Zac's Top Ten of 2013

I don't care much for Bruce Springsteen... however he had some killer tunes, especially The Seeger Sessions. Here are my favorite releases of 2013.

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Preferred EPs:

Katla: I Will Hunt You / Foaming Waters

Surprise, surprise, surprise! More great music from Sweden. This female lead quartet seduced me with their acid blues influenced dark psych. I Will Hunt You and Foaming Waters was released on a special 7" by Who Can You Trust? Records. They only pressed 500 copies, so if you missed out earlier this year you may be S.O.L. Be sure to check Who Can You Trust? Records web-store for this one and a hand-ful of other Heavy Planet favorites.

Stand-out track: Foaming Waters

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The Wans: The Wans EP

My second Preferred EP of 2013 belongs to Nashville Tennessee's The Wans. My love for this trios Tenneessee brethern, All Them Witches, blessed me with an introduction to this "feel good" / get your rocks off EP. Don't miss my favorite track Want You with all its southern swagger and rhythmic wandering.

Stand-out track: Want You

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Favorite Full-Length Releases:

010: Black Sabbath - 13

It's Black Sabbath. Tony's still got it.

Stand-out track: Age Of Reason

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009: Supervoid: Filaments

Sometimes the city of Pittsburgh might be guilty of displaying too much pride. I try to be humble for the most part, but I can proudly proclaim musical victory for this city with Supervoid and their progressive, sludge-tastic release Filaments. Releasing a conceptual, "interstellar road trip" of a metal album earlier this year Supervoid are off to an epic start. My apologizies to lead vocalist Brian for describing his performance on Wake of the Smoke Jumper in my write-up earlier this year as female vocals. That is just how dynamic this man's vocal abilities are though folks.

Stand-out track: Wake of the Smoke Jumper

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008: Cavern: S/T

I warned you. Cavern would rear its ugly head come years end and here we are. This authentic release full of sludgy thrashing has stood the test of time and continually battered my ears senseless. I'll show no remorse if you have yet to lend your ears to this Maryland trio and their RIFF lashing.

Stand-out track: Far Beyond Fields and Evergreens

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007: Summoner: Atlantian

Summoner is the first band to land on my year end list two years in a row. Last year's Pheonix was well rounded and full of stoner and desert rock and haunting, psychedelic fuzz. Atlantian takes the genius that was Pheonix and enhances the formula. Take the Nuclear Dog's words, here you will find "polished psych-edged licks of ingenuity" and "raw-boned riffs". Check out the rest of the review for a better idea of what awaits on Atlantian.

Stand-out track: Under the Crystalline Sky

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006: Clutch: Earth Rocker

Earth Rocker simply kicks ass. An all out attack of blues inspired rock and roll fronted by some of the best vocals, defended by some of the grooviest guitar work, and founded on some of the best rhythmic percussion in the business. "If you're gonna do it, you better take it to the stage."

Stand-out tracks: D.C. Sound Attack!, The Face, The Wolf Man Kindly Requests...

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005: Black Wizard: Young Wisdom

The under-dog of 2013 lands at my number five spot. As I described earlier this year... Black Wizard are "like a sleazier, Nordic version of Guns 'N Roses" that rock blazing guitars accompanied by a rhythmic cavalry. Here new listeners will find raw vocals, blistering RIFFS, and even some spacey Radiohead-esque interludes. If you missed Young Wisdom upon its release back in June, now is the time to familiarize yourself with Adam Grant and company and their debut full-length Young Wisdom.

Stand-out track: Wicked Wanderer

*For those readers that truly dug Black Wizard, please check out Adam's other project Three Wolf Moon.

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004: Anciients: Heart Of Oak

There is so much to say about Heart Of Oak... the excellent progression and transformation of each track, the completely killer blackened-death like vocals, the strike of each drum head or cymbal strike, the intracate and yet groovy RIFFs, the bluesy Gilmour meets Allman picking! What an excellent release! Kenny Cook and the gang have out-done themselves with Heart Of Oak and Anciients first release.

Stand-out tracks: Overthrone, For Lisa

*Kenny is also a part of our number five spot Black Wizard. That is beyond groovy.

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003: Pelican: Forever Becoming

I completely fell in love with this album the moment my eyes graced the album artwork. Could I be considered a Pelican fan-boy. I guess so. But how is that a bad thing? Forever Becoming is simply another phenomenal release by the best instrumental band. Period. Will you always be in the mood for albums of this magnitude? Probably not. Will you always walk away with a new impression or new ideas after experiencing a piece of art so authentic? Most certainly. Pelican rules. Welcome to the show Dallas.

Stand-out track: Perpetual Dawn

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002: All Them Witches: Lightning At The Door

Still full of that vibrant southern soul All Them Witches produce their very own Psyche-a-delta Rock with immense confidence and swagger. Mr. Staebler's drumming genius has only grown in skill and charisma while the infectious RIFFING will keep you coming back for more. If I might take a line from my favorite track Charles William, "I wanna take you home... everyday.".

Stand-out track: Charles William

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001: Kylesa: Ultraviolet

I've really grown with Kylesa in their past three releases. Ultraviolet hit me hard upon first spin and has stuck with me throughout all of 2013. These guys and gal, "display their full mainpulation of sonic frequency" here on Ultraviolet and do it with class in a sub-five-minute dark pop, dream sludge tone. I knew this was my favorite album of 2013 immediately, I don't even think album opener Exhale was half way through its three minute run time when I realized it. The quintet have recorded an album that grows in experimentation as it does with time. New to the sound are some spacey psychedelics and Ms. Pleasants totally lovely clean vocals. Something you may be familiar with... the tribal and unchaining sound of Carl McGinley and Eric Hernandez's dual percussion.

Stand-out tracks: Exhale, We're Taking This

Nuclear Dog's Atomic Split: Jaw Horse - "Cancer Creek" / Enchantress - "Visualize"

Today I'm doing something I've not done before. I am taking inspiration from my Heavy Planet compatriot Zac, who was already the inspiration for the Atomic Split with his excellent weekly feature Zac's Double Dose. Both 'Double Dose' and 'Atomic Split' bring to you 2 albums in one review because quite frankly and quite awesomely there is a LOT of great new music out there which compels us to give our best shot in bringing it all to you. Today's Atomic Split features bands that were originally featured on Double Dose, bands that have now released full length albums of music that fulfill the promise Zac uncovered in his original reviews. And by fulfilling promise I ain't just whistlin' dixie, as my grandmother used to say, these bands are kick ass quality, delivering noteworthy and memorable music beyond typical stoner or metal fare. So, if you recall your first go around via Zac's Double Dose of either or both of these fine bands, you are now primed to experience sensory overload, and who doesn't love that!
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JAW HORSE - "CANCER CREEK"

Originally featured on Heavy Planet nearly a year ago in March, 2012 with a 3 song demo, Jaw Horse have now delivered a full 12 track album, "Cancer Creek", that is without a doubt a righteous dozen of fine rock and roll revelations. Jaw Horse employ a frenetic, energetic tempo to a blues fueled, swamp gas blend of nitro and blissful exertion. You might just end up sweating at the end of a song, and certainly by the end of the album, after romping through the paces set by the energy and power demonstrated all around, by all the members working like a well oiled, top fuel dragster spinning powerfully, resoundingly, inexorably toward a place that simply marks the end of the fun.

Jaw Horse are -

Kramer on guitar
Adam on guitar
Pugh on drums
Jovi on vocals

While they hail from central Pennsylvania their sound is more closely associated with southern climes given their penchant for blues infused heavy rock and vocals as deep fried and resonant as a fast moving thunder storm unleashing fury and might unexpectedly, horribly, and pitilessly across an unsuspecting landscape. Guitars are simply incredible on these songs, beyond comprehension. They seem to have taken the very best of blues rock, electrified, fuzzified, and amplified and kicked it all up a level, perhaps not breaking the paradigm, but managing to add to its definition.

There is only pleasure in listening to any of the twelve tracks on "Cancer Creek". The second track, "Don't Call it Holy" is memorable in a stoner blues foray of power and pleasure as Jovi's vocals provide the focal point upon which the song's excellent melody is played out in power and passion where guitars scorch and burn and drums are vigorous and unyielding in execution.

"Go Man Go" draws immediately upon early boogie rock while embellishing it with updated amplification and well placed distortion, making for a fun and memorable turn of nostalgic rock with a powerful modern imprint.

"Hang in There", while not quite as melodic as "Don't Call it Holy" instead provides a platform for a powerful, memorable romp just beyond the opening stanzas in which the engine of Jaw Creek's top fuel dragster guitars gets kick started, pumped full of nitro, and unleashed in an unfettered onslaught of guitar brutality.

Perhaps the signature song is "Mother Mary", a pacy, heart pounding tale that moves through different tempos while relaying a tale presumably of whoa which is accentuated perfectly by Jovi's ability to present a powerful, in your face presence without ever detracting from the equally powerful guitars.

A beautifully rendered and haunting blues romp, "Wrong Side of the River", closes out the album, with deep fuzzy guitars, bright insistent guitars, and chained lightning guitars of brilliance and joy.

All in all this is an album of pure enjoyment, where elements of stoner rock, blues rock, retro rock, and southern rock are combined with an exceptional amount of talent and a fierceness in the joy they take in playing their music.

((( facebook || bandcamp || reverbnation )))




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ENCHANTRESS - "VISUALIZE"

Enchantress was featured on Double Dose back in November of 2011 when they had released an EP entitled "Volume 1: The First Few". Today we are featuring their first full length endeavor, "Visualize", seven songs that can quite confidently be classified as unique among stoner/doom/psych music.

Hailing from Toronto this trio play a stripped and bare brand of rock, exposing all the wonderful and jagged edges of their music that gets smoothed over by razor sharp vocals of exquisite clarity and range.

The guitars are a total fuzzfest of distortion and tribal rhythm, fun and endearing in tempo and delivery.

The opening for the album is "Blue Moon Rise(Visualize)" where we are introduced immediately to beautiful stoner guitars that set the tone for the type of ride "Visualize" as an album will be. Once the vocals come in the setting is complete as we get initiated to the unique vocal execution of Enchantress' lead singer, something quite rare and enjoyable.

"Rain Maker" picks up the tempo a bit, but is quite similar to the opening track, which in this case is not a detriment but a further chance to be immersed fully into a trancelike state sparked by the unique vocal/fuzz combination Enchantress deliver.

"Elder Tree" is a slowly boiling volcano of white hot guitar magma, tempered by the tempo, and the strategically placed vocals.

"Locomotive" is the crown jewel of a stellar album, one with no weak points, but with a definite and shiny example of Enchantress' potential in this song. The melody is deliberate and steady, again punctuated by the strategic vocal delivery, pushing beyond heretofore established boundaries, mesmerizing in its eloquence and uniqueness, while cleverly offsetting the main thrust of the song.

"Frozen Sky" kicks up the wattage a bit from its predecessors, demonstrating a snappier tempo, an increase in distortion and power, and utilizing a falsetto like vocal delivery wrapped tightly in fuzzy riffs and white hot solos.

Just as power increased on the penultimate song, it once again ratchets up a degree on the closer, "Buck Thorn Queen", with falsetto once again claiming a stake in execution and delivery, but not exclusively, as a duet unfolds, tempering the vocals, and enriching the overall quality.

"Visualize" is quite unique, compelling, and mesmerizing, blending a raw and fuzzy stoner sound with singular vocals not typically associated with this style of doom or psychedelic rock, all of which makes for a rich tapestry of sound and quality.

((( facebook ||| bandcamp )))

Zac's Top Ten of 2012

I'd like to wish you all a very Metal Christmas and Hard-Rockin' New Year in 2013. I'd also like to thank all of you readers, the musicians who have submitted music to the 'Planet, my fellow 'Planet writers, and most importantly Reg (the legendary gentleman that got this whole shebang started) for making 2012 a righteous year for rock, metal and so much more. Now all ass kissin' aside, I speak in the highest regards, and for my 'Planet brethren, when thanking Reg for letting us "in" to sample and share so much great music. 

 2012 has been a leviathan of a year for music, but don't we say something along those lines every year? Well, I believe that 2012's best are truly great and will retain a spot in my brain for years to come. Legendary... not quite, at least one cannot say so at this time, but great... definitely. So, throughout the good, the mediocre, and the "what the hell are they smokin'?" we come to the closing of 2012. Now, because we aren't hipsters here at Heavy Planet and we didn't do year-end lists way before they were cool, I would like to share with you my favorite albums that I feel any well rounded music fan should listen to at least, if not own. I would also like to try something new this year and share EP's that I felt honorable enough to hold their own against some of the heavy weights on the podium. So, without further hesitation here are my favorites... 

 Zac's Preferred EPs:

Bang OK Bang: Chemicals

That's right the Nashville duo knocked me off my feet back in July and haven't eased up since. Bang OK Bang's dirty blues have held continuous play on Radio ZAK throughout the later months of 2012 and, if I may quote my favorite track from Chemicals, "Still you need more."

 Stand-out track: Above The Surface

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The Heavy Eyes: Maera

The Heavy Eyes are a trio that made quite the impact here at the 'Planet with their self-titled release in 2011 and have now solidified a place in our hearts with their Demo EP Maera. The guys have literally engineered a RIFF with gravitational force. Think I'm crazy... Honestly try to listen to Levantado once, only once. Its not gonna' happen. This listener needs at least four spins to break away from the magnetic pull. 

                                                      Stand-out track: Levantado

**The Heavy Eyes officially released the full length LP Maera on 29 Dec. 2012**

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Zac's Top Ten of 2012:

010: High on Fire: De Vermis Mysteriis 

When duty calls Matt Pike and company arrive with sledgehammers in hand. Following up the excellent Snakes for the Divine was no easy task. With calloused hands High on Fire went to work and the outcome, De Vermis Mysteriis, far surpassed all expectations. Muddying the crisp polish of Snakes... and creating an excellent conceptual story-line the trio secured praise once again with purists and new listeners alike. Misha got it right in his review, "Top albums of 2012? Most likely! Instruction manual for the Apocalypse? Possibly. Guaranteed to make your unaccustomed-to-metal-girlfriend shit bricks? 100 Percent." 
                                                      Stand-out track: Spiritual Rites

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009: Summoner: Phoenix 

Sliggin' RIFFs so we don't have to, Summoner delivered unto listeners a monstrous full length LP bursting with stoner, desert rock and haunting, psychedelic fuzz in a glorious and "ethereal tapestry". Receiving bounteous praise from Nuclear Dog's album review and Toby's concert review [CMJ Showcase] Summoner was ensured a nod on my 2012 favorites. 

 Stand-out track: Let the Light In

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008: Between the Buried and Me: The Parallax II 

The brotherhood here at Heavy Planet spend an awful large amount of time gnawing on the doom flavored cut of the big 'metal' steak, but rest assure we do come up from the murky depths to sample the rest of our metal family's cooking. Being a fairly new fan of BTBAM I was happy to discover a fresh conceptual release, entitled The Parallax II: Future Sequence, that ties into past releases. I may not agree with the entire recipe, but BTBAM know how to make a heavy and experimental record. A record sure enough to put a crooked smile on a Mr. Bungle era Mike Patton. And if it reminds me of Mike "Mastermind" Patton, how can it be bad? 

                                                     Stand-out track: Silent Flight Parliament 

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007: Indian Handcrafts: Civil Disobedience 

 Indian Handcrafts are the dynamic duo who, with only two instruments and two voices, have crafted a depth and texture normally heard in an orchestra. Quite often this term "dynamic duo" may get thrown around without the honest meaning behind it, but this duet truly produced and delivered a dynamic album. Quoting from Nuclear Dog's Atomic Split, "These are the kind of songs in which you discover something new each time you listen through the album." If you haven't lent your ears to this Canadian duet, stop wasting your time. 

                                                      Stand-out track: Centauri Teenage Riot 

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006: Pallbearer: Sorrow and Extinction 

All hype and praise aside Pallbearer have created something truly classic in Sorrow and Extinction this year. Catching wind of an early demo in 2010, Pallbearer ignited my interest with their rendition of Gloomy Sunday, a Hungarian piano song. Now knowing these musicians were ballsy enough to tackle a cover of such prestige I became confident that this true doom quartet were destined for grandeur. Best album of the year, not quite. An album that deserves your attention, definitely. Pallbearer can hold their heads high and be reassured their future efforts will be on the radar here at Heavy Planet and the entire metal community in the coming years. 

                                                    Stand-out track: Foreigner

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005: Black Cowgirl: Black Cowgirl 

My surprise record of the year! Black Cowgirl sucker-punched me a few months back with excellent cover art and a sixth sense for the RIFF. I'll let an excerpt from my review sum up the number five spot, "...what we have here is truly a 120-proof bottle of the finest blend of traditional rock, grunge and grooves to escape this hilly Pennsylvania terrain." Haven't given the 'Cowgirl a ride yet? No worries, CD's are available here. 

                                                      Stand-out track: Three Seasons

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004: Alcest: Les Voyages de l'Ame 

I've been an Alcest fan for a good five years now. Anxiously awaiting each release, I've found myself impressed with the formation and result as well as the reasonable amount of time each album takes to harvest. Neige, guru and the very soul of Alcest, once again has produced a celestial and beautiful form of black metal. Honestly, I'd just as well remove the term 'black' as an adjective from describing Alcest's sound. Moments of bleak intensity are overthrown by aerial soundscapes and the essential 'other-worldly-ness' of Neige's cerebral and spritual vocals and poetic lyrics. Need a break from the stampede of sludge and the crunch of doom, look no further then Alcest and Les Voyages de l'Ame. 

                                                     Stand-out track: Summer's Glory

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003: Torche: Harmonicraft 

Torche have finally nailed it. Their demented and glorious power-pop impregnated stoner metal some six or seven years ago. This completely new and catchy sound has since been welcomed on my playlist... only in small doses. The songs were all good, only something seemed to be missing. Whatever the missing link was, Torche discovered it and plays it in spades throughout Harmonicraft. The album is relentlessly fun, eternally catchy, and full of the hooks that every mainstream pop rock group wish they penned. My personal favorite track, Solitary Traveler, is a more introspective and chill piece; setting it on top of this baker's dozen, in my book.

                                                     Stand-out track: Solitary Traveler

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002: DAWNBRINGER: Into The Lair Of The Sun God 

My thoughts are that Dawnbringer has once again gone unnoticed and under-appreciated in 2012. The group earned my seal of approval earlier this year as part of the 'Planet's "Double Dose" feature. If you've missed Chris Black's project until this day I can forgive you and now offer another chance to properly introduce yourself to this genius effort. Dawnbringer are devoted metal scholars who have put long hours and aptitude into a one of a kind album, breathing life into a stale sound all while proving their relevance. Having said that, I also feel this album title and artwork are the best and most original 2012 has to offer (and that's up against Mr. Baizley's Yellow & Green cover). Order your copy from Profound Lore before its to late! 

                                                     Stand-out track: VIII

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001: Baroness: Yellow & Green 

Most will not be surprised that Baroness' colossal double album Yellow & Green is my personal favorite release this year. Baroness' mentality and creation here is the sort that scares and challenges all fellow musicians to "step their game up" and forge something new. Focusing more time on song structures and writing the band dropped their defenses, their strictly heavy guitar work and gruff vocals for melody and harmony, leaving themselves vulnerable to the backlash of fans and peers alike. The conclusion? A mixed bag of anthemic rock, pop-sludge, uplifting instrumentals and reflective hymns. Literally something for everybody. The band, having lived through the trauma of a terrible bus accident and over-coming some very serious injuries, are thankfully healthy and exercising their music muscles with hopes to be back out performing as soon as possible. Now that's hope we can believe in. 

 Stand-out tracks: March to the Sea, Cocainium, Eula, Green Theme, Board Up the House, Psalms Alive, Stretchmarker

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The Heavy Planet Experience

Hi! For many of you this may be the first time visiting Heavy Planet, for others, visiting Heavy Planet may be a daily ritual. Either way we want to make sure that you enjoy the entire Heavy Planet Experience. Since 2008, Heavy Planet has been somewhat of a launching pad for some of the best independent and unsigned bands from around the world. Bands have been seen worldwide on such features as "New Band To Burn One To", "Seth's Sunday Sludge", "Zac's Double Dose" and the newly formed "Nuclear Dog's Atomic Split". These fine features plus album reviews, interviews, etc. are archived for your your convenience and can be found using the drop down box on the upper left-hand side of the page.

Recently, we have created a Facebook page of an ongoing playlist of both new and old music simply known as Heavy Planet Radio. This a great place to find and listen to new bands or classic bands you may have never heard of or many of the popular bands you are familiar with. If you like to discover new music I highly suggest "tuning in". A new show called "Smoke Out Sundays" is broadcast every Sunday morning and features seven amazing new bands each week and is hosted by yours truly.

We are very passionate about what we do here at Heavy Planet and we hope you enjoy what we do. We will continue to strive to make this one of the best places to find Stoner Rock, Doom, Sludge, and Psychedelic bands on the Planet. Stay tuned...

To further your Heavy Planet Experience, we extend an invitation to "like" both the Official Heavy Planet Facebook page and the Ultimate Stoner/Doom Playlist Heavy Planet Radio.

Thanks for visiting Heavy Planet!

((heavyplanetofficialfacebook|heavyplanetradio))

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• Discover Your Next Favorite Band on Heavy Planet!
• Heavy Planet CMJ Showcase - October 18th, 2012 Fontana's NYC
• New Band To Burn One To: ICHABOD
• BARONESS: The Heavy Planet Interview
• Heavy Planet's "Double Dose": Big Wheel Stunt Show / Nightosaur

Zac's "Double Dose": Knife / Uoh!

Knife: S/T

I have something in common with Detroit, Michigan's 'sonic colossus' Knife... our hockey teams let us down in the first round of the 2012 NHL Playoffs (and it wasn't that long ago that we met back to back in the Stanley Cup Finals, each taking home a cup).  Well, maybe if the players were listening to some catchy and adrenaline inducing sludge, the likes of Knife, we would be singing a different story.  The members very eclectic and diverse past musical lives, in punk rock and metal, culminate to create this dangerous brew.  The songs have a radio friendly run-time and plenty of hooks covering their sludgy foundation, thanks to the band's genuine song writing ability.  Curt [Massof]'s bark is impressive and intimidating, and has to be the cornerstone of this edifice known as Knife.  The band has shared the stage with big names, Black Tusk, Fu-Manchu, Intronaut, Lo-Pan, and Tool.  Each a Heavy Planet favorite and adding all the more reason to give Knife a listen.  Check out their live performance opening for Intronaut and Tool below and download a copy of the self-titled EP at bandcamp.  

 Members: 

Chuck Burns - Guitars 

Curt Massof - Vocals 

Eric Blanchard - Guitars 

John Lehl - Drums 

Nathan LeLandais-Miller - Bass

I   bandcamp   I   facebook   I   youtube   I


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Uoh!

Uoh! is an instrumental / improvisational band from Montevideo, Uruguay.  Started as a side project in 2006, the band plays a genre of placid post rock.  Driven by warm emotions, fuzzy atmospheres, and distortions the music continually builds to a glorious crescendo and gracefully fades back only to begin the process again.   The latest recording 'Manuales Illustrados del Pequeno Tesla Vol. 2: Hagalo Usted Mismo' is more guitar focused and looping harmonies are added by keyboard, creating a unique sound.  Music from the demo and full length 'Manuales Illustrados...' can be heard at soundcloud and downloaded at Esquizodelia Records. In the mean-time, check out this live performance!

 Members: 

Hiram Miranda 

Marcos Miranda 

Pablo Duran

I   esquizodelia records   I   last.fm   I   myspace   I   soundcloud   I

Zac's Double Dose: Firelord / Wench

Firelord: The Burning E.P.

Turin, Italy's Firelord formed in 2007 from Mario Bussini's doom project Saint Judas. Relying heavily on their influences in stoner and doom music, Firelord charged forward through line up changes to record and release their first E.P., The Burning. Firelord resound bass heavy, down-tuned jams touching on vengeance, riding, smoking, drinking, and (who could forget) crazy women. The majority of vocals are sung cleanly, though snarled, throughout most of The Burning. The E.P. runs approximately twenty five minutes and is well worth a listen.

Members:

Dario Giuva - Bass

Giulio Buscaglione - Drums

Mario E. Bussini - Vocals / Guitar

I bandcamp I facebook I myspace I soundcloud I youtube I

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Wench: E.P.

A big bass line and some power chords and Wench are off with the monster Slippery Wall, the intro and my favorite track from their 2011 self-titled E.P. Wench are an Australian three-piece, and got started back in 2007. Having faced the loss of a great friend, Darren Egelhoff, the dummer and founding member, Wench decided to finish this E.P. in memory and on behalf of Darren. Wench continue on, grinding out the tunes. Their sound is a mixture of sludge and desert rock and the production is gritty and raw. All an important part of the Wench formula. The E.P. can be streamed and downloaded at Wench's bandcamp.

On behalf of the Heavy Planet staff and all of the Heavy Planet readers, I would like to wish our sincere condolences and the best for Wench in the future.

Members:

Beak - Drums

Skinman - Vocals / Guitar

Winston - Bass

I bandcamp I facebook I myspace I

Zac's "Double Dose" - Goran D. Sanchez / The Heavy Eyes

Goran D. Sanchez: Diaul

Anyone interested in hearing some Italian sludge-core? If not, get in the mood, because what we have here is a prime example in Goran D. Sanchez. Milano, Italia's Goran D. Sanchez have been meddling with sludge and hardcore... and I must say, they have perfected the formula with their album 'Diaul'. The jams are heavy (very heavy), distorted, chaotic, and yet somehow melodic. The vocals are intense, like Greg Puciato of Dillinger Escape Plan intense. Give the opener 'Weed or Weedout You' a listen at the group's bandcamp, and let us know what you think.

Members:

Bambino - Drums

Checco - Vocals

Cic - Guitar

Dead*Man - Bass

Simoncino - Guitar

I bandcamp I facebook I myspace I tumblr I twitter I

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The Heavy Eyes

Memphis, Tennessee's The Heavy Eyes are filled with the spirit of '60s blues rock. Heavy Planet introduced The Heavy Eyes as a NBTBOT last December. The band was also part of March Bandness 2011. It is apparent The Heavy Eyes sound is heavily influenced on the hard rock movement of the late 60's and early 70's, as well as Memphis' famous blues. Tripp Shumake's vocals and guitar style are soulful, enhancing the southern feel of the record and Eric Garcia's drums and Wally Anderson's bass will have your feet stomping, The production quality is raw and very fitting, Stand out tunes include Iron Giants, Voytek, In Need, and Drifter. Hear my favorites, as well as the entire album at The Heavy Eyes' bandcamp.

**A physical copy of the album (CD) can be purchased, for $10 plus shipping and handling, by contacting The Heavy Eyes at Theseheavyeyes@gmail.com.

Members:

Eric Garcia - Drums

Tripp Shumake - Guitars / Vocals

Wally Anderson - Bass

I bandcamp I facebook I myspace I

Zac's "Double Dose" - The Atlas Moth / Donkey Bunch

The Atlas Moth: An Ache For The Distance

If you are unaware of who 'The Atlas Moth' are yet, today is your lucky day. Heavy Planet introduced The Atlas Moth back in 2008 as your NBTBOT on September 9th. Chicago, Illinois' The Atlas Moth left us awe struck with their brilliant approach to, what we'll call, atmospheric sludge [on a side note, Chicago has delivered some excellent, metal... Nachtmystium, Pelican, but I digress]. Here on An Ache For The Distance we find the same raw and gritty sludge melded with enlightening and psychedelic ambience, only more polished... crisper. The band's chemistry is fluid and seems to merge gracefully... yeah I described metal as graceful... It really is that good. You can stream the entire album An Ache For The Distance at their bandcamp, as well as their last, impressive, effort A Glorified Piece Of Blue Sky and a phenomenal cover of Pink Floyd's Fearless.

**Expect to see An Ache For The Distance on my Top 10**

Members:

Andrew - Synth / Guitar

Anthony - Drums

Alex - Bass

Dave - Guitar / Vocals

Stavros - Guitars / Vocals

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Donkey Bunch: Your Leg EP

Fresh funk-a-delic Finn's!!... Donkey Bunch is a Finnish trio generating pure psychedelic rock. The lyrics are Finnish, and heavily distorted, while the jams pumped through are thick and funky. If you're looking for fat grooves from Finland, look no further... Donkey Bunch is offering Your Leg EP for free at bandcamp.

Members:

Eero Kaappa - Bass (Basso)

Jouni Järvenpää - Drums (Rummut)

Juha Hakasuo - Vocals / Guitar (Laulu / Kitara)

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