day. Show all posts

Saturday, October 18, 2008

Album Of The Day- Tusk-"The Resisting Dreamer" (2007)

The Album Of The Day is "The Resisting Dreamer" by Tusk.



Review:

Tusk consists of three members of Chicago post-metal pointdexters Pelican, with Kayo Dot frontman Toby Driver and Young Widows’ Evan Patterson sharing vocals. Their first on Hydra Head, The Resisting Dreamer is their second full-length. The album feels like a much-needed jaunt into the experimental for the instrumental-minded Pelicanites, with vocals sparse and unobtrusive for the most part. It is a mere four songs (about 38 minutes), and functions as one long song rather than individual units. Despite this, the division is absolutely logical, with each “chapter” having its own mood, style and flavor.

The album is largely avant-garde, with elements of drone, grind, doom and post-metal present throughout. The opening riff of first track “Everlasting Taste of Disguise” dances in on the high end of the spectrum, and sounds briefly Pelican-esque. Not to be pigeonholed, though, Tusk quickly shed their familiar stylings for echoey, angular and deep-rumbling horizons with only a hint of the band’s sometime alter ego. The song continues in this way, with vocals eventually joining the discordant instrumentation in a mournful drone. In time, this gives way to “Cold Twisted Aisle,” which sounds vaguely like noise-merchants The Number Twelve Looks Like You, both in angular instrumentation and shriek-yelled vocals that are presently causing nearby elders to furrow their eyebrows. Mission accomplished, one might say.

Track three briefly revisits Pelican territory, but with a more aggressive post-metal approach. The occasional near-death metal yell accents this, making “Life’s Denial” one of the most headbanger-friendly tracks offered here. The track goes into its death throes around the three-minute mark, with fading bellows and droning guitar marking an equally long transition to final track “Lewdness and Frenzy of Surrender.” This continues for a further six minutes, and the extended downtime may warrant use of the fast-forward button. In truth, after the first few measures there’s not much to gain from the rest. The 16-minute epic of the album continues on much in this same way, changing gears four, maybe five times to gradually fade to its final note.

The Resisting Dreamer is interesting, to be sure, but its relatively short runtime indulges too much sameness to keep the record interesting throughout. The first two tracks are strong and original, with the latter half of the album forging deep into the land of experimental drone. This album requires a strong attention span and a keen ear for subtlety. Fans of drone and more experimental post-metal should pick this one up, but Pelican fans interested because of the band overlap should be wary. (Brian Sweeney, MetalReview.com)

Track Listing:

01. The Everlasting Taste of Disguise 07:33
02. Cold Twisted Aisle 07:44
03. Life's Denial 05:59
04. The Lewdness and Frenzy of Surrender 16:14

Listen

MySpace



The Gates of Slumber Announce New US Tour

Heralded Indianapolis, IN doom metal masters The Gates of Slumber have announced a fall, 2008 U.S. tour in support of their celebrated new album Conqueror. The respected power trio will team up with fellow Indianapolis metal troupe Demiricous for a four week, 27 city trek that is scheduled to kick off on November 8.

Dubbed the “Conquest of Poverty Tour”, the Metal Maniacs magazine-sponsored expedition will spotlight a band that has been called “a breath of fresh air within the doom/true metal underground” in The Gates of Slumber. Since 2006, tGoS has consistently toured almost exclusively on European soil, where it has developed a rabid fan base. The band’s high-potency live performances have garnered serious word-of-mouth kudos and built it a cult following amongst the die-hard traditional metal/doom community, resulting in fans literally driving hours to catch the band’s live sets. Now, with the buzz surrounding The Gates of Slumber reaching new heights in the band’s home country, the time is right for the metal band to showcase its live muscle on domestic stages. The tour’s official admat can be viewed online at this location.


On the topic of the long-awaited U.S. tour dates, The Gates of Slumber guitarist/front man Karl Simon comments, “It`s exciting to think that we’re finally about to embark on a full U.S. tour in our fifth year as a band. Those who catch out live sets can expect a strong dose of Conqueror material, and for those long-time fans who have supported us all along, we`ll make sure to touch on the songs from the previous albums that are mainstays of our live set. And for those who only know our songs from Conqueror, you will not be disappointed as we`ve included what we feel is the strongest songs from the album! We`re champing at the bit to get it on. Expect blunt force trauma!”


Conqueror was released on May 27, 2008 via Profound Lore Records and is a mighty plunge that proves true heavy metal doubles as a powerful art form. The doomy, epic metal pillage was produced and recorded in full analog at Chicago’s Volume Studios and produced by Sanford Parker (Nachtmystium, Lair of the Minotaur, Pelican). The record’s crushing riffs brim with melody and “wailing” guitar solos, while the strong vocals of Simon and the band’s storming rhythm section hammer home songs such as “Trapped in the Web,” “Ice Worm,” and the ominous, four-part heavy metal odyssey, “Dark Valley Suite.” The band’s debut music video – for the song “Trapped in the Web” – has seen considerable TV play on MTV2’s long-running ‘Headbangers Ball’ program, generating further excitement for the band’s much-anticipated U.S. live dates.


Weaned on Black Sabbath, Saint Vitus, the melodic might of Iron Maiden, and a host of classic bands from Thin Lizzy to Rainbow to Mercyful Fate, The Gates of Slumber draws deep from heavy metal`s most powerful blood and delivers doom in its purest form. In addition to Simon, The Gates of Slumber features bassist Jason McCash and drummer “Iron” Bob Fouts.


Metal Maniacs presents the “Conquest of Poverty Tour” featuring The Gates of Slumber, with Demiricous
November 8: TBA
November 9: Denver, CO - Funhouse
November 10: Boise, ID - The Gusto Bar, with Cast Into Eternity (ex-Arsis)
November 11: Portland, OR - Satyricon
November 12: Seattle WA - Studio Seven
November 14: Oakland, CA - The Metro , with The Faceless, Decrepit Birth
November 15: Bakersfield, CA - Jerry`s Pizza
November 16: Los Angeles, CA - Black Castle
November 17: Tempe, AZ - Big Fish Pub
November 18: Albuquerque, NM - Launchpad
November 19: Abilene, TX - Midnight Rodeo
November 20: San Antonio, TX - White Rabbit, with AxCx
November 21: Austin, TX - Red 7, with AxCx
November 22: Dallas, TX - Reno`s Chop Shop, with AxCx
November 23: Corpus Christi, TX - The Compound , with AxCx, Dr Acula, Dance Club Massacre
November 24: New Orleans, LA - Dragon`s Den
November 25: Tallahassee, FL - The Engine Room
November 26: Tampa, FL - Brass Mug
November 28: Gainesville, FL - The Atlantic
November 29: Spartanburg, SC - Ground Zero
November 30: Baltimore, MD - Talking Head, with Strong Intention
December 1: New York, NY - Lit Lounge (Precious Metal Mondays), with Krallice
December 2: Rochester, NY - Bug Jar
December 3: Cleveland, OH - Grog Shop
December 4: Columbus, OH - Ravari Room
December 5: Chicago, IL - The Metal Shaker
December 6: Indianapolis, IN - Emerson Theater

Long Distance Calling Releases Split EP with Leech

From Long Distance Calling:

Hey friends, the brand new split EP 090208 with our friend Leech has just hit the stores and is available from now on in Germany, Austria, and Switzerland. Other countries will follow later this year, stay tuned for updates.

Furthermore we have added some new shows, here we go:


090208 tour presented by Visions, Guitar & Eclipsed
17.10: Eisenach, Germany - Sound&Culture, with Leech
18.10: Wien, Austria - Arena, with Leech
19.10: Karlsruhe, Germany - Jubez, with Leech
23.10: Luzern, Switzerland - Sedel, with Leech
24.10: Aarau, Switzerland - Kiff, with Leech
26.10: Biel, Siwtzerland - St. Gervais, with Leech
05.12: Bielefeld, Germany - Visions Party at Forum

We are looking forward to hit the studio again in a couple of weeks to record the new album, stay tuned for more updates and details on this soon.

Thanx for listening,
LDC

www.myspace.com/longdistancecalling

Former TROUBLE Frontman's BLACKFINGER: New Song Posted Online

Former TROUBLE singer Eric Wagner has posted a new song from his Illinois-based rock/acoustic/psychadelic project called BLACKFINGER. The track called "Keep On Fallin'" is currently being streamed on the band's MySpace page.

Friday, October 17, 2008

LORD VICAR: German, Austrian, Swiss Dates Announced

LORD VICAR, the new band featuring members of REVEREND BIZARRE, SAINT VITUS and CENTURIONS GHOST, will embark on the "Fear No Pain" tour in November. The dates are as follows:

Nov. 08 - Rockstation - Halle, GER
Nov. 09 - Bastardclub - Osnabrück, GER
Nov. 10 - Marx - Hamburg, GER
Nov. 11 - Wild at Heart - Berlin, GER
Nov. 12 - Escape Club - Wien, AUT
Nov. 13 - Kunstverein (KV) - Nürnberg, GER
Nov. 14-15 - Dawn of Doom Festival - Einsiedeln, SWI

Support on the trek will come from UK's THE DEEP BLUE.

LORD VICAR recently spent time in the studio recording its debut album, "Fear No Pain", tentatively due before the end of the year via the German doom metal label The Church Within Records.

LORD VICAR is:

Chritus (COUNT RAVEN, SAINT VITUS, TERRA FIRMA) - Vocals
Gareth Millsted (CENTURIONS GHOST, END OF LEVEL BOSS) - Drums
Peter Inverted (REVEREND BIZARRE, ORNE) - Guitar
Jussi "Iron Hammer" Myllykoski - Bass

"Fear No Pain" track listing:

01. Down the Nails
02. Pillars Under Water
03. Born of a Jackal
04. The Last of the Templars
05. The Spartan
06. A Man Called Horse
07. The Funeral Pyre

For more information, visit www.myspace.com/lordvicar.

TONY IOMMI Comments On Unreleased BLACK SABBATH Tracks

BLACK SABBATH/HEAVEN AND HELL guitarist Tony Iommi recently spoke to Guitar World magazine about his 40 years in music, and one of the subjects broached by writer Chris Gill was the fact that a handful of BLACK SABBATH songs recorded in the band's early days when they were still known as EARTH — including "The Rebel", "When I Came Down" and "Song For Jim" — have yet to be released to this day.

According to Iommi, "We didn’t write those songs. They were written by a chap named Norman Haines. At the time we were managed by Jim Simpson, who was a local Birmingham guy. He insisted that we record these songs that his friend Norman had written. We just wanted to play, so we recorded them. We wanted to write our own songs and make our own record, but this was just an initial effort. We had never been in a recording studio in our lives before that. It was a very basic studio. Even back then we never really wanted those recordings to see the light of day. Those songs sound nothing remotely like BLACK SABBATH."

A brief audio snippet of "When I Came Down" can be heard below.

A collection of unpublished outtakes from Guitar World's interview with Tony Iommi can be read here.

Album Of The Day-American Heritage-"Millenarian" (2006)

The Album Of The Day is "Millenarian"
by American Heritage.



Review:

Despite the intricate beauty and sheer force of instrumental compositions by Pelican, Red Sparowes, and Don Caballero, one can't help but wonder how their music would be altered with vocals. Insert American Heritage, a Chicago-based thinking man's metal band whose instrumental debut, 1999's Why Everyone Gets Cancer, was chock-full of highly technical, heavier-than-thou shredding and jazzlike drumming in the vein of Mastodon (as evidenced by the bands' split 7-inch). On the trio's fifth album, Millenarian, Adam Norden's demented growl now leads the assault. While the ruthless wall of noise, more neurotic than Neurosis, still puts listeners in a choke hold, Norden's punishing vocals become the right-hand punches that eventually break one's face. From the opening rapture of "Brootal: Axxes of Evil" through the apocalyptic closure of "Piss Engine," Millenarian sounds like the aural equivalent of "Fucking a Napkin Full of Toenails." The downtrodden moments of drone and doom rehash Sleep's Dopesmoker and Eyehategod's Dopesick while serving as brief shelter from the storm of time-signature changes. Speak now or forever hold your piece. (Austin Powell, AustinChronicle.com)

Track Listing:

01. Brootal: Axxes of Evil
02. Toilet Paper and Leotards
03. It's Like Fucking a Napkin Full of Toenails
04. Peckerwood
05. Way to Go Cowboy
06. Spina Bifida
07. Piss Engine

Listen

MySpace
Official Website



Thursday, October 16, 2008

Album Of The Day- Baby Woodrose-Chasing Rainbows" (2007)

The Album Of The Day is "Chasing Rainbows"
by Baby Woodrose.



Review:

Baby Woodrose, with the release of Chasing Rainbows, continue to amaze the listener with well-crafted psych. "Chasing Rainbows" is very much a modern album ieven n that it displays classic 60's songwriting influences such as Love, The 13th Floor Elevators, The Doors and Group 1850. However upon closer inspection, Baby Woodrose is expanding upon the repertoire / format of the genre, through the unique qualities of their sound. The band possesses that "otherworldly" quality of time and space that all great psych groups inhabit.

"Someone to Love" starts the CD with a distorted guitar - organ introduction. A riff is developed and the rhythm section follows suit. The song follows a classic pattern of verse - chorus - verse. "Someone to Love" combined with "I'm Gonna Make You Mine", the second song, both have memorable choruses that leave an imprint on you along with those bouncy organ riffs, fuzzed out riffs and catchy vocals.

For the third song, "Let Yourself Go", the band - Lorenzo Woodrose (guitars, organs and vocals), Fuzz Daddy (drums and percussion) and The Moody Guru (bass and tempura) - get down with a heavier workout. The band really shines on this song: farfisa riffs, wah wah guitar leads and echoed vocals. A similar approach is taken later in the album with the title track "Chasing Rainbows". A real deep bass riff pulls the song together, leaving the guitar to spew distorted riffs and the drums to accent the proceedings. One aspect of both songs is the passionate vocal styling of Lorenzo Woodrose. Vocally, he has a voice that is emotionally charged and soulful.

One of the other great qualities of Chasing Rainbows is the softer moments throughout the album. A memorable presence is felt in several songs. "Lillith" has an unbeatable combination of folk inspired guitar accompanied by haunting pedal steel playing. "In Your Life" is sheer pop bliss. Raga percussion, sitar, bells and acoustic guitar create a backdrop for Lorenzo's sweet vocals. The drums are then introduced two thirds into the song along with distorted guitar.

"No More Darkness" is a tale of heartbreak filled with punk attitude. The background vocals are especially noteworthy. "No More Darkness" then segues into the soaring heights of "Dark Twin". The band's unique songwriting abilities, and ability to break away from convention, become evident on this track. The song "Dark Twin" feels almost like a song from the Middle Ages. Filled with a repetitive bass line, acoustic guitars, bells, organ and a drum march, the song is somber but yet beautiful in it's orchestration.

Baby Woodrose's fourth release is d a memorable CD that will warrant repeated listening over the years to come. "Chasing Rainbows" is an album that is filled with so much in terms of quality and effort placed on the songs ability to transcend the listener.

For me, it's one of 2007's best releases. (Arthur S.,i94Bar.com)

Track Listing:

01. Someone to Love
02. I'm Gonna Make You Mine
03. Let Yourself Go
04. Twilight Princess
05. Lilith
06. In Your Life
07. Chasing Rainbows
08. No More Darkness
09. Dark Twin
10. Renegade Soul
11. Madness of Your Own Making

Listen

MySpace
Bad Afro Records



Wednesday, October 15, 2008

Wildildlife, Mammatus and Trees Tour Dates

From Crucial Blast Records:

San Francisco`s acid-fuzz-post-metal outfit Wildildlife is touring the West Coast with Mammatus in October. Portland`s ultra-sludge machine Trees are also on the road now, also on the West Coast, and have shows coming up alongside the almighty Corrupted! If you live out that way, get some!!!




Wildildlife with Mammatus
10/14/2008: Seattle, WA, with Emeralds - Funhouse
10/15/2008: Portland, OR - Someday Lounge
10/16/2008: Eureka, CA - Auntie Mo`s
10/17/2008: Oakland, CA - Stork Club
10/18/2008: Santa Cruz, CA - Crepe Place
10/21/2008: Los Angeles, CA - The Echo, with Magic Lantern
10/22/2008: San Diego, CA - Chasers
10/23/2008: Long Beach, CA - Prospector
10/24/2008: Big Sur, CA - some old folkie place...
10/25/2008: San Francisco, CA - Hemlock


Trees
11/03/2008: Portland, OR – Satyricon, with Corrupted, Asunder

BLACK SHAPE OF NEXUS, LORD VICAR, WINO Confirmed For Germany's DOOM SHALL RISE

BLACK SHAPE OF NEXUS, LORD VICAR and PAGAN ALTAR are among the confirmed bands for the Doom Shall Rise festival, the world's biggest event exclusively dedicated to doom metal. Set to take place on April 17-18, 2009 at the Chapel in Göppingen (near Stuttgart) Germany, the festival will feature performances by the following artists:

BLACK SHAPE OF NEXUS (GER)
LORD VICAR (FIN/SWE/UK)
OMEGA MASSIF (GER)
PAGAN ALTAR (UK)
REINO ERMITAÑO (PERU)
THE LAMP OF THOTH (UK)
TORTURED SPIRIT (GER)
WARNING (UK)
WINO (USA)

More bands will follow.

Ticket presales will start on January 1 at 8 p.m. CET on the Doom Shall Rise web site.

Album Of The Day- Asteroid-"Self-Titled" (2007)

The Album Of The Day is the 2007 self-titled release by Swedish rockers Asteroid.



Review:

Asteroid's eponymous debut full-length is a blazing example of first-class progressive songwriting wedded to deep fuzz, and it's a milestone in the maturity of heavy Swedish desert rock as it redefines itself, slowly waving good-bye to the ghost of Kyuss.

Well after all, it's more than 10 years since the K-boys called it a day. While excellent American groups such as Hermano and Sasquatch keep the more straightforward brand of desert rawkin' burning - a purer strain, as it were - their Swedish brothers seem to be mining a more experimental vein of desert gold. There is ample precedent for this. The obvious example is QOTSA, but Sweden herself was not bereft of groups exploring that territory well before Y2K. I'm speaking, of course, of Mammoth Volume, which is slowly emerging as one of the most influential of Sweden's heavy underground bands in the last 10 years, on par even with the mighty Dozer, against whom seemingly all Swedish desert music is compared. MV had the smarts to put their considerable intelligence to work in interpreting the long European tradition of progressive rock, with all of it's dynamics and instrumental chops. They were bright enough not to listen to the pc musical opinion mafia, which always cries "pompous" and "pretentious" when the subject of europrog comes up. Hell, for all I know MV themselves may consider ELP as the very soul of pomposity, but they're also wise enough to know that the early 70s version of all of these bands produced much challenging and worthwhile music indeed. MV simply extracted some of that worth, combined it with groove and desert fuzz, and Voila! music that was bright and challenging enough to cause fan(atics) to jump on planes to cross the big pond, just to see 'em in concert.

So how does Asteroid fit into all of this? Despite their name and songtitles such as "The Infinite Secrets of Planet Megladoon," this lp is not space rock. There are no 12+ minute peans to space by acid-gobbling visionaries here. It's a bit closer to modern practitioners such as Qualone or Valis, but really this superb disc makes the most sense as a progeny of Mammoth Volume, which is a very good thing indeed. Asteroid has constructed an excellent slab of somewhat eccentric underground heaviness here, replete with melody, harmony, and enough chewy fuzz and heavy bass/drum interplay to make any fan of progressive desert goodness faint with delight. The heavy prog fuzz of 'The Great Unknown' serves as a prime example, accented by atmospheric keys, fine dual vocals, and a subtle, controlled use of wah. 'Panoramic Telescope' with it's spacy lyrics giving a nod to the past, will mellow you out, while 'The 13th Witching Hour' provides interest with its slinky, quirky rhythm and deep fuzz. The album's capper is 'Dr. Smoke,' chock full of retro keys and harmonies. A cultured "hell yeah!" is in order.

Asteroid's split with Blowback, on which they really didn't start the space engines until late in the game, was an excellent precursor to this disc. On their new self-tltled they really bring the fuzzy prog home! Enthusiasts of Mammoth Volume, Stonewall Noise, or labelmates Dexter Jones' Circus Orchestra, not to mention others in the Fuzz Kingdom like Truckfighters, Sergeant Sunshine, Firestone, or Blowback, will deem Asteroid's new self-titled an essential purchase. I certainly do! (Kevin McHugh , HellrideMusic.com)

More reviews...

Track Listing:

01. The Great Unknown
02. Speaking to the Sea
03. Panoramic Telescope
04. The Infinite Secrets of Planet Megladoon
05. Silver Leaf
06. Water
07. Little Fly
08. Strange Trip
09. Flowers and Stones
10. The 13th Witching Hour
11. Doctor Smoke

Listen

MySpace
Official Website



Tuesday, October 14, 2008

Album Of The Day- Queen Elephantine-"Surya" (2007)

The Album Of The Day is "Surya" by Queen Elephantine.



Review:

This is a great record. And in the methodical, stellar, emotional and astral plane, Surya is to me as good as Om’s latest Pilgrimage. It is also rougher, less detailed, choppier, looser, more rustic, more excessive, fatter, and longer. Surya drones spliff in hand and entrances in a deeper and more monotonous fashion, but with that approach it also holds you tighter to its bass-centric core. For the whole duration of Surya, this New York quartet (that’s where they reside but Queen Elephantine came together in Hong Kong) seems to channel the post Sleep mantra of Al Cisneros and the guitar tonalities of a pubescent Josh Homme. Of the first one they have taken (some might say stolen, but this is good so fuck it) the sense of jamming, the free flowing vibe that carries good stoner doom outside of rock parameters, and from the latter they have taken the exact tuning (especially during the solos) that made of Kyuss’ such legends. Queen Elephantine have studied the stuff, and as premeditated as Surya may be, the 5 songs that comprise it are a plain lesson on how to bend two or three notes into innumerable shapes.

Surya is massive in all fronts; recorded in the land of Jackie Chan it serves to its advantage that its lo fi qualities add a timeless warm tone to the whole recording. Wise move, as that sound adds to the band’s fat ass bottom. And it needs the weight as the songs extend over ten, and in the case of “Bison” , the thirty minutes. These tunes are at times insisting and moving at others groovy and always psychedelic.

If they stay together, Queen Elephantine might have a great future. Not sure how old these guys are, but pictures on their MySpace present a teenage looking quartet. And a generous one at that; while they are recording their new album (Kailash) Queen Elephantine is offering a two-song EP for free download at their MySpace page. Yeah, it’s two songs and together they total over forty minutes so no whining allowed. (DeafSparrow.com)

Track Listing:

01. Queen Elephantine
02. Ramesses II
03. Kabir
04. Plasma Thaw
05. Bison

Listen

MySpace
Official Website



Monday, October 13, 2008

New Band To Burn One To-Fifty Foot Woman

Citing influences such as Orange Goblin, Clutch, Earthless, Solace, Cathedral and more, Fifty Foot Woman from Poland takes hold of the almighty groove and never lets go. Do yourself a favor today and check out this damn fine band.

Self-released Demo (2008)



Track Listing:

01. The Beginning Of What's Not About To Happen / The Hitchhiker 05:46
02. The Black Hills 06:11
03. The Blessing Of Non-Existence 05:39

Total playing time 17:36

You can purchase their demo here.

For more info on the band, check out their MySpace page.

Album Of The Day-Black Sabbath-"Master Of Reality" (1971)

Alright, after a great weekend in the mountains and hopefully getting my internet back to normal, I am ready to get back in the swing of things. I'm gonna start of with a great Album Of The Day. What would Stoner Rock/Heavy Metal have been without these guys? This also happens to be my favorite album of all-time. That album would be "Master Of Reality" by the one and only Black Sabbath.



Review:

With Paranoid, Black Sabbath perfected the formula for their lumbering heavy metal. On its follow-up, Master of Reality, the group merely repeated the formula, setting the stage for a career of recycling the same sounds and riffs. But on Master of Reality Sabbath still were fresh and had a seemingly endless supply of crushingly heavy riffs to bludgeon their audiences into sweet, willing oblivion. If the album is a showcase for anyone, it is Tony Iommi, who keeps the album afloat with a series of slow, loud riffs, the best of which — "Sweet Leaf" and "Children of the Grave" among them — rank among his finest playing. Taken in tandem with the more consistent Paranoid, Master of Reality forms the core of Sabbath's canon. There are a few stray necessary tracks scattered throughout the group's other early-'70s albums, but Master of Reality is the last time they delivered a consistent album and its influence can be heard throughout the generations of heavy metal bands that followed. (Stephen Thomas Erlewine, All Music Guide)

Track Listing:

01. "Sweet Leaf" – 5:05
02. "After Forever" (Iommi) – 5:27
03. "Embryo" (Iommi) – 0:28
04. "Children of the Grave" – 5:17
05. "Orchid" (Iommi) – 1:30
06. "Lord of This World" – 5:26
07. "Solitude" – 5:02
08. "Into the Void" – 6:13

Official Website
Fan Site



Friday, October 10, 2008

Heavy Planet Updates

I am going away this weekend and will not have any internet access. I will catch you all on Monday. Look for some great new bands to check out next week, such as Fifty Foot Woman, Mary Shelley Overdrive, and more. Have a great weekend. As always, keep those band suggestions coming. Also, any general blog suggestions, etc. are very welcome. Thanks and Rock on!

\mm/~Reg

Album Of The Day-Monster Magnet-"Dopes To Infinity" (1995)

Monster Magnet is one of my favorite all-time bands, and "Dopes To Infinity" is one of my favorite all-time albums, that is why I am making it the Album Of The Day. If you have never heard this album before, crawl out from the rock you've been living under and crank this one up to 11.



Review:

One of the last great heavy metal/psychedelic combinations, the early '80s tour "Black & Blue" featured Black Sabbath and Blue Oyster Cult laying waste to stoned freaks nationwide. First you'd get blitzed by BOC's post-Armageddon, intellectual metal space show--"Don't Fear the Reaper", "Godzilla", and so on--and then, while everyone's brains were still reeling from too much rat weed and cheap booze, Sabbath would come out and bash everyone square between the eyes with two-ton riffs. Black and blue indeed. The members of Monster Magnet no doubt took in a few of these shows as whelps and have absorbed and regurgitated everything that made that tour so great on their record Dopes to Infinity. Witness some of the heaviest riffs you'll ever hear, and be dazzled by subtle acoustic numbers and instrumental wizardry. And if that's not enough for you, they've even thrown in a certified hit in "Negasonic Teenage Warhead", equal amounts BOC's "Godzilla" and Cream's "White Room." Like Kyuss and Corrosion of Conformity, Monster Magnet has suckled at Sabbath's teat, and though they owe the Sabs their existence, they've grown up and created their own vision. This is by far the best, most fully and successfully realized Monster Magnet record and will no doubt stand as one of the classic psychedelic metal albums of all time. --Adem Tepedelen

Track Listing:

01. "Dopes to Infinity" (Wyndorf) – 5:43
02. "Negasonic Teenage Warhead" (Wyndorf) – 4:28
03. "Look to Your Orb for the Warning" (Wyndorf) – 6:32
04. "All Friends and Kingdom Come" (Wyndorf) – 5:38
05. "Ego, the Living Planet" (Wyndorf) – 5:07
06. "Blow 'em Off" (Wyndorf) – 3:51
07. "Third Alternative" (Wyndorf) – 8:33
08. "I Control, I Fly" (Kleiman/Wyndorf) – 3:18
09. "King of Mars" (Wyndorf) – 4:33
10. "Dead Christmas" (Wyndorf) – 3:54
11. "Theme from 'Masterburner'" (Calandra/Wyndorf) – 5:06
12. "Vertigo" (Wyndorf) – 5:41

Listen

MySpace
Official Website



DEVILLAC Seeks New Label Home -

Finnish stoner rockers DEVILLAC are looking for a label to release their next album. The as-yet-untitled CD is due for release sometime next year and follows the group's well-received debut album, "Three Hours to Coma", which came out last November. Songtitles set to appear on the new LP include "Cinamon Rider", "Shapeshifter", "Popeye", "Honeyuncle", "Burning the Midnight Foil" and "Nicotine".

According to DEVILLAC's official bio, "the story of the band goes way back and although DEVILLAC was founded in the summer of 2000, we have a history of playing together for over a decade, such bands as SUPERCRUISER and FUZZBENDER probably being the most successful ones."

For more information, visit www.myspace.com/devillac.

Orange Goblin Wants to Spend the Weekend With You

Orange Goblin will be playing the following shows this weekend:

Fri, 10 Oct: Nottingham, UK - The Old Angel
Sat, 11 Oct: York, UK – Fibbers
Sun, 12 Oct,: Glasgow, UK - Ivory Blacks
Mon, 13 Oct: Edinburgh, UK - Studio 24


Support on this shows comes from Alabaster Suns.

Bible of the Devil`s Latest Has Been Released

From Bible of the Devil:

Bible of the Devil is currently on tour in support of our brand new album, Freedom Metal. We also have copies of our new split 7" with Valkyrie in tow, and a fuck-ton of new shirts and other merch. If you want to acquire this stuff, do it the old-fashioned way and come out to a show! See www.myspace.com/bibleofthedevil for tour dates.



In Jah,
BOTD



www.myspace.com/bibleofthedevil
www.cruzdelsurmusic.com

Wetnurse Currently on the Road

New York City`s Wetnurse has hit the road for a US tour in support of the new album Invisible City, out September 30 on Seventh Rule Recordings. Joining Wetnurse for most of the tour is Orlando, Florida`s Khann (Metal Blade Records/Black Market Activities). Also appearing on select dates are Light Yourself On Fire, Plague Bringer, Complete Failure, Romans, No People, and more.




Oct 9: Miami, FL - Churchill`s, with Khann, Light Yourself On Fire
Oct 10: Tampa, FL - Transitions Gallery, with Khann, Light Yourself On Fire
Oct 11: Tallahassee, FL - St Mike`s, with Khann, Light Yourself On Fire
Oct 13: Athens, GA - Go Bar, with Khann, Peregrine
Oct 14: Nashville, TN - The Five Spot, with Khann
Oct 15: Cincinnati, OH - The Blue Rock Tavern, with Khann
Oct 16: Indianapolis, IN - The 1511, with Khann
Oct 17: Chicago, IL - The Beat Kitchen, with Khann, Plague Bringer
Oct 18: Dayton, OH - Dayton Dirt Collective, with Khann
Oct 19: Pittsburgh, PA - The Smiling Moose, with Khann, Complete Failure
Oct 21: Kingston, NY - The Basement, with Khann
Oct 22: Burlington, VT - Wasted City, with Khann, Romans
Oct 23: Portland, ME - Geno`s, with Khann
Oct 24: Worcester, MA - Forbes St, with Khann
Oct 26: Doylestown, PA - Moose Lodge, with Khann, No People
Oct 27: New York, NY - Lit Lounge, with Khann, No People



www.myspace.com/wetnursenyc
www.seventhrule.com
www.curranreynolds.com
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