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If you are looking for new Stoner Rock, Doom, Heavy Psych or Sludge Metal bands, then you have come to the right place. Heavy Planet has been providing free promotion to independent and unsigned bands since 2008. Find your next favorite band at Heavy Planet. Thanks for stopping by!
Showing posts with label Black Tusk. Show all posts
Showing posts with label Black Tusk. Show all posts

Tuesday, July 30, 2013

New Band to Burn One To: The Playlist-Volume 3

Welcome to another edition of the "New Band To Burn One To" playlist. This week we have a whole new batch of killer tracks for you to check out. New songs from Black Tusk, Venomin James, Wo Fat and Monster Magnet as well as songs from some incredible new bands such as Floodriders, Iron Swan and The Ruiner. So cue up this bad boy and prepare to have your face melted off. Thanks for listening!
TRACKLIST:

Black Prism-Satan's Country
Black Tusk-In Days of Woe
Chiefs - Tomorrow's Over
Dead Canyon - Just Enough Rope
Electric Lords -Messiah
Far Away Town -Surreal
Floodriders -We Know Stuff
Iron Swan -Fuzz Witch
Magma Rise-The Man in the Maze
Monolith -Hole
Monster Magnet - The Duke (of Supernature)
Solar Corona - Samara
Sonora Ritual -Child Of The Sun
The Ancient Secrets Of Levitation - Protozoic
The Ruiner -The Bull
The Valley -Clearwater (2007)
Venomin James -Sailor's Grave
Volto! -Tocino
Wo Fat -Electric Hellhound
Yidhra -Witch Queen

Please remember, if you like what you hear go to the band's page to get information on how to purchase their music and merchandise. Most are available through Bandcamp!

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Wednesday, March 13, 2013

Zac's "Double Dose": Howl / Tar Halos

 

Howl: Bloodlines 

Howl are a five piece band from Rhode Island who have transformed the sub-conscious brain waves that our meager minds use to create nightmares into sound-waves... burdened, doom-laden, sludgy sound-waves. This isn't Howl's first rodeo though, they released a respectable full length LP (with some of the best cover art ever) a few years ago entitled Full Of Hell. If you aren't familar with that release, now is the time to check it out. Why? Because the Rhode Island boys will be releasing their sophomore follow up at the end of April, entitled Bloodlines, and this will give you, as a listener, just enough time to become familar with what Howl has done and where they are headed. 

Immediately upon pushing play I realize that Bloodlines is a completely new, faster paced, monster that has grown apart from Full Of Hell. Howl certainly have changed their style, everything is more extreme, although not necessarily heavier. You see, to this listener, Full Of Hell had an ancient, medieval, dark ages sort of feel... stones, fire and brimstone style of heavy (which I greatly enjoyed, Full Of Hell was on my Top 2010 list). Bloodlines blasts through those stones from ages ago with the intensity of a mechanized weapon. I guess the guys have departed from the classic doom end of the spectrum and reinforced with doses of thrash, groove and even some blackend metal. Don't let this shy you away from Bloodlines though, Howl stay RIFF-centric. I believe that Howl's dedicated touring schedule with some killer new wave metal bands (Black Tusk, Kylesa, Red Fang and Skeletonwitch) have strongly influenced the Rhode Island quintet aiding in their evolution to Bloodlines. In place of that archaic sound is a clean and clear production. The percussion side has added blast beats to the foregoing ancestral tone and the vocals are more wretched and more angry. So, there you have it a fresh, fast, and scary extreme release from a band that's not afraid to step outside of their box. Check out their lyrical video for Attrition below and if interested Relapse is taking pre-orders here.

 

Members: 
Jesse - Bass 
Jonathan - Guitar 
Josh - Guitar 
Timmy - Drums 
Vincent - Vocals // Guitar


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Tar Halos: Winehand 

This weeks second dose, Tar Halos, are a heavily psychedelic, rock band, whom with the power of disconcerting lyrical passages, harken back to the Syd Barrett days of Pink Floyd. The five-piece call San Diego head-quarters and prefer "old drum machines over young drummers". This becomes plainly noticeable through Winehand. The beat of the percussion and overall electronic nature build an oxymoronic vibe of despondent ecstasy. My favorite track is Arrival of the Second Center Moon, be sure to listen below. The track is immediate, as if your conscience is roused to the chaos of a blasting alarm at the moment your space-craft is losing pressure through a tremendous hole in its hull. This is the track I find the greatest correlation to old 'Floyd's cosmic poetry. The alarm continues to alter your thought process throughout the entire song while a steady beat of percussion inflame a bravery within the depths of your soul. The vocals are buried and glazed over giving the track a truly '60s psych vibe and the guitars have a deserted and arid tone creating a confusing sensation. Quite the unique and excellent track... Quite the unique and excellent album. Get a copy from Volar Records or download at bandcamp and be sure to check out Volar's video for Broken Clocks here.


Members: 
Frank Melendez - Guitars // Vocals // Drums
Jay Margart - Keys // Vocals // Drums 
Josh Bohannon - Guitar // Drums 
Joshua Quon - Bass // Drums 
Tyler Detwieler


Thursday, August 9, 2012

GODHUNTER: The Heavy Planet Interview / Exclusive NEW Track


Talk all you want about sludge and metal in the American South. It's a hot spot, it's where this band or that band started, it's where the spirit breeds, whatever. Making its own statement as a burgeoning regional metal community is the American Southwest. Spearheading the Southwest's metal cause and upping the fucking ante is Tucson's Godhunter. With a critically lauded album under their buckles, a new slab of heavy in the works, and an absolutely massive fall metal festival filling up calendars, these five miscreants are giving fans plenty to be excited about.

Heavy Planet pulled in the reins on Godhunter's David Rodgers, gnawing on everything from the Southwest scene and their tenacious fans to new tracks and the upcoming album. Hell, he even discussed why the name Godhunter was chosen instead of... Well, David can tell you all about that one. And let's all get a listen to a live take on a new Godhunter track! Here goes...


Heavy Planet: First, I wanted to say congrats on winning Heavy Planet's March Bandness!

David Rodgers: "That was pretty cool!"

HP: You guys beat out Clamfight.

DR: "It was a pretty fun contest to do. Tons o' good bands in there. It was cool to make contacts around the country."

HP: You guys are coordinating the Southwest Terror Fest, right?

DR: "Yeah, it's mainly myself and a fella named Dave Carroll from a band called Inoculara that's also from here in Tucson. We're in a band together called Diseased Reason with some guys from Oakhelm and Noisear. We'd both been to a bunch o' different fests like Maryland Death Fest and South By Southwest and what-not. We always kinda wondered why there wasn't something like that in the Southwest. So we just kinda got a hair up our butt and decided to go ahead and throw one this year."

HP: Awesome. Who's on that bill?

DR: "So far, there's 32 bands on there. A lot o' great bands from around the Southwest. Godhunter is on there. Other ones you guys have reviewed before like TWiNGiANT and Powered Wig Machine is on there. We also have a few nationals on there... We're gonna have Sons of Tonatiuh from Georgia are comin' out to play it. Hull from New York, the band -(16)- from California, and Pigeonwing from California, too. Ryan form Pigeonwing has actually been helpin' us do a lot o' stuff with the fest as well because he's been in the scene forever and done a lot of events like this."

HP: There's a lot made of the Southern metal scene or the Georgia metal scene. What's goin' on in the Southwest? What's that scene like?

DR: "That's a good question. Quite honestly, we're kinda trying to replicate what those scenes have done. There's a really tight-knit group of bands down here that go across a wide span of genres. You've got guys like our friends in Sorrower that are a pretty extreme grind band. On the other hand, you've got Powered Wig Machine, who's really like a stoner-rock band that kinda sounds like Clutch and The Toadies. But we're all pretty close down here and there's a lot of amazing bands. So we've kind of all banded together in the last few years and instead of all just fighting for ourselves, let's kinda try to fight together. So we can collectively get a little more attention on ourselves rather than just... all of us out there fightin' on our own."

HP: Aside from the Terror Fest, what other dates do you guys have set up? Any, right now?

DR: "Not a whole lot for this year. We're doing a local show in August. We've been writing a lot for the new album so once we've got that...We'll do a few shows in our hometown here and there, try the songs out live and make sure they don't suck, basically. So we're doin' one o' those in August and then we're kinda takin' it easy until the Terror Fest. Um... We do have two awesome shows in the fall, but I probably shouldn't... I don't know if I should say anything because they're not necessarily confirmed quite yet. But we do a Halloween show every year and this year we're trying to get a certain band from Portland and a certain band from Georgia to play that both have similar name structures..."

HP: YES! Yes, awesome!

DR: "And in November another awesome band from Texas, from Austin, is comin' through...that we played with before. Hopefully,they might be doin' that show again. Y'know, I'm kinda in charge of the band, not just in it. So I know a lot of things before they even happen. So I gotta sit on information a lot."

HP: Well, that has absolutely NOTHING to do with my next question... But, you guys have played with some prominent bands like Crowbar, Saint Vitus, RED FANG, BLACK TUSK...

DR: "Yes."

HP: Which live show or tour has been the most exciting for you guys?

DR: "Oh, man... We've played some really incredible shows. On our last tour, we played a show in Flagstaff that was a house-show at a place called The Big House. We played it with our friends up there in Swampwolf. There's video from this house on YouTube. If you look up Kylesa on YouTube and put in, like, Kylesa House Show, an awesome video from the same place comes up. It was just one o' them things where the place is packed and people are in your face while you're playin' and beers are gettin' spilled all over your pedal-board and people are fallin' all over themselves. I live for shows like that when there's a little bit o' chaos in it. We opened up for Saint Vitus and Crowbar for that Metal Alliance Tour last year and... I mean, I have a Saint Vitus tattoo on my arm, so opening up for Saint Vitus, for me, is like opening up for Led Zeppelin or Black Sabbath or something like that, y'know? I mean, we've played some amazing shows here in our hometown, too. Last year, we opened up for Red Fang, we opened up for The Sword. They were at Club Congress, which is an amazing old venue. It's the place where John Dillinger got captured, there used to be shoot-outs in it and what-not. Every time we play there it's just a giant party because everyone in town comes out. We've definitely played some shows that are very memorable."

HP: Aside from the obvious... You've mentioned Saint Vitus, Sabbath, but who are some of the more influential artists on, not just you, but also Godhunter as a band?

DR: "Obviously, Black Sabbath, Black Flag, Neurosis... not that we'd ever get a chance to open up for any of those. But those are pretty big ones for us. We have a few different influences in the band... myself and Charlie are more comfortable with the hardcore scene. So we kinda bring in some stuff every now and then that sounds like Coalesce or somethin' like that. A lot of reviewers will pick that up and they're like 'this is like stoner-doom but I kinda sense a hardcore influence here.' They're pretty dead-on with that when they get it. Dick, our bass player, I think he literally listens to four bands. Like Slayer, Pantera, Black Sabbath, maybe Hank III. I don't know that he listens to anything else. Our drummer, Spyro, on the other hand, comes from a straight metal background. Basically, that's what he listens to. And Jake's kinda all across the board. He listens to a lot o' crazy stuff. We have a wide variety of influences but when you really boil it down, like I said, you get Black Flag, Neurosis, Black Sabbath, definitely stuff like that."

HP: Let's talk a little about the band's formation, was it 2008 you guys formed?

DR: "I think it was 2008. In 2008, it might have actually been a band called Blood Regime which was what Godhunter was before it was Godhunter. But, funny story... After a show one time, a girl walked up to us and looked at either me or someone else in the band and she goes 'So, Blood Regime. Do you guys mean like a girl's period?' And we all looked at each other and we were like 'Ohhhh! We have to change this name.' So shortly after that, which I think was January... I know we played a show in January of 2009 as Godhunter. So somewhere in there, the name changed. The lineup has kinda changed a little bit. I'm the one person that has been in the band from the beginning and will be 'til the end. A lot o' bands have that. They have the one dude. As bands go, you kinda have to build for a while and change out parts so you can get into the right formation that actually works, which took a couple years. The last year and a half or so, we've been there. And since we put Wolves out, we've just been chuggin' along."

HP: That kinda led into another question I have. The Godhunter name, who came up with that? And has that been met with any religious hostility or anything like that?

DR: "The actual name Godhunter was picked out by me and my friend Max who used to be in the band. He and his dad own a family business and he couldn't get on the road as much as we needed to, so he eventually  left with another guy who used to be in the band, Loren. And they formed a new band called Thorncaster that's pretty awesome. But Max and I came up with that name. It's actually from a comic book. Beta Ray Bill that's in the Thor storyline of Marvel books. They did a three-issue series and it was called Beta Ray Bill: Godhunter. And when it came out we were sittin' there reading it and we just kinda looked at the cover and we were like 'Wow, that's a GREAT name for a band.' And I think that was when the band was actually named Blood Regime, so when the time came to change it we were just like 'Well, how about Godhunter?' and everyone was like 'Oh, yeah. That's...' It's a pretty iconic name, it's easy to remember, it kinda sticks out. Have we had religious problems about it? I'm sure. Our shirts make people stare at you. We've had kids that have been kicked out of school or had to turn their shirt inside out. We had one kid that was actually suspended for three days. They wanted to kick him out for the day and his parents said 'No, freedom of speech,' stuff like that. And they're like 'Well, there's no freedom of speech in junior high,' or high school or whatever grade he was in. So anyway it came down to a stalemate. They kicked the kid out for three days over one of our t-shirts. We've definitely had religious people in... it might have been at Chick-Fil-A, actually. I was wearin' one of 'em one time and, straight up, the girl at the counter wouldn't serve me. The manager came out and did it and was just really abrupt the whole time. There's another place here in town, a local sub-shop, that's Christian-owned. I know someone else in town that's had problems wearin' one of our shirts in there where they just flat-our refused to serve 'em."

HP: Wow...

DR: "Y'know, people are gonna take it how they want. The term 'Godhunter,' to us, doesn't necessarily mean we're hunting, specifically, the Christian God. With Charlie and I being the main lyric-writers... we come from hardcore so we like to write lyrics about things that are real. We don't like lyrics about dragons or swords. Nothin' wrong with that, but that's not our thing. So a lot of what we write is socially relevant, from our point of view. Just kinda being a little anarchist and whatever. We're against gods of all forms, like McDonald's or Shell Oil Company or Apple. In our eyes, if you look through our lyrics... a lot of 'em are tellin' people to wake up, there are things wrong with the world. There are things you can do to make the world a little bit better place if you just unplug and get back to reality. So when we think of the name, that's definitely what we're thinkin' of. Do we use the religious connotation? Absolutely. We slap upside-down crosses on anything. A couple of our shirts we've put out are highly, highly offensive, I would say. Especially our last one, I don't know if you've seen it. It has Jesus flipping off... Jesus is flipping the camera off and in the other hand he's wearing a detonator and a terrorist explosive belt and there's a church burning behind him. So we'll pretty much throw out anything we can on a t-shirt because they're fun. Whatever people wanna throw at us for it, we're willing to take. Charlie and I will openly get into debate with anybody that wants to debate us about any of our artistic aesthetics."

HP: I think you'd win, that was pretty convincing. That ties into another thing I was gonna ask. I've read that the goal of the band is to show the world for what it really is: an ugly place. Personally, what's some of the ugliness that has made its way into your music?

DR: "Just... PEOPLE! Our biggest thing we'd like to point out to people is that we're not that special. We're animals. People are gonna do terrible things. It's animal nature. Chimpanzees... one tribe will go after another tribe because they think the other chimpanzees have better hunting grounds. Scientists are just now starting to realize we're actually not the only animal that goes to war. So maybe it's not just a human thing, we're just animals. We need to wake up to this thing. If we realize what we are, we can probably be better to each other in the long run, y'know? The person that actually realizes he's a jerk can somehow, sometimes prevent himself from being a bigger jerk. Or you get that completely oblivious asshole that never realizes it and that dude is gonna be an asshole until he dies. So we just want people to wake up. Like the song (Stop Being) Sheep. That's exactly what that song is about. Stop it. Stop buying into everything. It goes even for things like... conspiracy theorists. Everyone in my band... we HATE conspiracy theorists. If you believe 9-11 was an inside job, we probably think you're the dumbest person working that day."

HP: Yeah! Put a bumper sticker on your car that doesn't really mean anything. But you see 'em all over.

DR: "Yeah, and all that stuff is just used for division. It's just like political parties. We only have two here, which is a shame. It just divides left and right. People vote Republican because their dad voted Republican and their grandfather voted Republican and they don't even really know what Republican stands for anymore but they're just gonna keep voting it because they like country music and they like Ford pick-ups. So that's what they do. And I love country music and I have a Ford pick-up, but I really don't give a crap about bein' Republican."

HP: It seems like the press is starting to pick up on you guys. It's all pretty positive. How are you guys responding to the increased success and attention?

DR: "We're all really happy with it. We're pleased that things are generally positive. The things people point out, 100% we agree with them. I'm sure you've talked to bands that look back on an album six months or a year after it's done and they say 'Well, we should've changed that, that could've been better, we should've done that part totally different.' We pretty much agree with the criticisms that are out there. We're happy with the praise that we do get. We've gotten reviews from Germany, The Netherlands... I've shipped stuff to six, seven continents now, for mail order. So it's exciting when someone in Malaysia or Bangladesh orders one of your t-shirts. You start wondering to yourself how a band like Godhunter get into Bangladesh in the first place."

HP: You guys confirmed Procession of the Equinoxes to be the opening track of the new album, right?

DR: "The song, as it's played, will be. We actually just got into a discussion... we've had long arguments over the name. I named that one and Charlie actually wants to name it Despite All. So when the album comes out, it may be called Despite All, but that WILL be the song. That's definitely gonna be the first song on the new album. We're kinda playin' it in a live version. The way it is presented on the album will be different. I don't give it away too much, but there'll be a more extended intro to it. We like big lead-ups; if you listen to Wolves, you listen to Sheep, the vocals don't even start until four minutes into the album. I like building that tension, getting it worked up until something just slaps you in the face."

HP: Yeah, it's great the way you guys did that. I love artists that are patient and don't insult the listener by throwing the point directly in their face, they let it build. This Will Not End Well is also gonna be from the new album, right?

DR: "Yes, that definitely be the second song on the album. Procession or Despite All, whatever it ends up being called, I'll go with Despite All 'cause I think that's what we're gonna end up with... Despite All and This Will Not End Well are kinda parts A and B, the same way that (Stop Being) Sheep and Wolves of the North are kinda parts A and B of one grander song. Once you're able to read the lyrics, you'll see how it all ties in together. The new album is gonna, loosely, be a concept album. It's basically about living in Tucson, in the Southwest, the desert. The middle of nowhere in the age that we're living right now. Climate is changing, jobs are disappearing. You're in Illinois, you guys have had a big drought this year, right?"

HP: It's been terrible. All our corn is dead, our crops are dead. It's gonna be rough for these farmers, everything is gonna skyrocket in terms of price.

DR: "Our desert is getting more desert. What little rain we had is going away, it's coming at odd times. Things like that are affecting the extreme places quicker than they're affecting the temperate places. We have the second-lowest in education, the greatest number of vacant houses, per capita, in the country. We have an unemployment rate... we're not like Michigan yet, but we're a little bit higher than average here. We feel like it's kinda worse here right now. This is one of those places, so close to the border and us having really incendiary legislation like SB-1070 being passed and people like Sheriff Joe Arpaio being around. We almost feel that Arizona is a tinder box of what might happen to the country as a whole. If you see some actual... I don't wanna throw around the word revolution, but... if you see something like that happening, we feel it might happen here first."

HP: So that's what the concept is focused on?

DR: "Yeah, the album is gonna be called City of Dust. It's just about... we're watching our city turn to dust right now. It goes from Beverly Hills to Beirut in the space of two blocks."

HP: You guys have some pretty rabid fans. Talk about them for a minute.

DR: "I love our fans. A lot of 'em, like you said, they're rabid. Some of them are idiots, we're totally cool with that. We're idiots, too. Our fans kinda remind me of EYEHATEGOD fans, they're extremely dedicated.  But you never know when one of them is gonna throw a bottle through a window and set off a fire alarm. The one show we played here in town with Red Fang, we had fans pushing each other out the fire exits and building fire alarms are goin' off in the middle of Red Fang's set. Red Fang just kinda looked at each other and just played through it. We're just in the back like 'Man, everyone we know are fuckin' idiots! It's awesome!' So we'll take it, y'know? I love people that are dedicated, and our fans are extremely dedicated. I don't know how much o' this you wanna print, but I'm gonna tell you the story 'cause it's a great story. We were doin' a show in California in Palm Desert and some of our fans showed up. We do like to smoke weed, everyone in the band smokes except for Charlie. So they showed up with a mason jar packed full o' weed. And I don't mean like a little baby-food jar, I mean like a mason jar almost the size of a two-liter bottle o' soda. Packed. Full. And then they had another mason jar, a smaller one, baby-food sized, of this black oily liquid. I'm like 'I know what's in that big jar, what's in that little jar?' They said it was an oil of weed or something like that. I was like 'What do you do with it?' They're like 'just take a sip of it.' I took like a teaspoon full of it. Y'know, I fell back into the couch laughing. Like I was twelve years old, first time I got high again. They're tellin' us 'You guys should take this home,' and I'm like 'Our next stop is back in Arizona, we can't cross the border with this.' They're like 'No, take it! Take it all, really!' We literally had to give it all back to 'em because we're like 'Look, this is like six or eight felonies, we don't know. But whatever it is, we can't get caught with this crossin' the border, y'know?' They were like 'Okay, but next time you come back we'll have more, so plan on it!' We're like 'Jesus, I can't smoke this much weed!' So I will NEVER complain about our fans, they're amazing people!"

HP: Is there anything else you wanna share for our readers or your fans?

DR: "Just that if you're in the southwest, come see us in October for the Southwest Terror Fest. Literally, it's the best bands from six or eight states. A couple from the other side of the country. Other than that, we'll see everybody on tour in March. We're gonna do a giant run and hit South by Southwest for a few days. So we'll see everybody once we get out on the road."

HP: Well, Heavy Planet loves you guys, you've got some fans with us. Shit, you won the damn competition. So thanks for everything.

DR: "Thank you, man! We appreciate you guys. Ever since you guys featured us a couple years ago it's been a cool relationship. Thank you very much!"

And here's that new shit!



Facebook | Bandcamp | MERCH! (US) | MERCH! (Eur) | MERCH! (AUS)

Sunday, October 16, 2011

Sunday Sludge: Black Tusk - "Set The Dial"



How hot and thick does Savannah REALLY get? I've heard stepping outside can feel like having a wet towel thrown on your face, but I can't say I've ever visited the southern metal hotbed that seems to encompass the entire Peach State. On October 25th, swamp-dwelling Black Tusk will release Set The Dial, their fourth album and first since last year's blistering Taste The Sin. Judging by these ten tracks, it's safe to say Black Tusk didn't bother taking any time to cool off.

Keeping things dirty, Set The Dial coats your stereo with blazing sludge and douses it with hardcore punk for an awesomely evil, expertly-constructed groove that never lets up. Brewing the Storm is instrumental static, rolling with a rhythm that James Brown would rip-off if he hadn't died celebrating his own Georgia Christmas five years ago.

James May's drums speed through these 31 minutes like a junkie swallowing his highway stash as a trooper approaches. Bring Me Darkness and This Time is Divine showcase talents which beg the question: "Who's trying to keep up with who, exactly?" A song like Carved In Stone just wouldn't exist without May's double kick-drum, dropping anvils on a stomp-along that makes every other metal drummer sound sophomoric.

Ender of All is, of course, quick, dirty, and seemingly bruised up after a struggle with meth. Vocals battle and a static hum marries a low bass rumble, leaving ashes in your mouth in the form of a brilliant stop/start element. But what listeners will love about this song (and the entire fucking album) is how much GROOVE Black Tusk has managed to lay down. Whew, this train won't be stopped.

When Mass Devotion has you believing the tempo's letting up, you're met with dueling vocals and a guitar lick that wraps you in a straightjacket. Andrew Fidler layers his space-warble riffs and allows us to wallow in the mud and catch our breath, but he doesn't have time to worry about what we can endure. The track's brevity pairs with its spooky undertones to fully deliver what may be the album's most expansive, yet concise, sound.

Set The Dial is heavily characterized by that low-bass bounce, loose and filthy as a prom-night handjob. Jonathan Athon just can't help it; he's gonna roll out bottom-ended grooves and make it look easy. Resistor is nearly stolen by slow southern pickin', but the melodic, asphalt-chewing bass roll keeps things wet and sticky. Hitting the strings with unbelievable intensity, he lays down a furrow on Growing Horns. Choppy, nervous, and a tad hairy, this is exactly what listeners expect from Black Tusk: A slaughter of nervous ticks that gradually manifest themselves in the form of thick, filthy swamp cruising.

Set The Dial signs off with dusty licks, archaic drums, and absolutely no time to scrape the shit from your bootheels. With Crossroads and Thunder, there's a storm coming. Get your shit and take a hike, stranger. We can't be certain what worries us: a drifter on a Harley, hogs feasting, or a swarm of itching locusts. But the sound is awesome, and Black Tusk is confident we won't take it personally when they tell us to get the fuck out.

From fade-in to fade-out, Set The Dial fails to disappoint. The institution of sped-up swamp sludge is alive and well in the Empire State of the South. Black Tusk have again fired up the grill, cracked a few cold ones, and blazed through their own blend of metal that's distinctly southern, distinctly Georgia, and distinctly dark. We're left buzzed, we're left buzzing, and we're left with one of 2011's best albums.





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Thursday, December 30, 2010

Heavy Planet's Top 20 of 2010: #10 to #6

 #10. Gozu-Locust Season (Small Stone)



























Here is a band that just surprised the absolute shit out of me. As I was perusing the Small Stone records website, I came across Gozu and figured I'd give them a listen, and man am I glad I did. The tunes are not only catchy but chug along with that warm and fuzzy stoner rock groove. Think of a heavier version of Queens of the Stone Age but with a better singer (sorry not a big fan of Josh Homme's vocals). Listen. Repeat. Listen. Repeat...

What others had to say:

Gary Suarez. MetalSucks.net

"No matter how you feel about the Kyuss reunion under the Kyuss Lives moniker, I hope it has at least rekindled your interest in that heavy desert rock the boys used to make for us. Fortunately, Small Stone Recordings has been carrying the flame while the rest of you have been trendhopping like a bunch of bitches. (How’s that blackened deathgrind re-thrash emocore working for ya?) And as with last year’s revelation House Of Broken Promises, the label has given us another rare hunk of hard rockin’ gold in Gozu." Read more...

The Editor, The Dreaded Press

"OK, hold everything – I’ve just discovered what happened to the band that Queens Of the Stone Age somehow (and rather disappointingly) avoided turning into. They’re called Gozu, they’re on the perpetually reliable Small Stone Records, and their new album Locust Season is riffomatic fast-drivin’ music with a splash of dumb pop sensibilities and its tongue just a little in its cheek." Read more...
 
Listen
 
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#09. Sasquatch-III (Small Stone)


























This is where the homage to Small Stone Records ends. This label released some magnificent releases this past year. The last four albums exemplify how truly great and important this independent label has become. I think that this band just keeps getting better after each release.

What others had to say:

KK, CosmicLava.com

"With every new album, Los Angeles' power trio SASQUATCH are getting better. Well, that phrase sounds flat and empty, but it's indeed the case. At least, for my taste. This does not mean, however, that I think that the band had a bad start with their first two albums. Since the beginning it was obvious that they have the decisive potential to perform powerful riff-driven heavy rock which will be remembered for a longer period. Of course here, nothing new will be invented, but that doesn't matter as long as the tracks are packed with solid hooklines and crunchy riffs, and, boy, are SASQUATCH good at it! Their third record aptly named 'III' is a hard rocking, fuzzed-out titan which contains some of their best tracks and shows quite clearly that SASQUATCH has grown together into a strong unit over the last nine years. It is a consistent, powerful album that hits really hard at gut level." Read more...

Ollie, The SleepingShaman.com

"Now, if the mythical Bigfoot, or Sasquatch with whom this band shares its name were to listen to music you can bet your ass that the big hairy bastard would kick back with a few beers and listen to big hairy bastards like Sasquatch!!!

Now, many people would say that rock and roll isn't big or clever, and there are an equal number of people that would claim that that is exactly what makes it so fucking awesome in the first place!!! The finest rock and roll bands have made careers of keeping it simple and not messing with a winning formula…AC/DC, Motorhead, the Stones…etc. If they have ever tried to mess with the formula they've invariably come unstuck and produced a turd pile bigger than old Bigfoot would be capable of!!! Sasquatch understand that to be effective rock and roll needs to be simple, powerful, fundamental and primal and so take the fuzzy grooves of stoner and mix it all up with a greasy 70's blues vibe that aims straight for the heart and the crotch." Read more...
 
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#08. Lonely Kamel-Blues For the Dead (Transubstans Records)
 

























This album was a very pleasant surprise. I received it for review and passed it along to Zac. After reading his review I decided to take a listen myself. This is a great album. Very classic rock feel with amazing riff heavy blues guitar. A hidden gem.

What others had to say:

Zac Boda

"Blues for the Dead." and "Lonely Kamel." I really had no idea what to expect upon first listen. I wasn't blown away by the cover art; which I know may be odd, but cover art is an important part of the whole experience for me. I decided to head over to the bands myspace page and see Oslo, Norway. Nice, I have an obession with Scandinavia. First, I must say the artwork grew on me after the first listen. This is excellent! I hear thick and groovy blues rock. This album is solid. The majority of these tunes are 4 out of 5 with "Stick With Your Plan" being the stand out song. This song has a slow and steady intro and just jams at approximately 1:45! Some of the grooves in this track just bring the vision of a lovely woman's hips swinging! For me, everything just melts together and flows through you, and it feels damn good. If you are looking for some groovy, blues influenced, hard rock, this is the album for you."

ZeeZee, MyGlobalMind.com

"BLUES FOR THE DEAD is certainly an interesting album, and one that I quite enjoyed. Who it will directly appeal to however is something I’m still not too sure of. Musically LONELY KAMEL certainly have their own distinct sound, which is made up by a combination of classic blues rock/psychedelica and the more modern style of stoner rock/desert rock. Which in essence means that they sound like a combination of HENDRIX, CREAM and GREATFUL DEAD with some CLUTCH, WOLFMOTHER and KYUSS mixed in." Read more...
 
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#07. Dusted Angel-Earth Sick Mind (Mankind Records)



























By looking at the cover you would think that this would be pretty lame, to the contrary! What hides inside is a truly great mix of classic metal, doom, stoner and a bit of psychedelia. If you have not heard this release then you most certainly should.

What others had to say:

Craig Hartranft, DangerDog.com

"If you've ever wondered what Hawkwind may have sounded like if Lemmy stayed, went to lead vocals, and the band stayed on its psychedelic, neo-stoner, path, then you might have California's Dusted Angel and their first full length disc Earth Sick Mind. But that's mostly pure speculation on my part. Dusted Angel borrows heavily from the whole classic heavy metal motif and add equal doses of stoner rock and doom metal, with a glimmer of madcap psychedelic. There's enough images, inspiration and nuances from Queens of the Stone Age, Kyuss, Black Sabbath and, maybe, some Helmet. I think you get the sonic picture." Read more...

Paul, TheSleepingShaman.com

"Maaaaaan, that Clifford Dinsmore dude sure gets around! From Bl'ast, to Spaceboy, to the criminally underrated Gargantula, and now on to Dusted Angel, he has been yelling up a storm since 1982!! Jeeeeez, it's a wonder the guy has an vocal chords left!!

Thankfully for Clifford's Otolaryngologist (look it up smart guy!), the guy has a lot more room to breathe in Dusted Angel than in the furious hardcore of Bl'ast or the claustrophobic drugscapes of Spaceboy and Gargantula. Clifford's vocals here are certainly more restrained than in any of his previous outfits, but still intense and on-the-money. It's more of a throaty howl here than the full-on gonzo attack of Bl'ast or Spaceboy, but anything harsh would NOT suit the more straightforward, 'listener friendly' sounds of 'Earth Sick Mind'. Dusted Angel refer to themselves as 'Doom Rock', and I guess that is as apt a description as any. Too upbeat and rockin' to be Doom, yet too intense to be Stoner Rock, I guess 'Doom Rock' is what they are!" Read more...
 
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#06. Black Tusk-Taste the Sin (Relapse Records)




























I really started to get into this band after seeing them open for Stoner Rock legends Fu Manchu. They played a blistering set and I loved the energy of the band. It looks like Georgia is becoming the hot bed for some great bands of late. Compared to luminaries such as Mastodon and Baroness, Black Tusk stamps their unique take on the ever so crushing mix of Southern-fried hardcore sludge metal.

What others had to say:

Grayson Currin, Pitchfork.com

"The single, substantive frill of Taste the Sin, the excellent Relapse debut album by Savannah, Ga., metal trio Black Tusk, comes as the final track begins. "Well, hell, World War II gave us the ball point pen," says the actor Charles Tyner in a monologue excerpted from his hilarious role as the militant Uncle Victor in the 1971 film Harold and Maude. With tales of war and murder, and his well-decorated uniform, he brings the lugubrious teen Harold to some uncomfortable intersection of euphoria and orgasm. "I say get the krauts on the other side of the fence where they belong. Let's get back to the kind of enemy worth killing." Read more...

Evan Roper, TheNewReview.net

"Savannah is a small southern town that time forgot. Isolated in antiquity and surrounded by swamp and a lot of nothing, next to nowhere, the setting provides an interesting context for a heavy metal music scene. Bands like Kylesa, Baroness and Black Tusk have sprung up out of the Georgia marsh to gain a surprising amount of influence and recognition considering their small town roots.

Make no mistake; while Black Tusk carries the distinct sounds of their Savannah folk heritage, they are very much their own band with their own sound. Kylesa wander in psychedelic aural landscapes and Baroness pushes forward with much more progressive musings in their song structure, but Black Tusk is perfectly content to smash through their own path, with thick and bottom-heavy, punchy riffs. More aggressive and more direct than their swamp sharing brothers and sisters, Black Tusk displays punk sensibilities much like punk-sludge pioneers Eyehategod and Buzzoven. The European version of the album includes a cover of Buzzoven’s “Toe Fry” which solidifies the influence of the late sludge band on Black Tusk. If you are lucky enough to get the version of the album with “Toe Fry” included, it closes the album nicely." Read more... 
 
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Read #20-#16 here.

Read #15-#11 here.

Tuesday, August 10, 2010

Heavy Rotation-Black Tusk-"Taste The Sin"

One album that has caught my ear over the past few weeks is the new album by Black Tusk called "Taste The Sin". It looks like Georgia is becoming the hot bed for some great bands of late. Compared to luminaries such as Mastodon and Baroness, Black Tusk stamps their unique take on the ever so crushing mix of Southern-fried hardcore sludge metal.



Reviews:

"Hailing from Savannah, Georgia, Black Tusk is a 3-piece band and their sound is described as swamp metal. I have seen them compared to bands such as Baroness, Kylesa and Eyehategod, among others. The cover art was contributed by John Baizley of Baroness.

At just under 35 minutes long, you might think that each song blows by without leaving much of an impact. You’d be wrong there. The songs “Snake Charmer” and “Unleash The Wrath” both have a slight doom metal feel to them a la Electric Wizard and others as well, even picking up a bit of Baroness (at least to my ears). Elements of sludge and punk exist in “Embrace The Madness” and “Red Eyes, Black Skies”.

I feel that “Way of Horse and Bow” is one of the strongest tracks, bringing together all of the influences into a track that has the punk intensity and in ways, is slightly reminiscent of Municipal Waste. Tracks 7 through 10 are actually four chapters known as “Double Clutchin” and as the song titles suggest, are there to sonically capture the act of double clutching in a drag race and the car nut in me can only dream of double-clutching a Dodge Charger. All four songs slowly fuse together, and if not for the profanity in the last track (which may be bleepable?), would work together if played back to back.

This is a fantastic album from an up-and-coming band who can only get better with time. While it’s easy to think that Black Tusk a clone or knock-off of similar bands from the same area, you’d be doing them a grave disservice if you didn’t listen to this album from start to finish. Taste The Sin is easily one of my picks for 2010."
 MindOverMetal.org

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"Black Tusk have kept the blogosphere abuzz with their steady slew of splits, EPs, and one full-length since 2005. The recent signing to Relapse was no shocker, and their association with some of the biggest names in the sludge/beard metal scene only served to throw the hype-meter into overdrive. So does Taste The Sin meet these potentially unrealistic expectations? Absolutely, and it does so by sticking to the script, with the band delivering their best set of songs the band self-described as swamp metal boot-stompers. Black Tusk rip through this ten song beast with no pretense and plenty of down-home swagger, striking a balance between a Southern-fried Motorhead and a sludgy aesthetic.

From mud-caked blues riffs to the Jaeger, weed, Black Sabbath, and the “don’t know where I’m goin’ but I ain’t goin’ slow” snarl, this thing isn’t afraid to ride a monstrous groove and just deliver on the promise of some straight up rollicking rock ’n roll (“Way of Horse and Bow” anyone?). This is the kind of release where the influences are obvious, but instead of governing the thought process they provide a foundation from which Black Tusk have built their identity. Taste The Sin is an unkempt affair, so leave your sundresses and pleated khakis at home.

Now about those big-name associations: much has been made of a perceived connection between Black Tusk and fellow Georgian metal bands Mastodon and Baroness, and though I have no idea if this is a real camaraderie or an imagined geographic and sonic comparison, what I do know is that out of the three Black Tusk seem most willing to get their hands dirty. Instead of a rambling concept album about some sort of space czar, this feels like a gritty, direct look at the dark underbelly of the Dixie delivered by men who cherish their Miller High Life and their Sleep records. These guys have way more Down, Weedeater, and even some punk in their stew than either Mastodon or Baroness, and while it may not have the same progressive bent, Taste The Sin more than holds its own against Crack the Skye and Blue Record as their rough-around-the-edges but charming-as-all-get-out cousin." -Jake Oliver, DecoyMusic.com

Track Listing:

01. Embrace the Madness
02. Snake Charmer
03. Red Eyes, Black Skies
04. Way of Horse and Bow
05. Unleash the Wrath
06. Twist the Knife
07. Redline
08. Takeoff
09. The Ride
10. The Crash



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MySpace
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Recommended for fans of: Mastodon, Baroness, Eyehategod, Kylesa

Saturday, September 20, 2008

Tweak Bird kickoff U.S. tour; includes dates w/Valient Thorr & Black Tusk

September 18, 2008

TWEAK BIRD BEGIN U.S. TOUR; INCLUDES DATES WITH VALIENT THORR AND BLACK TUSK

The Los Angeles by-the-way of Carbondale, IL sibling duo, TWEAK BIRD, begin their first U.S. tour that will include dates with Valient Thorr and Atlanta, GA’s Black Tusk.

TWEAK BIRD’s debut release (out last week), Reservations, is a sweeping seven song introduction to a band exploring the depths of heavy experimental, progressive and psych-infused rock. Produced under the helm of the impressive production team, Deaf Nephews (Melvins’ Dale Crover and Altamont's Toshi Kasai), the songs on Reservations emanate a powerful brooding air—foreboding, almost threateningly so—of some new sonic assault about to be heaved upon the listener.

Mark Willett (Listen.com, Music for Robots) calls Tweak Bird “one of the best local bands in Los Angeles right now” and “their two man attack with baritone guitar and drums is just an aural slaughter”, while Iann Robinson (None Louder) says Reservations “is one of the best slices of rock I’ve heard in a long time” and “is the musical equivalent of the weed smoke that filters out of your older brothers room. It’s thick, potent and once you get a bit you want so much more.”.

Heading up the West Coast and then across the nation to meet Valient Thorr and Black Tusk in Virginia, TWEAK BIRD are set unleash their “fuzzed out melodic low end riffs spliced with Geddy Lee singing during the peak of a welcome acid trip” (Crust Cake) on all that are willing to join them on their trip.

9/18 Oakland, CA @ Ghost Town Gallery w/ Shellshag
9/19 Arcata, CA @ Jambalaya w/ The Ravens, Dorado
9/20 Portland, OR @ Slabtown w/ Ancient Age, The Ax
9/21 Portland, OR @ Rotture w/ Hot Victory, Party Killer
9/23 Boise, ID @ Myrtle Morgue
9/24 Colorado Springs, CO @ Rocket Room
9/27 Carbondale, IL @ Booby's
10/2 Athens, OH @ The Union
10/3 Richmond, VA @ Canal Club w/ Valient Thorr, Black Tusk
10/4 Chapel hill, NC @ Local 506 w/ Valient Thorr, Black Tusk
10/6 Birmingham, AL @ The Nick w/ Valient Thorr, Black Tusk
10/7 Nashville, TN @ Exit In w/ Valient Thorr, Black Tusk
10/9 Covington, KY @ Mad Hatter w/ Valient Thorr, Black Tusk
10/10 Columbus, OH @ Ravari Room w/ Valient Thorr, Black Tusk
10/11 Chicago, IL @ Bottom Lounge w/ Valient Thorr, Black Tusk
10/14 Minneapolis, MN @ 7th St. Entry w/ Valient Thorr, Black Tusk
10/17 Oklahoma City, OK @ The Conservatory w/ Valient Thorr, Black Tusk
10/18 Denton, TX @ Hailey's w/ Valient Thorr, Black Tusk
10/21 San Diego, CA @ Casbah w/ Valient Thorr, Black Tusk
10/26 Costa Mesa, CA @ Detroit Bar w/ Valient Thorr

* more dates with Valient Thorr and Black Tusk will be announced shortly...

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http://www.myspace.com/tweakbird
http://www.myspace.com/valientthorr
http://www.myspace.com/blacktusk
http://www.volcoment.com
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