Zac's "Double Dose": Deville / The Black Heart Rebellion

 

Deville: Hydra 

If last year's Torche release, Harmonicraft, was 2012's epitome of a pop metal record then Deville's latest, entitled Hydra, will gladly pick up where Harmonicraft left off. Deville, a Swedish quartet based in Malmö, hold a heavy resume filled with two strict stoner rock releases and performances in the company of Fu Manchu, Mustasch and Sepultura. With Hydra, their third full length, the guys loosened their grip on the set stoner rock sound and opened themselves up to criticism by infusing the sonorous characteristics of pop rock and some astute songwriting. Now, while Harmonicraft showed up to the party with a playful vibe Hydra is a little more serious, filled with a young man's angst. Within moments of pressing play you will realize that the musicians here have no anxiety though, displaying a confidence and cohesion that many a veteran band cannot boast. Each musician knows his role and executes that task effortlessly all while increasing the chemistry between the other three band-mates. In the end though one feature of Hydra apexes making these forty-five minutes excellent and truly memorable... Andreas' King Leonidas style vocals. This powerful and intimidating tool along side the gravitating instrumentals niche a new step in the stoner rock ladder allowing Deville to stand out from their other rock peers. Check out the thick progressive sludge tendencies seeping into in the six minute monster Imperial below and get over to Smallstone Recordings Store to get a copy for yourself. If you aren't a believer yet be sure to click the youtube link below for the official video for album opener Lava!

Members: 

 Andreas Bengtsson - Vocals // Guitar 

Markus Åkesson - Bass 

Markus Nilsson - Drums 

Martin Hambitzer - Guitar

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The Black Heart Rebellion: Har Nevo 

This week's second dose is not your expected Doom, Psyche, Sludge or Stoner band that generally grace the virtual pages here at Heavy Planet. Belgium's The Black Heart Rebellion don't even land in any of these genres noticeable characteristics. Their sound actually tends to be minimalist [at times]. However listeners will find tremendous percussion supported by haunting melodies and abounding atmosphere in their completely authentic 2013 release Har Nevo. So, how the hell does Uncle Zac get off promoting this "crap" without RIFFS at the center of this little universe called Har Nevo (that was my poor attempt at comic relief). Well, I ask you for peace and a few moments of your time and TBHR will do the persuading. 

 Har Nevo begins with Avraham a middle eastern tinged tune the likes of OM's Advaitic Songs. Rather than being greeted with a relaxed vocal TBHR's Pieter Uyttenhove initiates the album breathing heavily as though he's been chased to the sanctuary's door only to find it locked. As the exhausted vocals climax so do the percussion and instrumental back-drop and the song fades to nil. The album continues on this path of eerie poetic proclamation and drone-y, post-rock quiet to loud sequences over the course of forty-five minutes. Attentive listeners will find many reoccurring themes through Har Nevo. In my opinion the most prominent are the themes of sin and home. The music and lyrics combined have created, for me, a concept album out of Har Nevo. I'm not sure if this is what the musicians intended, but I welcome it (because, as we all know, I'm quite fond of concept records). From my take the concept runs full circle beginning with Avraham burning down the broken "home" into a errant life full of "beasts", "sin", and "ashes". Just as all good and powerful stories find their eucatastrophe (the moment destruction turns to glory), TBHR's protagonist sheds that old skin through direction and guidance from some brave care-giver toward's the "golden land" of "light". Into The Land Of Another, album zenith and closer, completes the circle with a warm effervescent sound. The tasteful use of a banjo throughout Into The Land Of Another increases TBHR authenticity and brilliance and now although our protagonist is broken he will "rise" and "grow". In the end The Black Heart Rebellion have created something fresh for 2013, something I'm sure will make some friends and enemies throughout the next nine months. I suggest immersing yourself in these vibrations over at bandcamp where the entire album is streaming. Har Nevo offers more to return listeners, so if you find yourself in that category head over to Smoke & Dust's web store to order a copy for yourself.

Members: 

Alex Maekelberg - Guitars // Vocals // Percussion 

Emeriek Verhoye - Bass 

Pieter Uyttenhove - Vocals // Percussion 

Tim Bryon - Drums // Percussion 

Tomas Lootens 

Valentijn Goethals - Guitars

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Nuclear Dog's Atomic Split: Wheelfall - "Interzone" / Stoner Train - "Hobo From Outerspace"

Today's Atomic Split features two bands unique and disparate in style, but with a common trait of deep, gravelly voiced vocalists. One band is from France and plays excellent stoner/doom music. One band is from Russia with a sound straight out of Alabama or Mississippi. Two different approaches, doubling up on the pleasure of the best rock n' roll in the world.

WHEELFALL - "INTERZONE"

Wheelfall are a very enthusiastic band, excited about playing their version of rock, equally excited about it being an all out assault of stoner/doom tunes, down tuned to the max, underpinned by heavy piledriving bass, and all bracketed up by the snap and thunder of the drums.

Band members include:
Wayne Furter - guitars, vocals
Niko El Moche - bass
Cactus Flo - Guitars
Niko Elbow - Drums

The riffs are determined and fuzzy, rendered with passion by Wayne and Cactus Flo, with Wayne topping the layers off with his deep, gravelly vocals that fit expertly into the groove of these doom tunes. Everything is big and bold, a relentless assault of steady jabs and left hooks, punctuated by an occasional uppercut, each landing a jarring blow that renders you senseless and wobbly from the weight and force, but smiling from the pleasure of the brutal encounter.

Wheelfall take inspiration for their lyrics from science fiction and fantasy, from books and movies alike, naming John Carpenter, HG Wells, and David Cronenberg as some of their favorite influences. Every song is deliberate and devastating, including the opening track "Howling" where they waste no time with a beautifully rendered stoner opening that quickly gives way to the crunch and crack of Wayne's rough hewn vocals. The opener is perhaps the highest tempo song on the album, but it leads eventually into a low down delivery of mud slugging fuzz. "Parasite Ravages" is huge and powerful, evoking the slow but inevitable catapult advance of heavy booted warriors of old. The best is saved for last, with the title track "Interzone" delivering the largest and grandest song in the stack, going over 22 minutes of grind and grit, with cast iron filings flying all over the place from the non-stop riffs grinding it out with the roll and boom of big, powerful bass, along with the pounding fury of the relentless drumwork.

This foursome from Nancy, France bring the metal, all fuzzed out and distorted to the max, with helpings of thunder and doom on the side.





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STONER TRAIN - "HOBO FROM THE OUTER SPACE"

Our next full throttle, full throated album comes from a prolific Russian band, Stoner Train. Hailing from Moscow, they have released 3 separate albums in the course of 2 short years, all of which are more than worthy of the time spent getting to know these fun and singular songs. The newest album is "Hobo From the Outer Space", released in June, which more than makes up for a lack of proper English grammar with a huge dose of international rock n fucking roll that has the unmistakable sound of Southern U.S. rock of the seventies, displaying huge, bluesy guitars, along with heavy doses of banjo and harmonica.

Stoner Train consists of:
Serj Gdanian (Burning Beard) - guitars, vocals
Johnny Palchikov (Johnny Basstard) - harmonica/banjo
Vladimir Terterin (Cowboy 'Old Face') - drums

The harmonica is used prolifically throughout "Hobo" as well as on their previous two offerings, "Sluts for the Rebels" and "Rusty Gears", where it is wielded with force and power on many tracks, and while not normally an instrument of choice for music that prides itself on being as heavy and as forged in the high temperature foundries of hard, hot steel, the enthusiastic and crazy members of Stoner Train make the harmonica work, and make it work beautifully. The harmonica slides right in next to the down tuned riffs of Burning Beard's guitar as well as complements the lightning hot blues guitar from Serj.

The opening track, "Cannibal Hobo", is a perfect introduction to this singular collection of music out of the distant, cold capital of Russia. The guitar begins slicing away immediately upon takeoff, and charges straight through to the introduction of the wonderfully guttural, gravelly vocals of Mr. Gdanian. "Land of the Unheard Song" incorporates generous portions of the harmonica, not to mention a deft and incredible vocal rendition from Burning Beard that is worth the price of admission on its own. Both those elements are complementary to the deep and acoustic strumming of the guitar on this track, a feat of unusual accomplishment. Perhaps the best blending of high energy, adept guitar with Stoner Train's unique wielding of harmonica comes on "Dancing on the Grave"

The songs on "Hobo From the Outer Space" are all well written, with beautiful melodies that lend themselves perfectly to the high energy signature of the Stoner Train musicians. With songs that have such titles as "Dogs From The Outer Space", "Coelophysis Stuthiomimus", "Tractor Driver Fred", and "Frozen Booty Jam", there is a dominant theme of huge fun and high energy on their newest release that matches or surpasses their earlier albums, something that is sometimes hard for bands to sustain over the course of several recordings. Stoner Train, though, not only sustain their high energy and superb creativity, they demonstrate on "Hobo" significant growth in their ability to develop their craft, no longer relying upon cover songs of their favorite musical influences, instead developing high quality melodies that incorporate the discipline of good song writing on the collection of tunes on this album.

Music this fun and unique is nothing but pure enjoyment when it comes along once in a blue southern Russian moon.





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