When new bands come along, they’re always compared to
acts that came before, whether you want to call it lazy journalism or a helpful
way of quickly assigning a sound to a band using an audience’s knowledge of
music, therefore letting people make snap judgements to whether or not they want to listen to the band,
i’m going to do it here really quickly: Rhin sound like The Melvins if they played a sludgy version of hardcore punk! It’s THAT damn good!!
Hailing from Shepherdstown, West Virginia (USA), Rhin was
formed in June ’13, and they’re already about to release their second record,
the face pummelling Bastard on Grimoire Records. Made up of members from the
bands The Demon Beat, Black Blizzard, Bishops, and Nonhealer, this collective
hardcore sludge troupe carry such ferocity that it’s hard to fathom
how they don’t just implode after every song. They manage to perfectly contain
their anger to wrap around their structured songs like a python chokehold,
squeezing out every inch of passion and energy that the shattered bones of your
brittle frame is all that remains. Each screeched vocal from Dominic
Gianninoto, every fuzz-laden twang of Tucker Riggleman’s (good name) guitar,
and every deathly crash of Ben Proudman’s drums leaves such a dirty taste in
your mouth that you need to wash after every listen, but it’s glorious, being
stripped down to our naturalistic bare essentials of rocking and fucking and
rocking some more.
What Rhin manage to do that many other sludge/hardcore
(Hardsludge or Sludgcore?) acts lose in amongst there raw playing, is that they
keep the song structures at the forefront of the song, not losing themselves in
self-indulgent tangents of noise, but remembering that they’re making music,
brutal, aggressive, dirty, awesome music. Listen to a song such as the 1,000mph
‘Gravy’, the fuzzed out ‘Ted’s Shed’, or the head-pounding ‘Bull Doze’ and tell
me that your life isn’t better, if not a bit dirtier, I know mine is. Embrace
the filth! Get Rhin! SLUDGCORRREEE!!!
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