Welcome To Heavy Planet!

If you are looking for new Stoner Rock, Doom, Heavy Psych or Sludge Metal bands, then you have come to the right place. Heavy Planet has been providing free promotion to independent and unsigned bands since 2008. Find your next favorite band at Heavy Planet. Thanks for stopping by!
Showing posts with label Copenhagen. Show all posts
Showing posts with label Copenhagen. Show all posts

Sunday, February 23, 2014

Sunday Sludge: Bottom Feeder - "Grinding Teeth"


You can believe all you want there's a life to everything. Argue with the tautology that one thing leads to another and the symbiosis is free of time restraints. There's no life without soil, there is no soil without life, right? Stop it. There's no soil without death. It's a caustic and callous perspective, but if nothing died we'd run out of space to live. So simplistic, I know. But death becomes soil and soil nourishes crops and crops are dealt all over the world to feed just about everything.

But you don't wanna hear about death. You wanna hear about soccer games and good times with old friends and you want social media to scatter that fuckin' fake bullshit to all your fish-eatin' followers so your life can seem less awful than theirs. Come on. We're exhausted with all of it, and so is Copenhagen's Bottom Feeder. Their 2013 LP Grinding Teeth missed my queue, and finally screening the album in winter's worst months is my just desserts. If there IS a life to everything, then Bottom Feeder offer reminders of death, loss, and scattered thoughts.

From the onset of Void's cryptic politicking and repellent screeches, listeners will struggle to balance the abrasive and the numbing. Sunday Sludge hasn't offered anything this vile in ages, as agonizingly sharp and piercing licks counter sanded flesh. Seven staggering ticks both stick and sway beneath the veil of a Randy Blythe vocal, both viscous and torturous, swaying and hanging like limbs stuck to severed tendons.

On Life Support offers sick groove behind abrasive feedback, but we're given no reason to dance. The track showcases a duality that makes this album so compelling. It's frightening to realize you're not allowed to feel good. A punctuated, pervasive stop-start dynamic is all-encompassing in its negativity, but the marriage of punk meters and locomotive thickness is a lacing that ignores traditional structures. A lead-in to the title track smooths a wavering of black-molasses doom spreading over slabs of cold-stone sludge. Grinding Teeth's most vile track is also its most true, offering swaying hatred and a staggering spew of vitriol to anyone who'll listen.

The revved sludge of Tension drags us through frozen fields littered with broken stalks. There's no end to the abrasion, and while guitars offer the promise of escape, it's those filthy tempos that pin your shoulders. The back-and-forth is as dizzying as the repeated strikes, but you'll ultimately return to your knees in an indentured servitude. The echoed haunt of Dehydration is intermissionary in its unsettling showcase of a slow, dark embrace. If you can, simply give in to the extraction of hope. At least for a few moments until we meet the cringe-worthy Trusted By Few. The pendulum of lament has swung straight south, while pairing grinds and screeches is a punky-paced fist-fuck of motor-breathed tempos. Believe it or not, it's as in-your-face as anything else on the album.

If you've read this, you're likely the sort of fuck-up who could embrace Grinding Teeth's all-encompassing negativity. Do you really wanna feel better about things? Sometimes there's comfort in darkness, perhaps because it's real and un-glossed. If the sweet ain't so sweet without the sour, then Bottom Feeder have the world pretty-well figured out. These six tracks are jaded, sharp, and painful. When you think about it, it sounds like your marriage. Your commute. Your meetings with your boss. Maybe Bottom Feeder know you better than you know yourself. Sad, huh?

For fans of: Grief, Buzzov*en, Eyehategod
Pair with: Indian Brown Ale, Dogfish Head Craft Brewery, Inc.




Monday, October 14, 2013

Demo Review - "D​.​F​.​F​.​L" by Alucarda


Alucarda is the name of a Mexican horror movie released in 1978. It had more blood, loud screaming and nudity than any other horror film made at the time of its release, and for some years after that. It is one of my all time favorite cult horror movies that not very many people have heard of and is up there with other mostly unknown gems of 70's horror like Tombs of the Blind Dead for example. I learned about these movies from reading Electric Wizard's front man Jus Oborn talk about his influences and as any true fan would do, I went about devouring as many obscure and low budget foreign language horror movies as I could. No doubt I wasn't the only one.

Now there is Alucarda the band from Copenhagen who have released a demo featuring 4 slabs of dirty grimy doom punk that is heavy on the Electric Wizard style riffs and lyrics and seething with raw as fuck and angry punk. They sound like a gang of insane and murderously be-demoned bikers with mohawks and beards charging about on deafening hell machines and sparing no lives as they go about their wanton destruction and it sounds fucking awesome!!

Their demo opens with "Electric Tower" from big black feedback and into even bigger growling doom riffs slathered with essence of Electric Wizard until the track takes off into savage and violent doom punk that is in the same camp as the likes of Satan's Satyrs. The song tares along swinging its fists about and smashing everything in its way until it drops down into harsh and crushing doom half way only to get back up and continue its angry punk smash down until the very end when there seems to be nothing left to smash.

"Nosteratu's Doom" carries things on with face melting doom punk that is loud and obnoxious and not the kind of music your gran would appreciate being subjected to for more than a few seconds before fouling herself. Further on the song slows into very sleazy wha'd riffs tuned very low and is as soul crushingly heavy and hypnotic as any Electric Wizard track you've heard.

"Wicked Sabbath" begins with stoned and lazy Sleep meanderings until an evil laugh mocks you just before a drop into monolithic Sabbathian riffs of concentrated doom. The track is an instrumental but features voice samples from horror movies here and there but for the most part the track towers above with massive EW style riffs and hooks that capture you in brain melting doom shivers until the evil cackling laugh returns to see the track out.

The final and demo title track that is "D.F.F.L" begins with a long sample from a movie that I don't know yet and a hippy giving grief to a cop because of the grief the cop gives to the likes of him with his long hair and pot smoking and gazing at the stars and writing poetry in the sand. Then the track kicks you in your face with blazing and rolling heavy punk rock full of dirt and spite and angry energy. The riffs come large and fast with tumbling chaotic drums and freaked out guitar and Wha lickery Electric Wizard style. The track tares along like a heavily damaged juggernaut trailing flames and thick plumes of black smoke until it is slowed temporarily by a huge wall of doom before the blazing heavy punk returns for a final tare up until the end.

I am an immediate fan of this band, not just because of their name or because they have very successfully bound together some truly doom inspired riffs right out of EW's book with violently roughshod and teeth grittingly dirty punk rock but because of that. Yes, it is because of that. They play as if they are Electric Wizard playing punk rock which works very well and although they don't seem to have a Facebook and only a Bandcamp page where you can listen to their demo but not buy and download it, I really hope to see a release of this demo very soon.

                      BANDCAMP


Saturday, May 18, 2013

Album Review: Mojave Desert Rebels - "High Class Clown"

As a listener, as a fan, what is the epitome of rock n' roll? What does a band have to possess, develop, or deliver to be at the height of . . . not greatness in the sense of fame and fortune, but greatness in terms of music recorded. Kyuss reached that level without ever achieving the fame and subsequent fortune they so richly deserved, and the stoner/doom world is littered with similar examples - Dozer, Truckfighters, Fu Manchu, Sasquatch, Brain Police - many that will jump instantly to your mind if not to mine. So, what is it these underground, unsung rock n' roll heroes deliver that makes them so special? Simply put, great music, but great music consisting of parts that stand alone as crafted impeccably, and that then come together as a phenomenal experience. Parts that are made up of agile, athletic drumwork, pulse pounding bass guitar, vocals of devilish delight, melodies that hook you so hard you nearly bleed, and above all, guitar made with the stuff of the cosmos, pure and brilliant and intrinsic to our very soul. Today's band, on their debut EP release, have managed to not only manufacture music in a similar fashion, with superlative individual performances playing masterful melodies blended into what will surely be for many fans of this pure form of rock a memorable and monumental experience to be cherished for years to come, but to add one more component to the mix that sends it over the top in pure reverberated bliss - excitement. Mojave Desert Rebels, to benignly state what will become obvious after listening to their album, enjoy what they do to a very high degree. This makes for a total rock experience that can only be surpassed in a live environment. Put on your tennies and keep your whiplash brace handy as you plug this hi test music in and spin all dials as far to the right as they will go. (Settle down, it's just a poor metaphor, not meant to be taken literally).
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

MOJAVE DESERT REBELS - "HIGH CLASS CLOWN"

Hailing from Copenhagen, Denmark, and having only been together since 2011, the foursome of Mojave Desert Rebels have managed to leapfrog to the forefront of enjoyable rock music with their initial studio release of the EP "High Class Clown"

The members are:

Martin Bentø - Vocals
Morten Bernstorf Hansen - Guitar
Andreas Bütow Pröll - Drums
Guillaume Blanjean - Bass


These guys take their cues from classic heavy hitters such as Led Zeppelin and ZZ Top as well as genre giants Kyuss, implicit in the name of their band. While the influences certainly exist, they have taken the tools learned and developed their own unique method of carving up the ether with distortion and fuzz, slicing through with a fierceness and joy rarely noticed in a band. "High Class Clown" is the home to four raunchy, rockin', four minute forays where excitement and ability blend for an unforgettable experience.

The EP kicks off with "Village in the Sands", a seemingly pleasant ditty that opens with an enjoyable melody of agreeable delivery that has a slight smolder at first perhaps going unnoticed in the totality of the music and not becoming immediately or fully apparent, never having a true switch, instead simply building in intensity until by the time the solo is unleashed, almost 2 minutes in, an all out blitz of emotion, volume, and distortion is in full bore ear plug mode. This is the introduction to Bentø's vocals, a powerful tool in the massive instrumental battery of these proxy desert rockers.

The title track is next up and unlike its predecessor starts off with a show of might. Hansen and Bentø showcase their muscle in slow flexion while Blanjean and Pröll drive it all forward in measured and powerful deliveries of rhythmic domination throughout the first half, all brilliantly in control of a tapestry of hot burning fuses that eventually reach the payload where a big bang of brilliance and expanding magnitude is unleashed. The payoff is a second half that evolves into an exquisite display of interwined brilliance and monstrous musicianship.

"Enemies on Fire" exquisitely opens with Bentø's plaintive wail of aching beauty that is soon taken up by riff, lick, hook, and fill from dynamic deliveries of deep instrumental distortion running through an escalating atmospheric ascension toward an incomparable crescendo of brilliance and domination.

"Towers of the Skies" rolls out heavy machinery topped by napalm delivery systems. Blanjean's basswork here is incredible - deep, nimble, and unyielding as the stanchion upon which Bentø and Hansen propel heat seeking missiles in a spreading arc of white hot brilliance and Pröll maintains a radius of staccato discharge. As this fuzz destroyer advances the intensity increases in a slow burning buildup of ferocity and proficiency until maximum output is reached at climax.

Not listed on the album but included as a YouTube video below is "The Desert Song", a slightly different, bluesier, equally intense and brilliant song. Check it out along with the EP on Bandcamp, Reverbnation, or Soundcloud.

I think you will be hard pressed to find much in the world of rock this year that delivers on as many musical levels as "High Class Clown" while also demonstrating  sheer pleasure and enjoyment in delivery. It is a brilliant debut from a band that is likely destined for some level of notoriety if longevity can become one more hallmark of the band.







facebook || myspace || twitter || bandcamp || soundcloud || reverbnation

Wednesday, October 24, 2012

Zac's "Double Dose": Gonzo Morales / Snake Thursdays


Gonzo Morales: Gonzotown: Prologue - The End of Morales 

We find Mr. Morales strung out, paranoid, and unaware of how exactly he wound up in Gonzotown. Enter our quirky narrator, Gonzo Morales, who runs us through the scenario of our protagonists misadventures in Gonzotown, his soul searching and intent to escape. If you haven't caught the drift of Gonzotown: Prologue yet, allow me to cut to the chase... You are knee deep in a concept album, a damn fine concept album by a damn fine quintet. That quintet is Gonzo Morales from Copenhagen and their strength is not only found in their ability to tell a gripping story but also in their ability to structure the music around that story. That music is based in true West-American stoner rock and Americana. Gonzo Morales makes such a familiar sound all their own through a progressive mindset, bombastic percussion and a diverse guitar mastery. You definitely need to check out the clip below for the grandiose album opener Prelude and Beatencrippledburied. If you're hooked, as I was, head over to Gonzo's download page where Gonzotown: Prologue is being offered as a free download. "Now wake up!"

 

Members: 
Chau-Chau Morales 
Esteban Morales 
Gomez Morales 
Raul Morales 
Miguel Morales


 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Snake Thursday: Cruise Mode 

Snake Thursday are a classic stoner rock band here to melt the ceiling off of your favorite pub. That's right, this Poznań, Poland based trio formed in 2007 to please us headbanging beer drinkers with a style of metal that packs a glorious nostalgia with contemporary RIFFS. The band dropped their sophmore release Cruise Mode this past June to the tune of five fast paced grooves that know their way around the pub. Each song is just the medicine you need when you just can't seem to find the right tunes to spin. Check out the bluesy attitude of my favorite track Bitchcraft below, but be sure to spend some time spinning God's Scythe as well over at bandcamp, you won't be disappointed.

 

Members: 
Filip Małecki - Percussion 
Łukasz Mańczak "Maniek" - Bass 
Marcin Sikorski "Sikora - Guitar // Vocals


Friday, March 30, 2012

New Band To Burn One To: PET THE PREACHER

Heavy Planet presents today's "New Band To Burn One To"... PET THE PREACHER!



Bio:

Pet The Preacher is a rock N roll trio from Copenhagen. Their aim is to mix blues with the structures of metal and feel of prog-rock. But as a band should, they are ever evolving, and as the band was formed in late 2010, the journey has just begun.

Pet The Preacher released Meet The Creature in 2011. A 3-track EP recorded live at the DEAD RAT STUDIO with Jacob Bredahl producing. In December, the same year, they went back and recorded their debut album "The Banjo". A concept album about a man and his way out of his hell. It made with a strong philosophy about sounding like human beings, playing instruments and not a computer. The mistakes are seen as opportunities and captures what rock N roll is all about: Spirit.

The album is out spring 2012.



Thoughts:
"Pet the Preacher plays heavy rock the way it was meant to be played, with attitude and passion. This band from Copenhagen has married together a euphonic collection of blues-based rock tunes seasoned with crunchy guitars, heavy groove, and plenty of emotion. Emotion that you can feel in the shredding guitar leads, rapid fire bass lines, feverish drum beats and emphatic vocal delivery. New album coming soon...until then check out the tunes they have up on Facebook"
(((facebook)))
Related Posts Plugin for WordPress, Blogger...